I am an old school traditional judge.

In Congress - If you ask for an in house recess to pad a speech or to address the chamber because no one is speaking - DO SO AT YOUR OWN RISK! Nothing annoys congress judges more than 15 minutes of caucusing and getting splits, only for no one to be ready. The PO should be running the round and is perfectly capable of admonishing those who are not ready to speak. Otherwise, I like a good intro with a 2 pt preview and good, creative arguments that show critical thinking. Be active in the round and ask good questions.

PF - Keep it simple. If you run a plan, a K, or theory, you are unlikely to get my ballot. Treat me like I have no idea what this topic is and explain EVERYTHING. Weigh impacts to get my ballot. Don't complicate a pro/con debate.

LD - For UIL, stick to a traditional format with Value/Criteria and Contentions. Weigh and give voters. For TFA, just know that I loathe rapid delivery and love explanations. If you are going to run a counterplan in absence of an affirmative plan, I will not vote on it. LD is not 1 person policy. Uphold your value throughout the round.

Remember, debate is impossible without effective communication.

FLASHING IS PREP TIME! If you are not speaking, you are prepping. My prep time clock is the official prep time clock.

Hello,

I am currently in my 21st year teaching Social Studies at Byram Hills High School. I am also the director of our school's Speech and Debate Team

Paradigm Updated: 12/17/2020

Name:

Kovan Barzani

Background:

Debated LD/PF at Liberty HS in Frisco, Texas. SMU ‘17 (Economics, Public Policy, Business Management). I am open to judging LD, PF, Extemp, and can flex into Policy.

Email:

BarzaniKovan@Gmail.com

Paradigm:

I reserve the right to vote someone down for discriminatory language or arguments. Debaters hold different backgrounds and come from varying communities, some of which are heavily marginalized. Building an inclusive community starts with participants, so I expect you to be courteous to your opponent.

LD is a Value/Criterion centered debate. As a result, I value the top of the framework the most. You can win every contention or run an Off-Neg but failure to link to the winning framework will cost you the round. That does not mean you need to contest or win the V/C debate. Rather, just link into the winning framework. With that said, I am open to Ks, but please link them clearly and be explicit in the relationship between premises. I can follow Theory, but please present them clearly. This means list out your rule, why it matters, the violation, the impact of the violation, standards, and reason to vote. I am not a fan of rushed T-Shells. They are high impact arguments, and as result, they should be thorough. If your opponent presents a poorly warranted or poorly linked Theory argument, you don't have to do much to convince me to ignore it. If you present a Theory argument, please make sure to clearly state why the standards matter. Do NOT run a laundry list of standards. Link CLEARLY to the violation, and BE clear in your language.

At a high level, please explicitly extend arguments and crystalize. Close out your NR/2AR with some form of weighing, why you generate more offense, or some form of impact analysis that gives me a clear reason to vote for you. You can go through the whole round winning but not get my vote if you do not crystalize clearly.

Style:

While I can understand spreading, I do not prefer it (especially in a digital environment). I would say my cap is closer to ~300 WPM. I cannot flow effectively at the current speed of the national circuit so please annunciate, slow down at key premises, and be explicit with your cards. I know a lot goes into case work and speed may be the only way to do justice to your preparation. If that is the case, be prepared to be courteous to both me and your opponent by having materials accessible. I will interject if necessary.

I prefer to have webcams on for an online debate. If this is not an option for you, let me know. I will not dock off for any pets jumping on tables, siblings running around, etc. If there are any technical issue, escalate them immediately. We can work around internet cutting out, mic messing up, or laptop issues within reason.

Additional Information:

I graduated from Southern Methodist University in 2017 as a triple major. I work in financial services and have a background in monetary policy. Furthermore, I am well read on Middle Eastern affairs and refugee issues. If you have questions on literature for these topics, feel free to bring it up after the round.

I will not judge for pay, only as a volunteer. I aim to be as accessible as possible to debaters, so feel free to email me after the round with any questions. I take fairly meticulous notes but please reach out at most 1 week after the tournament.

I'm pretty close to tabula rasa. I'm not going to tell the contestants what to say to persuade me; it's up to them to come up with that. If contestants weigh arguments, I consider the relative weight they assign when evaluating the round.

I do have some preferences, though. I prefer real world topical arguments to fanciful ones (e.g., Harry Potter DA). I prefer resolution based arguments to theory, though I understand that sometimes theory is useful. I tend not to vote neg on topicality unless they can show aff's case is clearly abusive. I will vote on what is presented in the round, though, not based on an idea of what I think debate should look like.

I also have some preferences regarding structure. Signpost, signpost, signpost! Refer to arguments by which points and sub-points they fall under, as well as the sources of the cards.

I have no philosophical objection to speed, but if you speak to quickly for me to flow, you won't get credit for all your arguments. Word economy is preferable to speed.

My competition background is in LD. I have been judging LD and PF for about 10 years now. I also judge WS, but not CX (except for an NCX round once in a blue moon).

Ask me anything else you would like to know; I'm very approachable.

I'm a parent judge with three years of experience, including judging individual speech events 3 times at NSDA Nationals, twice at NIETOC, and once at TOC. During debate rounds, keep your speaking pace moderate. If you are speaking too quickly for me to follow, I will let you know in-round. Your arguments should be at the level that an intelligent, well-read person can understand. If you have more advanced case theories, kritiks, etc., it's your job to make them understandable to me, including explaining terms of art. I like specificity. I like students who are competitive, but collegial with each other.

Hello!

My name is Braxdon Cannon. I graduated from Brewer High School in Fort Worth, Texas. I am a former high school speech competitor, and currently a collegiate speech performer at The University of Texas at Austin. There I frequently compete in Interp, Public Address, as well as Limited Prep. I have been a competitor for 6 years and I love helping other students. I am a national collegiate quarter-finalist in Poetry Interpretation, Informative Speaking, and Duo Interpretation.

When I judge interpretation events, I look for emotional levels. It is very important to me that I see each character presented go on an emotional journey. Every character should be different from where they started. I think it is extremely important that as a judge I can tell that students have made an emotional connection to the characters they perform. I also find introductions to be important to the overall rank of the piece. I want to see a relevant and well-thought out argument. In addition, I love when performers take risks.

