I am looking for insightful and new analyses of a topic in OO

I am hoping to be pleasantly surprised in INFO

I want honest and truthful storytelling in INTERP

I prefer performances that feel natural and effortless to overacting.

I am conflicted with Cypress Park Hs.

Individual events: I look for strong characterization, rhetorical appeals, vocal variety and inflection, expressive facial/ body movements, clear enunciation, confidence, and creative delivery.

Debate events: I look for conversational tone of voice, clear and average paced speaking (No spreading), Rhetorical appeals, strong reasoning and logic, current and credible evidence, and impactful connections.

I have been a judge in some capacity (coach, hired) since 1998. I've seen many trends come and go. I used to be a traditionalist when it came to interp and blocking, but understand how the events have evolved and adapted my judging to suit what the community has deemed appropriate. However, here are some event specific elements of my paradigm.

Extemp - I believe that fundamentally, an extemp speech must be founded on answering the question that is posed. I think the unified analysis is the best way to support your thesis, but am open to other organizational methods. Source citations should include the name of the source and the date for me to give them full weight. I know what's going on the in the world. Do not lie or embellish with me. It will not go well. I would rather have someone give their best try with a hard topic than to have someone make things up or misrepresent the facts of the matter. Especially with having access to the internet, there is no excuse for making things up in Extemp.

Informative - I have been around Informative speaking for a lot longer than it has been a TFA event. This event is one where you can do a speech about anything, but that doesn't mean you should do a speech about anything. It should be something where you are informing us about a topic with relevance to you (the speaker) and which you can "sell" to us as interesting and relevant to us. The quality of visual aides matter. Sloppy VAs speak volumes about the speech. Neat and clean VAs speak well and set a good impression. This should not be Infosuasion (meaning that it is a persuasive in tone, but using VAs). The best informatives have balance in them (pros and cons) and a lot of information that we wouldn't otherwise know but for this speech. Source citations should include the name of the source and the date for me to give them full weight.

Oratory - I think the best oratories are ones where they are relevant to everyone in the audience, as well as the speaker. Oratories that are overly-focused on the speaker tend to be exclusive and I think feed into the perception of this event as "bore-atory" I like advocacy focused on Problem - Cause - Solution or Problem - Cause - Impact or something similar. Source citations should include the name of the source and the date for me to give them full weight. Personal examples are ok, but should not be the main part of the support for your speech. Research is important for good persuasion for a Logos person (that'd be me).

DI/HI - I lump these together because I view good interp from the same lens. I think that the best interpers make you forget that they're a high school student performing at a speech and debate contest. If it is serious, I want to feel like you set me in that scene and that you are your character(s). If it is funny, I want to see the scene play out with the humor being an integral part of the cutting and your performance. I think blocking is a compliment to the performance. It should not distract from it. The choice of literature matters. DIs should present a good exploration of the dramatic curve - in otherwords, don't stay at one level the whole time. Have some development from start to climax to conclusion. HIs should similarly utilize the dramatic curve to build to the climactic humorous scene or event. Audience appropriateness is also an element in my judging for these events. Both in the performance choices and in the literature selection.

POI - Notice I didn't lump POI with the other individual interps. While much of the same is true of the performance elements as those events, I fundamentally believe that POI must have a thematic argument that the program explores. It is not DI with a few poems thrown in. It is fundamentally different from the other interp events. The intro must establish what this argumentative framework is for me to really appreciate the thematic choice. I also believe that the best POIs are inclusive of the audience in terms of interest and relevance - similar to my thoughts on an OO. Book work should be complimentary and not distracting from the performance.

Duo/Duet - In addition to my thoughts on DI/HI, I think how the performers work together is essential to a great partnered interp event.

Impromptu - The speech must be based on the topic drawn. Please do not shoe-horn in a canned speech into whatever quote you drew. Use your knowledge. Distill a message from the quote/topic, take a position on the message, and back it up with examples. I think variety in example areas and mastery of what you're talking about are important. I think the best impromptu speakers used 1:00-1:30 of their prep time to leave 5:30-6:00 for the speech.

Prose - See my DI/HI and POI commentary.

Congress Paradigms:

Your speech should be thoughtful and touch on one to three key issues related to the legislation. Your time should be well balanced between all points. If you are spending significantly less time on one point than on your others, cut it. You aren't spending enough time developing it if your other points are significantly longer.

Your delivery should be slow and deliberate. It should be a conversational, extemporaneous style. If you bring a laptop up to speak from, you will be docked points. You should be communicating and speaking to the chamber and judges, not speaking at them. You cannot accomplish this if you are reading from a laptop.

You should have one to three reliable pieces of evidence per point. I don't believe you need to cite everything in your speech, but you should be able to name the source if asked/challenged.

