Speech & Interp Coach at Carroll High School in Corpus Christi, TX

SPEECH: My stylistic preferences for speakers lean towards a more personal and conversational delivery as opposed to the overly formal and stilted. Formal delivery is great and can be effective, but as a judge I don't care for speaker styles that make me feel like I am being "talked at." as opposed to being "talked to." In terms of the amount of evidence, I prefer at least one cited article per main point in the speech; more would be best. Cited articles should help support the points made. I prefer speakers to incorporate movement to help highlight the points of the speech and create a flow. This goes for most, if not all speech events.

INTERP: As far as interpretation events, I am HUGE on storytelling. The teasers should grab the audience's attention and establish clear characters and setting. I like an intro to be conversational and explain how the themes of the piece relate to us a society. I also like for some sort of personal connection to the piece to be stated. Blocking should supplement the storytelling effectively and not be distracting. Prose & Poetry performers specifically should not use binders as props and only move from the waist up to stay grounded; other interp events are free to move and explore creativity in their movement!

Characters should be carefully crafted and explored in interpretation events. I prefer characters to be well established in the teaser, but still grow and evolve throughout up until the conclusion of the piece. Clear and distinct characters are also essential in storytelling like interp events. I believe the author's intent should be clear and pieces should be appropriate for the performer. I have no issue with cursing in pieces as long as it is tasteful in delivery and not excessive. As long as mature content is handled gracefully in performance, I do not mind.

Throughout speaking events it is crucial that you always maintain the attention of your audience using organization, relatability, and a suitable platform. The delivery should be clear, concise, and feel conversational. Speeches should be well-organized so that the audience can follow along easily, and they should include sources to help establish credibility. Last but not least, speaking occasions should involve a range of vocal tones, facial expressions, and purposeful gestures.

When it comes to interpretation, I value natural acting, purposeful blocking, and experiencing the true emotion. The characters' feelings should be conveyed to the spectator. I also assess the characters' authenticity.

During the debate, you should have clear explanations so that I can follow along with the scenario you've developed. I do not approve when you are unpleasant or hostile to your opponent, and I do not approve when excess vice is propagated. It's challenging for me to absorb your ideas if I can't grasp what you are saying. Whoever has the strongest case will win, regardless of how many arguments they can provide.

Content warnings are appreciated when appropriate.

Teasers should set the mood for the piece and not be too lengthy.

Intros need to continue to prepare the audience for the piece by setting the appropriate tone as well as to give important exposition. A sharp or clever intro that is well constructed can be the determining factor in scoring among two equally done pieces.

Blocking and movement should be clear, well defined, and motivated. Clever or creative staging is appreciated. Unclear or unspecific pantomime, upstaging, or weird angles that prevent seeing the actor's faces should be avoided.

Characterization should be consistent and easy to follow if performing multiple characters. Pops should be clean. Vocal characterization should be suggestive of the character and not an opportunity to showcase cartoon voices/cliche characters (the surfer, the New Yorker, the Brit, the Aussie, etc.) unless warranted by the script/story.

The binder is NOT a prop other than in POI. Movement below the waist (steps) should be clear and motivated as well as minimal.

Author's Intent and/or Appropriateness of Literature- How do I feel about an HI of Miracle Worker (author's intent) or a student performing mature material (appropriateness)? That's a big NO for me if it's offensive more than it is creative. (Miracle Worker as an HI, or The Lovely Bones, or anything like that is offensive to me. The topics in those pieces aren't meant to be funny and do go against the author's intent.) Mature content if it's handled well and suits the piece doesn't bother me- if it's excessive or for shock value, then I may not like it. It really depends on the piece and the performer; I'm not really conservative but I've seen some material that I definitely wouldn't coach or have ranked down because I felt like it was too much.

For Speech Events OO/INFO– I love that Orator’s Triangle! It helps me follow the structure of your speech. I weigh the written speech (construction/logic/novelty/grammar/humor) equally with the presentation of the speech. I personally don’t like laminated stuff on Info boards (because of the glare.) I loooove creative/inventive Info props!

Hello! I am Christy Cruz from Travis Bryan High School.

I am a parent/Lay judge and I usually judge in the novice divisions, but in case I have to judge varsity, here are my Preferences.

1= I know and comfortable judging.

2= A little confusing, but I can understand.

3= Very confusing, but I will try to understand.