For Public Address I want to see a professional speech, but at the same time, I want to see you having fun! I personally loving seeing PA events where I can see performers personality shine through.

Overall, I look less for small mistakes like a stumble or an awkward page turn, but instead I look for bigger picture moments that influence the overall feeling of a piece.

I truly believe that speech is a great platform for students to use their voice, and I can't wait to see what everyone has to offer this year!

When it comes to interpretation events, I am drawn to performances that marry the synergy between literature, fully crafted performances, and effective blocking. I'll be looking for a well-crafted and engaging message that not only captivates the audience but also demonstrates a deep appreciation for the literary nuances in your chosen material. Ensure your content is not just spoken but embodied, utilizing effective blocking to enhance the visual dimension of your performance. Your delivery remains pivotal, so articulate your words with confidence, using your voice, body language, and strategic blocking to create a cohesive and immersive presentation. Pay attention to pacing and timing for a seamless and dynamic flow. Tell me a story, take me on a journey, and make me feel something!

--Speech--

Hi y’all! My name is Fernando Cereceres. I’m a speech judge who specializes mostly in the interps.

Overall, within any speech, I like to see both physical control of your body within the space and verbal control over your speech. Facial expressions are EVERYTHING!!! Even within Extemp, oratory and info, showing us that you know/care about what you’re discussing is extremely important.

EXTEMP:

First and foremost, I judge based on who answered the question best through their 3 points. I then look at the content of each point and see how your sources/analysis tie back into your Q&A. Delivery/hand gestures in extemp are important as well. Make sure that your delivery matches the theme of the content you’re giving. For example, it’s probably a good idea to not have a super upbeat/happy vocal delivery when discussing international conflicts. Same goes for hand gestures, make sure they’re motivated and not just used for filler.

OO/INFO:

For both INFO and OO, I usually judge based off of topic, solutions/implications, and delivery. The topic should be something fresh and interesting, something that makes the audience go “what? I’ve never heard of that. That's so interesting.” This isn’t to say that if I’ve heard about your topic before then I’ll down you, but it’s all about how you present/perform the information as well. Solutions and implications should also be fresh and well thought out. They should be thought provoking for both the judge and the audience and should make us see your topic in a more nuanced way. Delivery should match the content of your speech. Whether it’s serious, funny, or impactful, your vocal delivery and gestures should match that.

INTERP:

I judge interps based on topic/argument, character work, and moments. The topic/argument of your piece should be fresh and intriguing. Why is your piece important for the audience and how does your argument introduce a new way of thinking for us? Character work is also extremely important within interp. Do you embody your character? Are the choices you make as the character authentic to who they are? Lastly, moments are extremely important within interp. What I mean by “moments” are the occurrences within the piece that you, the performer, decide to give special emotional significance to. For example, the climax of the piece should always be a “moment” where we get to sit with your character at the peak of their emotional journey. There are also moments outside of the climax where people layer the performance with emotion and subtext that contributes to character/plot development. Choose your moments wisely and commit to them 100%. I’m also a sucker for silence within a piece. Silence, if done right, can communicate much more effectively than words can.

Author's intent: I stand by the author's intent unless it’s part of the performer's argument to perform something outside of the literature's intended purpose. In that case, it must be explicitly stated within the intro as to how/why the performer decides to do something outside of the author's intent.

Judge Info:

Number of Years Judging Forensic Activities: 4

Coach For: Speech Events

Occupation: English Teacher

General Paradigms:

With the exception of extemp topic, speech events should be carefully memorized and functionally executed. You should be engaging and original to the best of your ability. Do your best and don’t forget to breathe. Debate events should rely heavily on logos and source ethos (if sources are cited). Be sure that warrant and impact effectively develop the argument.

Extemp Paradigms:

My preferences goes to cited evidence with dates included. Evidence should assist to prove your statement, not overpower the overall argument. In synchronous competition if the speaker’s triangle is used, please try to keep your whole body on camera and keep the camera at eye level as much as possible. Road maps are appreciated. Rounds are determined on argument effectiveness, speaking engagement, and speaker skill/ preparedness in that order.

OO/ Info Paradigms:

Road maps are appreciated and VAs are ideal (but do not necessarily win or lose points in rounds). Evidence should be properly cited and should assist the speaker’s point, not be regurgitated as the speaker’s point. If the speaker’s triangle is used, try to stay entirely on camera. Camera will ideally be placed at eye level. Judging is based on originality, use of evidence/proof, speaker delivery/ level of memorization, and use of VAs/body language.

PF Paradigm:

Speed of delivery does not matter as long as comprehensibility of speech is not affected; please keep in mind that I am flowing your arguments in order to best evaluate your round – try not to kill me. I have no preference on the format of summary speeches but prefer that you do not introduce major arguments in them. Final Focus should address the value of arguments made and wrap up the competing arguments in a clear and concise way. Argument is valued over style in this event. I discard arguments that are raised for the first time in Grand Crossfire and Final Focus.

I've coached for 10 years, I currently serve as the Executive Director of Portland Urban Debate League, I coach at Franklin HS and Centennial HS, and I have judged very few rounds on this topic as I typically am tabbing tournaments.

Put me on the email chain mallory@portlanddebate.org

*Everyone should be respectful. If y'all are rude/racist/homophobic/ableist/sexist etc. I consider that a reason to drastically reduce your speaker points. You can be nice and still win debates. If y'all aren't reading a content warning and describe trauma/violence/etc that need a content warning, I will seriously consider giving you an auto loss.

Overall: Tabula rasa, default policymaker. I prefer you go at a moderate speed and slow for tags. I'm probably not your ideal K or counterplan theory judge. I understand the basics of Ks and some of ideologies, but I tend to get lost without robust, slow explanations at every level of the flow. I flow CXes of K debates to help with my understanding of what is going on. On T- I default to competing interpretations. If you’re not rejecting the topic, you should be topical.

Framework vs non-traditional affs: If you think the aff should be topical, tell me why your model of debate is better than theirs. I prefer external impacts, but will still evaluate fairness as an impact if you go for it.