If you are not the sponsor/author for a piece of legislation, you need to incorporate some element of clash or engagement with earlier speakers. Do not come up and give a completely pre-written speech that doesn't engage with the debate that has already been established. This isn't mini-extemp. You need to be engaged with the debate. If there have been more than 3 cycles of debate on a piece of legislation or the debate is heavily one-sided, someone in the chamber needs to motion for previous question or motion to table to allow competitors to write speeches to allow for a more even debate I shouldn't hear the same speech over and over with nothing new being presented.

What can/should PO's do to earn high ranks? A PO can earn high ranks by running an efficient and error-free chamber. One of the biggest issues I find with POs is their lack of active engagement with the chamber. It is the PO's job to keep the chamber running as quickly and efficiently as possible. If debate is getting repetitive, suggest motions. If there seems to be a confusion about procedure, don't wait for the chamber to figure it out. Suggest motions and keep the chamber moving. Have a strong knowledge/practice with your gaveling or time-signal procedures and precedence tracking. Explain them clearly and then stick to them.

For WSD I like clear argument engagement that includes thoughtful weighing and impact analysis. I prefer debates that have colonial and imperial powers reckon with their history (if its germane to the topic). When it comes down to relevancy and impacts/harms, I prefer debates that show how their resolution (whether we're going for opp or prop) will benefit or improve black and brown communities, or the global south.

Interp overall: I pay real close attention to the introduction of each piece, I look for the lens of analysis and the central thesis that will be advanced during the interpretation of literature. When the performance is happening, I'm checking to see if they have dug down deep enough into an understanding of their literature through that intro and have given me a way to contextualize the events that are happening during the performance

POI: I look for clean transitions and characterization (if doing multiple voices)

DI: I look for the small human elements that come from acting. Big and loud gestures are not always the way to convey the point, sometimes something smaller gets the point more powerfully.

HI: I'm not a good HI judge, please do not let me judge you in HI. I don't like the event and I do my best to avoid judging it. If that fails, I look for clean character transitions, distinct voices, and strong energy in the movements. Please don't be racist/homophobic in your humor.

INFO: I'm looking for a well research speech that has a strong message to deliver. Regardless of the genre of info you're presenting, I think that showing you've been exhaustive with your understanding is a good way to win my ballot. I'm not wow'd by flashy visuals that add little substance, and I'm put off by speeches that misrepresent intellectual concepts, even unintentionally. I like speeches that have a conclusion, and if the end of your speech is "and we still don't know" then I think you might want to reassess the overall direction you are taking, with obvious exceptions being that we might literally not know something, because its still being researched (but that is a different we don't know than say, "and we don't know why people act this way :( ")

FX/DX: When I'm evaluating an extemp speech, I'm continually thinking "did they answer the question? or did they answer something that sounded similar?" So keep that in your mind. Are you directly answering the question? When you present information that could be removed without affecting the overall quality of the speech, that is a sign that there wasn't enough research done by the speaker. What I vote up in terms of content are speeches that show a depth of understanding of the topic by evaluating the wider implications that a topic has for the area/region/politics/etc.

Debate Paradigm:

I am a supporter of traditional purposeful debate

I am not a fan of:

-plans/counterplans in debates

-disclosing before the debate starts

-excessive speed

-data dump over debate

-aggressive/demeaning towards opponent

I prefer:

-a slower more methodical debate

-actual discussion on the topic/resolution

I'll start with this, since it seems to be the only question anyone cares about anymore: if you scale speed on a 1-10, with 10 being as fast as humanly possible, I prefer a 3-5 depending on the time of day (lower in the early morning or later evening).

Now, if you want more nuance: I'm the coach at Clear Lake High School in southeast Houston. I previously coached (and attended high school/competed at) Deer Park High School in Deer Park, TX. I've been a head coach for thirteen years and judging for the past eighteen.

As a CX judge, I find myself becoming more and more of a policymaker-style judge. I am a flow judge and am okay with moderate to faster levels of speed, however as an educator I feel that this is a communication event first. I'm not going to call for a bunch of cards if I didn't hear them, so please make sure I can actually understand you. Unless I'm judging virtually, I don't want to be on the email chain. On DisAds, I can't stand generic links and am incredibly unlikely to vote on them. Make sure your internal links also follow some kind of logical train of thought and tell a coherent story. I will vote on topicality, but I have a pretty high threshold for what I consider reasonably T. I don't love kritiks or deep theory debates but I'm also loathe to tell a debater that they can't run them at all just because of my personal feelings. With that said, please make sure that you explain your kritikal arguments, since philosophy has never been my forte.