4= Way to confusing and likely won't understand. (Strike)

Traditional/UIL style- 1

LARP/Policy- 2

K- 3

K/Performance Affs- 4

Topicality-3

Theory- 4

Philosophy- 1

In speaking events, it is extremely important that you always keep the interest of your audience with relatability, organization and good vehicle. Delivery should feel conversational with a good pace and easy to understand. Speeches should have good organizational structure that makes it easy for the audience to follow along and sources that help build credibility. Lastly, speaking events should include motivated gestures, facial expressions and a variety of vocal expression.

In interpretation I appreciate natural acting and blocking with a purpose and feeling the real emotion. The audience should feel the emotions of the characters. I also look for believability of the characters.

In debate, I should be able to follow along with the story created which means you should have clear explanations. I do not appreciate being rude or aggressive towards your opponent and I do not appreciate excessvie spreading. If I cannot understand what you are saying, it makes it hard for me to take in your arguments. It is not how many arguments you can get in, it is who has the strongest case.

If you plan on emailing the case to your opponent, please include me in email: cassy_molina@yahoo.com

INTERPRETATION

I am a traditional judge. I normally judge speaking events and interpretation.

In interpretation, I appreciate natural acting in most events with the exception of Humorous. I believe you can be fully animated in Humorous Interpretation. ALWAYS have purpose for your blocking. If you have blocking just for the sake of blocking or tech, I will rank you down. It is better to have real emotion than "fake crying" or a "crying voice." Always be true to your character(s).

In Duo and Duet, I also want to see motivated blocking. Duet Acting is one of the last events left that should stay genuine to actual acting and not just incorporate movements with chairs that are unnecessary to the piece.

IN POI, I am looking for an anchor piece within your program that guides me throughout. Again, I'm NOT a fan of blocking that has absolutely nothing to do with the dialogue. I do appreciate motivated blocking with the binder that actually enhances the performance and doesn't take away from it.

SPEAKING

In speaking, speeches should be delivered at a pace that is easily understandable. Organization is key as well as keeping the audience interested with a great vehicle. It is vital to use inflection in your speech, and try to avoid falling into a pattern of speaking.

DEBATE

I am not experienced in debate, so I do not flow spreading. I believe debate is a communication event, not who can get the most arguments in the least amount of time

I will vote you down if you are rude or aggressive towards your opponent. It is one thing to debate and clash against an argument, it's another to attack your opponent.

If you plan on emailing the case to your opponent, please include me in email: lyn_esquivel@yahoo.com

I am a traditional judge. I normally judge speaking events and interpretation. I have also judged LD.

In interpretation, I appreciate natural acting in most events with the exception of Humorous. I believe you can be fully animated in Humorous Interpretation. ALWAYS have purpose for your blocking. If you have blocking just for the sake of blocking, I will rank you down. It is better to have real emotion than "fake crying" or a "crying voice." Always be true to your character(s).

In speaking, speeches should be delivered at a pace that is easily understandable. Organization is key as well as keeping the audience interested with a great vehicle.

I do not flow spreading. I believe debate is a communication event, not who can get the most arguments in the least amount of time (there is not a difference in "fast speaking" and "spreading"). If you spread, you'll get low speaks and have a hard time winning my ballot.

Debate was created to communicate and compare your points against your opponent's points. If you don't create a clear story and explanation, I will not vote you up.

I will immediately vote you down if you are rude or aggressive towards your opponent. It is one thing to debate and clash against an argument, it's another to attack your opponent.

If you plan on emailing the case to your opponent, please include me in email: molina_kody@yahoo.com

As a judge, my main objective is for you to deliver your best performance and enjoy the process. If you're not finding joy in it, then something's amiss. Remember to engage in respectful and effective communication with your peers.

In Speech/Interpretation:

1. I generally look for effective use of voice, tone, diction, eye contact, suitable gestures, and intentional movement.

2. I value believability and your ability to embody the characters.

3. I appreciate captivating teasers or attention grabbers – make me sit up and pay attention!

4. Your delivery should be clean and clear.

In Debate:

1. I expect a clear understanding of the resolutions being debated.

2. I discourage the practice of spreading.

3. Good use of credible evidence and sources is crucial.

4. Effective diction, tone, and appropriate gestures are important.

5. Always maintain a kind and respectful demeanor.