Specific Arguments

Aff: Need to have a method through which you solve your impacts, if you’re topical, that means you’re using the USfg and have a plan. If you’re reading a K, I want a clear articulation of how your advocacy is adopted/changes the debate space/matters in terms of impacts.

Case Debate: You don’t need carded evidence to point out solvency deficits of the aff. Analytics are generally smarter and more true than the arguments that take you 20 seconds to read the card.

Clarity>Speed: I’ll say clear once, but if you don't slow down you run the risk of me missing arguments that are key to you winning the debate. Please don’t assume you can go as fast as you want just because I’m on the email chain. SLOW on theory/T/analytics. Embedded clash in the overview is nice, but don’t put all your answers to the line by line there.

Cross-x: I flow cross-ex, and I think you should have a strategy for cross ex that helps you set up or further your arguments. If there is truly a part of the aff that is confusing, go ahead and ask for clarification, but your CX shouldn’t give the other team an opportunity to re-explain entire arguments.

Topicality: Describe to me what type of debate your interp justifies, and what type of debate theirs justifies. Whose interpretation of the resolution is better? Impact T out, for example limits in a vacuum don’t mean anything, I want you to explain how limits are key to your education and fairness. I could be persuaded to vote on reasonability, but for the most part think that competing interps is the best paradigm.

Disadvantages: Link controls the direction of the disad. Specificity over generics.

Counterplans: Presumption flips aff if the 2NR goes for the CP. I would judge kick the CP even if not explicitly told by the 2NR, unless the 2AR tells me a super cool reason why judge kick is bad that I haven't heard yet.

Kritiks: Run what you want, articulate what the alt is and how it solves for the impacts you’re claiming. Not enough teams explain HOW the alt works, which I think is devastating when compared to an aff’s clear mechanisms for solving their harms. A conceded root cause explanation or a PIK (“alt solves the aff”) would be a way to win my ballot if explained well. The floating PIK needs to be clearly made early on for me to evaluate it. I’m most familiar with fem, anthro, and neolib, but would listen to other K’s.

Theory: I rarely, if ever vote on theory. Mostly because most teams don’t spend more than 1 minute on it in the final speeches. If the aff thinks the neg reading 7 off was abusive, then the 2AR should be case + condo bad. Dedication to explaining and going for the argument validates it as a reason to consider it. If you spend 30 seconds on extending a dropped ASPEC argument, I’m definitely not voting on it.

+0.5 speaks if you tell me your zodiac sign

I competed in Informative, Oratory, Extemp, PF, Congress, and LD in high school. I competed in traditional circuits but have experience on the nats circuit.

PF:

I believe PF should be pretty traditional. I love good clash and an easy flow. I do consider crossfire as an important element, but will not weigh anything that occurs in CX unless you tell me to in your speech. I enjoy being on the chain so include me (kevincraig226@gmail.com). Speed is fine, just make sure you're clear and understandable-I will let you know if you are too fast.

LD:

I prefer seeing a traditional debate but I'm good with CPs and DAs, but don't like seeing Kritiks. Speed is okay, I'll let you know if I can't understand you. CX is important to me, but I don't weigh anything in it unless you bring it up in your speech. Add me to the email chain at kevincraig226@gmail.com.

Speech: Long history judging/coaching all events after competing in policy debate for both high school and college.

Extemporaneous speaking: 1. Avoid the generic attention getters and jump into content as quickly as possible. 2. Cite lots of sources (accurately and fluidly--I'd aim for about 10); 3. Delivery/style: word economy is crucial in this event...rate is conversational, but 7:00 is not a lot of time to answer a complex question; 4. I will keep close time and look closely at the extent to which the speech is balanced. 5. All this said, I appreciate a good joke and an effort to breath personality into the speech--be bold and don't be afraid to take chances.

Platform speech events (oratory, informative, etc.): 1. A lot of my thoughts on extemporaneous speaking are applicable, recognizing this is a different genre of speech--it's geared to reach a broader audience. Thus, I might temper my comments on word economy a little--probably makes sense to take your time a little more and utilize a pace that provides more time to let points sink in, etc. Still, I value a quantity of information over cheesy jokes, etc. 2. I really, really appreciate a speaker who digs deep and finds a unique topic that is meaningful to her. So often, especially in out rounds, speakers are very equal in a lot of ways (organization, delivery, etc.), and it's the topic that helps provide a degree of separation--generic topics are fairly easy to spot. This is your chance--you can pick any topic to talk about; make it worth your while--this will make it worth my while.

Oral Interpretation: I'm not the best oral interpretation coach in the world--just never did it myself or anything like it. But, I'm not the worst either and have seen/judged a lot of INCREDIBLE rounds at the highest levels of competition. The great oral interpers make me forget that I'm judging for a few minutes. I definitely recognize great interp when I see it and am more impressed by performers who move me through pace and facial expressions than I am through volume--though the great interpers will use all the vocal qualities and have a knack for what is needed in each exact moment. The material is key--I love seeing unique themes and performers choosing material that they personally identify with. The introduction is incredibly important--here you have the opportunity to take any topic and make it your own--a source or 2 in the intro can often be effective at contextualizing your message. Take risks. Have fun. Speak your truth.

Policy Debate:

Philosophy/Overview:

I began policy debate decades ago as a policymaker (1990's when a good counterplan/disadvantage strategy ruled the day). Critical arguments are fine but don't assume that's a beginning point for me--be sure and frame the debate by discussing its pre-fiat implications. As far as performative based arguments and other more progressive styles of debate, I'm not against them...just don't have a lot of experience with them--definitely not my starting point--be sure and invest time helping me get there. Generally speaking, I feel the Affirmative should Affirm the resolution and any arguments ought to have a pretty specific link/buy-in to it. While I don't consider my understanding of debate to be inflexible or permanent, a few very gifted and persuasive college NPDA/NPTE teams have tried to convince me that the topic doesn't matter and haven't been successful.