As an LD judge, I do not have the experience as a competitor and judge that I do for CX. Because of that, understand I might need my hand proverbially held a bit if you dive deep into philosophy. I prefer a slower, traditional/old school style LD round with a strong emphasis on that quaint notion of a value framework. If you've somehow read the last couple of sentences and still think I'm the kind of judge that you should run tricks in front of... let me be clear that I'm very much not. If that's not the kind of judge you want - and I recognize that what I've written sets me far apart from the norm as far as what LD has become - then I encourage you to rank me as low as MJP will allow you. It'll make my life and yours much better.

I feel that PF shouldn't require paradigms (seriously, can we go back to the original intent of this event?), but since we're here... I really despise rudeness in crossfire, and I want to see a solid line-by-line throughout the debate with good impacting at the end. Don't overthink this.

I love Congress. I absolutely adore the event. If I'm in the back of a Congress round I'm a happy camper and I want to see polished, extemp-style speeches that show thought went into them. I also expect to see either clash or new argumentation in the speeches following the first couple of bill cycles, otherwise I feel the debate grows stale and boring. I want to see an attempt at collegiality and a little sprinkle of LARP'ing never hurt anyone.

I've never judged or even watched a WSD round in my life, but I'm coming around to the event and want to learn. If I'm in the back of your Worlds round... consider me a flay judge.

A quick run-down for speech/interp paradigms, since evidently that's a thing now?

Extemp: I love this event and for my money I think this is the best event we have as far as portable skills are concerned. I don't want or need you to be a citation machine, I'd prefer you take a handful of sources and build solid analysis around them.

OO/Info: These are my favorite events to watch and judge, and I love how much of an opportunity they give students to showcase their own unique voices. I like humor but don't want this to be stand up comedy (you're not Josh Gad, and that's perfectly okay). I want a clean performance with solid, memorable analysis. In Info, I love when the visual is something outside the norm; one of the most memorable Infos I've ever judged used a sealed plastic cup filled with water and an egg, and I still remember that (many) years later.

POI: I don't judge POI often but every time I do I'm blown away by how creative students can get within its parameters. I want to see a POI that's seamlessly blended and brings in as many disparate genres as possible. As with all interp, I want to see and hear the "story" you're telling me come alive. I also really like the idea of POI as a form of argumentation, so if I can see that clearly throughout your piece all the better for me. My thoughts on POI also cover (with obvious changes for the rules/norms) my thoughts on Prose and Poetry, for what that's worth.

HI/DI/Duet/Duo: I'm looking at the totality of the performance. Much like I mentioned on POI, I want to see and hear your script come to life through the interpretation. It's exceptionally rare that I get to judge these (I can't tell you the last time I have, to be honest), so I don't go into these rounds with any real expectations. I just want to be wowed overall.

As a IE judge I look for a clean and polished performance. Good Analysis and Interpretation of characters and a powerful performance.

For Speaking events - Structure and Sources are important as well as a polished performance.

For Debate - LD I prefer a traditional format and value debate. PF I want to see clash, evidence and a clear job going down the flow to show rebuttals of arguments.

I am conflicted with Cypress Park High School

My name is Cathryn Watkins, and I'm currently the Assistant Debate Coach for Clear Brook High School.

For extemp, I don't have any stylistic preferences. I enjoy individuality, and would like to see each student's unique speech style rather than ascribing to a specific speech pattern. Regardless of delivery choice, students should enunciate clearly and project their voice to ensure they are heard and understood. Speeches should be balanced between evidence and commentary. Evidence provides the backbone of an argument, but commentary makes the evidence concrete and meaningful. You need both in your speech to be effective.

Oratory and Info are heavily reliant on aggregating data, and I expect the evidence presented to be thorough. I want the topic presented to be unique. If a subject has been presented multiple times already, students must find a way to make their information impactful and stand apart from other performances. Overall, I look for passion in speech delivery. If the student does not seem to care about their topic, how am I supposed to care about it? Again, I enjoy experiencing each student's unique style of delivery, so I have no delivery preferences.

Interpretation events are centered around how well the student marries author's intent with their own experiences to create something new from a piece. Teasers and introductions should be created to maximize audience interest and familiarize the audience with the subject matter. Without an effective beginning the audience doesn't know where the interpretation is going, which could cause confusion. Blocking and movement should always be intentional and used to create meaning. Random movement without a connection to the interpretation will only distract and confuse. To the same extent, curse words can be powerful but if used too often become a distraction as well.

Debate rounds are, at their core, about respectful discourse. The ultimate goal for me is to persuade me to agree with you over your opponent. I do not have any preferences about the structure of debate, but I do not appreciate spreading, especially when students speak so quickly I cannot understand what is being said. If I can't understand you, you lose my vote.

Disrespect, in any form, is not received well from my perspective, particularly when one side is behaving with integrity and respect and the other side is not.