Delivery:

Once upon a time, I erroneously gave myself credit as being a speedster from both a delivery and flowing perspective. I've gotten older (OLD) and am not in that kind of shape any more. I haven't coached or judged national circuit style of debate in a LONG time. I value efficient, quick delivery with lots of arguments--but; word economy is more impressive to me than the rate of speaking. If you must talk as quickly as possible, I'll do my best to keep up but don't be surprised if I miss stuff and/or don't have enough time to process it in a way that does you a lot of good. Definitely go slow on tag lines, game-winning arguments, transitions between arguments, and anything that you'd like to have show up on the RFD. If you enjoy "rapid fire," I get it--it's fun and I want you to have fun--and I don't question the pedagogical value in any way; but if you want me to get most of everything on my flow, I recommend slowing it down to at least 75% of your norm.

e-mail: timothy.doty@lubbockisd.org

For IEs

Introductions: be careful with simply summarizing plot in your introduction. Instead, take this opportunity to present a clear thesis/message for me to view your performance through.

Also take this opportunity to let me see a bit yourself/your personality, and avoid over-performing in the introduction. A more casual approach is preferred.

Clear arch is everything! I’ve think that vocal variety, clear shifts in mood/tone, etc. help accomplish this. I’ll usually take a strong, simple, clear story over a complicated, extravagant performance. Still, I have tons of respect for creative blocking choices.

In performances with multiple characters, make sure characters are clear and distinct. Well-rounded, dimensional characters are preferred over more two-dimensional, stereotypical characterizations.

I have loved seeing blocking that leans into, rather than ignores, the fact that we are performing virtually. Being creative with your use of space and camera is more than okay for me.

Any and all binder-tech is acceptable. Be as creative as you’d like, so long as supports the story, and doesn’t distract from the meaning of text.

For LP & PA (Extemp, OO, Info, Impromptu)

Clear structure, please! Roadmaps in the introduction are always helpful. Where you move/place yourself in your own spaces during virtual delivery helps me to follow the structure you lay out.

Vocal variety is really important to me. Keep me engaged!

I enjoy a delivery style that is more natural, and allows your personality to come through, but is still not too casual. Avoid speech patterns!

Utilizing a range of ethos, pathos, and logos throughout your speech is also important.

I appreciate evidence that surprises me, or that supports bold claims. I don’t find evidence that cites common knowledge as effective. Use evidence that furthers your argument, not just repeats it.

I enjoy a speech with a specific thesis. Careful of biting off more than you can chew in 7-10 minutes with a broad, general thesis about a really complex issue. I find that focusing on *one* aspect of a complex issue can allow the speaker more time to explore the topic and do it justice.

Topics that are current/relevant socially or politically also speak to me.

I am a traditional judge. I normally judge speaking events and interpretation.

In interpretation, I appreciate natural acting in most events with the exception of Humorous. I believe you can be fully animated in Humorous Interpretation. ALWAYS have purpose for your blocking. If you have blocking just for the sake of blocking or tech, I will rank you down. It is better to have real emotion than "fake crying" or a "crying voice." Always be true to your character(s).

In speaking, speeches should be delivered at a pace that is easily understandable. Organization is key as well as keeping the audience interested with a great vehicle.

I do not flow spreading. I believe debate is a communication event, not who can get the most arguments in the least amount of time (there is not a difference in "fast speaking" and "spreading").

I will vote you down if you are rude or aggressive towards your opponent. It is one thing to debate and clash against an argument, it's another to attack your opponent.

If you plan on emailing the case to your opponent, please include me in email: lyn_esquivel@yahoo.com

For any speech, I would like to see organization in your writing, clear points, and good transitions. Strong points are necessary, but be sure to add your personality.

A good introduction is necessary to set up your piece and remind yourself as well as your judge why this is important to you. Be sure to be clear and to the point when speaking. A professional approach is always nice.

Blocking wise, I would hope to see clean movements that are purposeful. Utilizing your camera with your blocking is a nice way to add individuality. Character work will be evident, so make sure every look has a reason, every choice has a reason.

Insensitive or offensive topics/jokes are not my favorite.

What I look for in a speech depends upon the type of speech presented. If the speaker has created the speech--whether informative, persuasive, or original oratory--I judge the content of the speech, the logic presented, and the language used to communicate its ideas. Secondly I look at the effectiveness of the presentation. Those standards get flipped a bit in an interpretation category where the speaker has a choice of material written by masters of their trade. Presentation is judged more highly in this case. Although, I have a fairly liberal bias, when it comes to using other people's material, I like to honor the writer and their words by keeping their intent sincere.

Speech (Original Oratory):

1. Please speak slowly (not too slow obviously), so I can understand you. After all, you are talking for 10 whole minutes on something that I didn't know you were talking about.

2. I should be able to see that you are passionate about your topic. You get to craft your own, 10 minute speech on whatever speaks to you. Take advantage of that, and make it reflect in your performance!

3. If you forget some words, just use some of those impromptu skills to come up with something that flows (and is on topic, obviously). Nothing's worse than a long pause. . .

4. Normal speech aspects apply: vary your voice (please do not sound like a robot), use hand gestures, inflection, etc.

Debate (Public Form):

I have been judging debate for a couple years now, so below is what I've constructed based on my judging experience:

1. I never accept "What is your evidence" or "My opponents have not provided any evidence" as an only rebuttal to your opponents' case. Please continue to refute it even if they don't provide evidence. Explain how even if they do provide valid evidence, you win on the argument.

2. I am not an opinionated judge. I look for thoroughness in explanation and supporting your side. Explain impacts and tie them to framework! If at times an argument is clashing, such as both sides have opposite evidence, the impacts are where you should focus, if you want to win that argument.

3. Please explain your points too and provide links. Simply reading evidence and saying "I have evidence that negates my opponents' claim" does not make me buy the argument. Aka, provide analysis.

4. Do not speak too fast just to get in more information. Remember, I am the one who is judging. If I can't understand what you're saying, this puts you at a lower chance of winning the round. Also, enunciate and stress important points if you want me to write them down.

5. I do not flow cross-fire unless you want me to. Please do not speak over your opponents during cross-fire. Respect. It is pretty common to get heated in this type of debate, given the restricted time and "unlimited" prep. Ultimately, if your rude, it will be reflected in your speaks for sure.

6. It is OKAY to drop arguments, but with REASON. If you do drop something in the round, you must explain, or else, it will harm you.

Hello...I am a first year parent judge.

I am in Sales and Marketing so I do look for energy, confidence and buy-in on the topic at hand.

Deep Breaths and Have Fun!

For Congress, I care most about content of a speech. Too many debaters have unclear or missing links. If you don’t follow a link chain through, it will be very hard for me to see your argument as good or thoughtful. I don’t care about a base system- if you want to try for a third speech when everyone else is getting two, I will not penalize you, but an extra speech will only place you above someone if I’m struggling to decide who did better. For speaking style, I don’t judge off of how you sound, but detest rudeness and like professionalism. The real US Congress doesn’t start a speech with a joke or trite phrase, so neither should you. IF YOU USE A CANNED INTRO OR PHRASE I WILL NOTICE AND BE UPSET. Also, I don’t think any news site is good evidence and prefer you use actual research- not just reporting. 9 time out of 10, a news source will cite something else, and it's lazy citationing on your part to not cite the original source.

When you clash- you cannot just tell someone that they're wrong. You have to either weigh your impacts against theirs and tell the chamber why your impact is preferable, or prove their link chain is incorrect. The latter your speech is, the more clash I expect to see. If you're giving constructive speeches late into a round, I will not rank you well, if at all.

For POs- I want to interject as little as possible (someone asking for tournament rules, like about hard stops, does not hurt you). How smoothly the round runs is your main job and will reflect on your rank. If there are a lot of recesses for people to write because they are not prepared, then you will do worse. You should manage the round and that includes making sure people will have future speeches.

PF Paradigm:

The number one priority of Public Forum Debate is that it remains accessible at all times.

Debaters are expected to time themselves and their oppenents. If there is some discrepancy on time, your speaker points will be in jeopardy. Please be responsible.

Go at whatever speed you are comfortable as long as it is not spreading.

I will flow what is said during speech, but not crossfire. I expect you to extend arguments from crossfire if you want to use them.

You must provide your win conditions. I need a framework to interpret how the round will be judged. That also means that weighing needs to be considers as well.

Don't assume definitions especially in the resolutions.

I will look at evidence only in the case that both teams appear to have evidence that contradict each other.

InterPA

Tech

Diction matters more in online competition than in face to face competition. In synchronous rounds, please emphasize your diction more.

You are welcome to ask for feedback regarding your placement within the camera.

I'd recommend you make sure the camera is perpendicular to your eyes/face. The angle coming from below sometimes makes viewing facial involvement unclear.

Preferences

Content Warning before your pieces. If you have any belief that your content could upset someone, you owe it to your audience to prepare us. Plot twists are not worth hurting your audience.

I really evaluate the quality of the cut/writing in close rounds.

A cut needs to have a clear beginning, middle, and end. The beginning means the characters, relationships, and problems are introduced. A perfect teaser has these element. The middle shows the characters attempting and failing to resolve a problem. The end discusses whether characters resolve or fail to resolve the problem and then what happen because of that.

Public address speeches follow some kind of previewed and road mapped structure to the speech.

Event Specific

Info

I don't evaluate lack of VAs as negative. I evaluate overused or nonhelpful VAs as a negative.

I don't really care about how you move in your speech.

OO

I follow PCS and CES structures the best.

I am sucker for empirics. I don't believe something is inherently a problem that affects everyone until you show me with a source that it affects people more than yourself. For example, if your speech is about how "We say no too much," you better prove beyond a doubt that we empirically say "No" a lot.

DI

I'm kind of over traumatizing DIs. DI is my favorite event though.

I value verisimilitude in the characterization and the blocking.

HI

Characterization matters the most. I value clear characters and efficient movement between the characters.

I also really pay attention to the resolution of the problem in HI. If the problem is resolved in a sentence or through an apparent unknown force. I blame the cut.

Duo

I hate how its done digital and really hope no one assigns it to me.

Blocking should highlight the conflict between the characters.

I find speaking towards the camera instead of pretending the two are in the same piece to be more believable.

POI

Characterization should be clear. I shouldn't doubt the differences between the characters.

Binder tech or lack of binder tech is irrelevant to me.

Extemp:

Tech

Time yourself for synchronous rounds. I don't trust internet connections to be consistent to allow me to give you effective time signals.

I can tell if you're reading off of your computer.

Sitting or Standing don't matter to me.

Preferences

I will flow the speech.

I don't look down on speeches past 7:00, but 7:20 is a little risk

Link back to the question always. Tell me why you are answering questions.

Fluency matters insomuch that I can understand you. Short pauses and disruptions will not be marks against, but if I cannot follow what you are saying then I will have trouble evaluating your speech.

I know speech is subjective, and this is my own thoughts and opinions regarding the activity. I, by no means, know all the answers, and any notes are mere suggestions.

I try to judge each event based on how well the students follow the structure allotted: for example, how well is the extemp question answered? How is the interpretation humorous? In duo and DI, how well are the characters created and expressed?

I look for an understanding of the text, and an elevation of it through individual interpretation.

In PA, I focus more on how well I was persuaded/informed. I look at delivery and content equally, but love when a student is confident in their abilities and has fun :)

I'm excited to see all the amazing performances at the tournament!

rileydwing@gmail.com

Debate:

I am a firm believer that this is your debate not mine. As a result I view the round how the debaters ask me to.

The few things I request is professionalism, fairness, and politeness. This stops being an educational experience when you sacrifice any of those 3 things for a win. I ask that all debaters be polite and do not partake in any sort of shady behavior.

I am more than ok with spreading if I have the case in front of me.

Lastly write my ballot for me, tell me why you won. I can make connections mentally, but I vote off the flow so vocalize everything.

Speech:

Speech is equal parts argumentation as it is presentation, I believe that both are imperative to a high ranking. I will always prefer average speaking and great analysis to average analysis and fantastic speaking. If you have both expect a high ranking.

Hi there!

My name is Kai, I graduated from PSJA North HS in 2019, but now I am at THE University of Texas at Austin.

I am on the Texas Speech team and I am so excited to continue speech in College. In high school, I was the 2019 TFA State champion in DI, I made out rounds in DI and DUET at NIETOC in 2018 and 2019. I had also competed in UIL in Extemporaneous speaking, and Prose and Poetry with a state final in prose at the 2019 UIL State Meet. I was also a Poetry finalist at the NSDA 2019 National tournament in Dallas, and I also had an outround in DI and PRO as well.

In College however, I was the National Champion in Dramatic interpretation at the 2021 NSC Tournament, Made multiple outrounds at the AFA & NFA National tournaments in DI, POI, PRO, DUO and POE with an AFA final in Poetry in 2021, AFA Final in DUO in 2022, NFA Final in DUO and POI in 2022 and a 11th place finish in the NFA pentathlon in 2021. I enter my 4th year on the team and I'm so excited to share my knowledge and skill sets with you all.

For interpretation events, I obviously love a good dramatic story but lets not get to over dramatic with the script. BLOCKING IS IMPORTANT, you can accomplish so much with such little blocking. I believe in subtle blocking and its impact on the performance. I live by less is more, unless the scrip/program calls for that dramatic blocking then by all means RUN WITH IT!

But I am a sucker for those dramatic moments with just you and your audience, above all this performance should feel like a conversation with your audience; You shouldn't have to compromise the story for overdramatic blocking/acting unless the script calls for it!

I will forgive little stumbles because I know how tough the nerves can get (I see you, I understand) but lets try to be prepared!

In my opinion the introduction will make or break your overall argument! If you can create an argument that will:

1) Draw me in further into your performance,

2) Make me question your argument (or left wanting more)

&/or 3) brings in new insights/ideas/questions

then you have my vote!

sell me your story, and I will buy it!

I’ll evaluate the round in whatever framework you place me in, and I’m fine with judging whatever form of argumentation you feel like presenting. However, I strongly prefer that you make that framework explicit — tell me what to vote on and why.

I want a balance between evidence/cards and analysis, especially later in the round.

Stylistically, I’m fine with speed as long as taglines and analysis are clear. If there is a clarity issue (not just speed but diction, volume, etc.), I won’t call clear or put down my pen; I'll continue attempting to flow and what doesn’t make it onto the flow won’t be evaluated — it’s your responsibility to make sure that I can understand you. **NOTE: in an online format, I’m much more lenient about speech clarity — if I can’t understand you due to mic issues, etc. I’ll let you know in the chat. I'll follow the TFA guidelines for tech time (10 minutes of tech time) for most rounds. Beyond this time, we will start running prep.**

I like very structured speeches with clear signposting, clear organization, delineation between arguments, etc.

Add me to the email chain — my email is colbymenefee@utexas.edu. Also feel free to email me if you have any questions about your ballot, the round, etc. Do not email me paradigm questions before the round — I’m glad to discuss my paradigm further and answer specific questions in-round, where your opponent can also hear my answers.

Generally, I just look for well thought out, skillful performances that show an understanding for both the script/content of the speech.

For PA events, there should be a good balance of evidence and analysis, and whatever structure being used should be clear and easy to follow.

In any scripted event, there should be a relevant and thoughtful intro that provides more than just a summary of the performance, but also analysis of the content/context of the piece.

I think being innovative with scripts/programs, if executed well, can be SUPER effective and interesting, so playing with author's intent is something I really like to see. As for "appropriateness" of a performance, I don't really care about cuss words/or other mature content being incorporated as long as there is no bigoted/hateful speech, in which case I will take issue with the performance.

Hello!

My name is Valeria Najera. I graduated from Lebanon Trail High School in Frisco, Texas. I am a former high school speech competitor, and currently a collegiate speech performer at The University of Texas at Austin. There I frequently compete in Interp and Public Address. I have been a competitor for 5 years and I love helping other students. This far into the year I have qualified Poetry, Dramatic Interpretation, and Communication Analysis for the national competition.

When I judge interpretation events, I look for emotional levels. It is very important to me that I see each character presented go on an emotional journey. Every character should be different from where they started. I think it is extremely important that as a judge I can tell that students have made an emotional connection to the characters they perform. I also find introductions to be important to the overall rank of the piece. I want to see a relevant and well-thought out argument. In addition, I love when performers take risks.

For Public Address I want to see a professional speech, but at the same time, I want to see you having fun! I personally loving seeing PA events where I can see performers personality shine through.

Overall, I look less for small mistakes like a stumble or an awkward page turn, but instead I look for bigger picture moments that influence the overall feeling of a piece.

IEs - I look for honest storytelling, connection to the character, a clear and compelling journey, a fully connected voice and body while adhering to the parameters of any particular event, and honoring the intent of the playwright/author.

Oratory - In addition to the above, I look for building a compelling argument, and finding methods to make me consider the topic in ways I had not before.

Extemp - It is vital that students are talking TO the audience/judges, not AT them. Extemp is a conversation, and students should combine facts and figures with a truthful connection to their audience; they should engage and invite the audience to learn something new. Segues should happen naturally, both with regards to building your case, and also with regards to your physicality. Let the changes dictate movement, not vice versa.

More Information About Me - I am an Assistant Professor in Theatre & Musical Theatre at Sam Houston State University in Huntsville, Texas, a freelance director, and the former Director of Artistic Programming at Ford's Theatre in Washington DC.

I have been judging speech events for the past 10 years and competed as a high school student as well. As a theater teacher I am looking for engaging storytelling. Using your vocal variety, movement, diction and moments/beats to create an engaging piece. I am looking for students to really become a character in both body and vocal.

For Oratory/Info/Extemp I am looking for the same as above, convince me of your point by using solid presentation skills, and facts.

UPDATE FOR WSD @ TFA:

WSD didn't exist when I was in high school, but I judge it almost exclusively now including into deep elims of TFA State, UT, and Berkeley so my experience is not null.

Big things for me: I like clash, I want yall to answer the question, and I reward good on the spot analysis of your opponents argument, don't get so caught up in your case that your forget to answer your opponent's argument. Also I am fine with speed, but I don't think its necessary in worlds and honestly I prefer speech's that are stylistic and given like a PA. Please let me know if you have any questions and congrats on making it to state!

IE: I am pretty open to any stylistic choices or preparations of a speech/script, it is an Interpretation after all, so creative choices are welcome!

Extemp- You should have ample amount of evidence for the three main claims you decide to make. Please have your speech as structured as possible as it makes it easier for me to follow along and judge. It’s better for your speech to run 5 minutes, but be clear and conscie than for you to stay up there for seven minutes rambling on.

OO/INFO- There should be at least three sources in your speech. I don’t mind when you try and break the very formulaic structure of OO or info, but I should be able to easily follow along. I.E. you dont have to go “But first, then, finally” but hey whatver works for you, works for me, speak clear, be confident, and have fun up there.

HI- Use your space, HI is about physical humor as much as its about the jokes you are telling! Racist/misogynistic/Xenophobia etc humor is not funny. It’s not.

DI- Be careful with your content, DI’s are serious and I understand that, but be careful with how graphic you get. I am not a squimish judge so curse words dont bother me and mature material is fine, just try and be as tasteful as possible. And DONT mis-represent a character I.E. if you are playing a forty year old mom who just suffered the loss of her son, thats fine, but if you are speaking for an identity you cannot identify with, maybe not. DONT USE SLURS. Even for effect. It’s not needed. Use the space and be comfortable with silence. There is a lot of pauses and silence in DI and when its intentional l it works really well, so dont be afraid of it!

PR/PO- Don’t let your binder fall flat. I don’t think there is one right way to hold the binder, but there are a million wrong ways. It’s awesome when you find a way to incorporate the binder for techy stuff, but its def not necessary.

Lingering thoughts..

Your teaser should give me a clue about what your piece is about, (AND IT SHOULD BE MEMORIZED) it doesnt have to be a summary, but a couple of lines to let me know where the piece ie headed is great!

TIME. Be concious of it. Don’t run 10:29 or 10:30, once the fist is up WRAP IT UP.

If you forget your piece, take a moment to pause and collect your thoughts, try not to show it in your face and dont worry about it too much.

Be respectful to other performers, if you are on your phone, eating loudly, sleeping, or being distracting in anyway. I might factor it into your rank. It’s not cool, respect eachothers work.

I debated for four years in Texas in PF and briefly in LD. I have a solid knowledge of critical arguments and theory. I currently compete for the Texas Speech Team in Extemp and all the Public Address Events.

My judging philosophy is pretty straightforward.

- Impact calculus is important to me, I want to see a clear weighing of both worlds, especially in the summary. With impacts, I prefer you give me clear material impacts on people, rather than just saying things like nuke war. Contextualize your impacts!

- I like clean, straight down the flow debate with a lot of clash. Sign-post during speeches.

- Not the biggest fan of card-debate. Use that time to make arguments rather than harp over minor things in cards!

- Make extensions that clearly tell me what exactly I'm supposed to extend, not just dropping a card name.

- If you introduce a new argument in the Summary, I won't evaluate it. Stick to extending already established offense/defense.

- I'm good with speed (just enunciate as much as you can) and pretty much all types of critical arguments.

- Be conscious of your positionality and how you treat others in round. Rounds can get intense but at the end of the day, debate should be a space that is safe and empowering for everyone involved.

In extemp, I value unified analysis, a solid demonstration of background/historical knowledge on the question, and confidence in delivery. Using substantial and diverse sourcing (so like in international speeches, don't only cite Western outlets) in each point while weaving in the analysis is a marker of a good speech for me.

For Duet, I don't want to see any unnecessary PDA.

I tend to include performance, diction, voice, energy, etc. in my evaluation for events like oratory, info, and extemp, along with the obvious analysis of content, ideas, and supporting material.

I think creativity in blocking and staging should be rewarded in a digital atmosphere as much as they are in a live one.

I am pretty liberal on content - language, sexuality, etc. do not bother or offend me, as long as the performer has a real grasp on the subjects they are talking about and understands them fully. However, I view 'profanity' much differently than slurs, derogatory language, etc. In general I would prefer that they not be used. There are scripts that use them in order to bring home a point about the vileness of such ideas and beliefs, but in my opinion, that must be very earned, and in most cases, it is not.

We are storytellers- whether it's through poetry, prose, HI, DI, Duo, OO or Info- I'm looking for the story. Is it worth telling? Do you tell it well? Do you understand the story you are telling?

For Info, the VAs need to be non distracting and purposeful. I favor non traditional VAs, but as long as traditional VAs are done well and are purposeful, I won't vote down.

For OO, I prefer something that has a wide range of relatability, but I am not opposed to something specific if the importance is stressed. Passion and Solution suggestion should drive the speech.

In dramatic events, I am looking for clear characterization, strong emotional connections, and understanding of the piece. I want you to draw me in and let me feel with your characters.

In humorous events, I am looking for clear and concise characterizations that are easy to differentiate and follow, and a good sense of comic timing with the piece.

Duo and Duet, I am looking at the same things, but also strong interactions between the different characters.

In Informative, Oratory, and the Extemps, I am looking for a good conversational style with good use of gesture and confidence in your speeches. Know your stuff, or at least look like you know your stuff.

I am overall going to also look at technique and seek for it to be clean and clear.

I love judging speech! I have judged over 30 speech and debate tournaments (over 100 rounds) since September, 2019, and have experience judging every single speech event, and a little bit of LD as well.

I have also had the great pleasure of being a judge at TOC, NSDA, NIETOC, NCFL as well!

I'm definitely not a strict judge, and try to make the round atmosphere as comfortable as possible. In addition, I sincerely try my best to rank all of the students in a fair and unbiased way, as well as give them feedback that they can improve from, but I am also always open to questions if you want to learn more about how to improve your speech!

Outside of being a speech and debate judge, I have a PhD in Environmental Engineering. I try my best to protect environment.

Pronouns: she/her

-Oct.  2022

Note: I've been off the circuit for quite some time so be mindful. Not familiar with current topic literature.

Flay <------------------*Me*------------------------------------------->Ultra Elite Tech Judge

*I'm somewhere in between Flay and Tech prob

General

E-mail chain: minhhyt@gmail.com

With that being said I am most comfortable with trad/stock/policy arguments.

DA’s - not much to say here other than case-specific stuff is always great.

CP: CP needs to be very clear and obvious, for example, net benefits need to be explicitly extended, explained, and repeated.

Theory: go slow, make sure to clearly articulate why I should vote off of any theory arguments. Winning all parts is needed. If the abuse is not really clear and you're doing something sketchy, I'll be annoyed. I have very limited experience with Theory so if you don’t dumb it down to ELI5 levels i’ll be lost :( Run at your own risk (of me not understanding). On a personal level, I actually do enjoy evaluating theory arguments and want to get better at judging them but alas, my experience is limited. I'm open to arguments about how the way we debate impacts the activity.

K- Not familiar with K literature so take time to explain. If you talk in a bunch of jargon that I don’t understand I will not evaluate it. Run at your own risk. GO SLOW. If you don’t go slow, and I mean slower than you think slow means, I will inevitably vote “wrong” cause I’ll be lost.

If you are still absolutely keen on engaging in a prog debate despite the caution, I will of course still consider evaluating the arguments given. However, please do the following and don't be annoyed if I give a, in your opinion, "wrong" RFD. If that worries you, please strike me.

1. You MUST make sequencing arguments and emphasize them (ie. opponent conceded RoB so evaluate X argument first, theory comes prior to K because X, fairness is important so let me weigh case or else entire AC is mooted). If this is 1 point in a list of 15, that's not what I mean. Specifically, call out the argument. I need to know the "hierarchy" of which level of the debate I should be evaluating first.

2. Absolutely go slow. You don't need to slow down to a conversational level, but please slow down significantly. If you read off a file with 15 different points in 20 seconds, I'm not going to absorb anything. I will not absorb file dumps, you must pick and choose which arguments to prioritize and slow down. Especially slow down when you are collapsing to round-winning points.

3. Do not go in with the assumption that you can blitz through a pre-prepared shell or file and that I will automatically understand everything. You have to dumb things down for me. This is especially true for dense K literature or complex theory args. What do I mean by this? Use more everyday language and if throughout your entire speech, you never look up and try to explain things to me from the top of your head, you're probably doing things wrong and I will absorb nothing. If you choose to blitz through a file dump, at the very very least summarize at the end and highlight your best points.

4. If any of this confuses you just clarify before round.

____________________

Other notes:

Speed is fine but as always, slow down when appropriate such as during tags, theory, analytics. Especially take time if what you’re saying is crucial to winning the round. If you’re going to rapid-fire through analytics pls include it in the speech doc because I’m a poor typer.

Assuming the debate doesn't devolve into condo good/bad, you cannot kick out of an argument by simply saying the magic words "kick" and then it disappears. This is mostly true if your opponent has read a turn that generates offense for them. Be specific about your kick. For example, if your opponent reads multiple turns and includes terminal defense, then concede the terminal defense as a way to kick out of the arg to avoid evaluating any of the turns as offense for your opponent. Of course, different situations require different kicking strats but you should get my point. At the very least you can just argue that your cleaner pieces of offense outweigh any of the turns from your kicked argument. TLDR answer any offense.

Impacts should definitely be framed so I want comparison and impact calc. I need to know how timeframe, probability, and magnitude all compare w/each other.

Overall, I really like case debates but that doesn’t mean I won’t evaluate other stuff.

Again, because of my limited experience evaluating progressive args, don't assume I'm at all familiar with any K literature, common Theory args, etc...

Open CX is okay with me.

Tech > Truth most of the time

No Tricks

ON prep time, flashing/email chain doesn’t count as prep but don’t make it ridiculously long.

PF Specific Notes

I don't have experience with super progressive arguments so run them at your own risk. I will always prefer traditional arguments. If you do decide to engage in K debates etc..., refer to my points in the general section. I am capable but not the best at judging more common theory arguments (ie. disclosure), evidence violations, and problematic author indicts, and am terrible at judging non-T Ks, High Theory, tricks, among others.

Make sure to properly weigh. If you just say, I am winning on timeframe, magnitude, scope, etc... without actually explaining anything, that is not weighing and I will be annoyed. Also meta-weigh when necessary. If both teams claim that they're winning on time-frame and don't do anything further to breakout of the gridlock it's a wash. Make sure to collapse when necessary. Smart collapsing will win you the round.

For final focus please provide clear voters and weigh your impacts. Whatever you bring up during final focus should have been extended cleanly throughout the round. The more you outline for me why you are winning, the easier it is for me to vote for you. Judge instruction is critical in this speech.I will be hesitant to vote for any 1-liner arguments that are dropped on the flow unless you spend the time to properly contextualize and implicate why that argument matters for the ballot.

Open CX/ Flex Prep is fine.

If you don't signpost properly I can't flow your argument and thus I can't vote on it.

IE

All aspects of the performance should have a purpose, whether that be body movement or the use of various rhetorical devices. In the same way, just as things can be underdone so too can things be overdone. For me, I prefer if speeches do not feel over-performative or dramatized. Though this may change depending on the event, I generally like to see more natural gestures. In all, I really want to be drawn in as a part of the audience rather than spoken at. Your speech should be able to immerse me into the topic. Part of doing that is making sure to have a clear organization (distinct points, thesis statement) and always staying on topic. As a side note, my biggest pet peeve is if you talk in a completely monotone voice for the entire presentation, so be mindful of that.

Extemp: Some of my top priorities when it comes to ranking speakers in a round is who does the best job at providing unique information, showing you have a deeper level of understanding of the topic. If I can anticipate your argument, you have not dug deep enough. It is also very important to have a fully polished speech. If you have a very nuanced argument but you don't have enough background established or your transitions are choppy, your rank will go down. In terms of humor in your speech, don't use canned jokes, but I do appreciate witty remarks. Speaking is also just as important as your content. You must show solid presentation skills for argument to have an impact.

Congress: I prioritize the content of your argument over your speaking a lot when judging congress. The two parts of an argument that I look for the most is:

1. How much your argument adds to the debate and provides a unique take on the legislation.

2. How much your argument interacts with others in the round. I feel as if each speech should be integrated to fit perfectly where you’re speaking in the round and with the context of the other speakers. I of course want refutation, but make sure that refutation is in depth and more than just naming people and moving on.

Another thing to note, I have no problem with unconventional speech structure. Feel free to run just one point, give overviews, do whatever you think is best, just make sure the organization isn’t too difficult to follow.

For POs, know your procedure and make minimal mistakes and you will score high on my rankings.

I love to see honest acting in interpretation events. If you have blocking, I'd like it to be clearly purposeful and clean. Most importantly, have fun.

In platform events I like you have unique analyses of your topics with clear implications. Again, above all else, just have fun.