About me: 

*Over 28 years experience coaching and judging all events at the state and national level 

*Coached in Florida, Alabama and Texas 

*Awards:  2nd Diamond coach with NSDA, LBJ District Coach of the Year, LBJ District Communicator of the Year, Alabama Coach Of the Year

PF

*I am a flow judge BUT presentation also matters a great deal.  If I can't understand what you are saying, it is difficult for me to flow your arguments. 

*Respect in the round is essential.  I don't care how good you are if you are disrespectful to your opponents or to the judges you will not get my vote. Be professional and respectful at all times.  

*I am good with any kind of speed, but keep it clear and articulate. 

*If you do not extend properly, I will not buy any of your arguments.

*Proper extension should include tag, short summary of evidence, and impact calc.

*I expect FF and even Sums to have impact calculus (magnitude, propensity, reversibility, etc.)

*Impacts are essential.  I don't care if you don't tell me why I should 

* I prefer you being true to what public forum was designed for, however if you happen to run theory and Kritik debate I will be ok with it.  

 * The second speaking rebuttal should respond to turns placed in the first speaking rebuttal.

*Offense wins rounds, so make sure your voters are offensive.

*Please collapse or the debate will end up being a mess. If you are going for Theory make sure to delineate what you want me to do with it (drop the debater, drop the argument, etc.), stance on RVI, clear voters.

*I consider it the burden of the Kritik to provide an alt and prove its uniqueness, so I will default buy the perm even if your opponent doesn’t argue it unless uniqueness is proved.

*AGAIN, I prefer traditional PF debate, but I will and can adjust judging according to different styles of debate.

*Organization is key; make it easy for me to follow

*Words matter; word economy is essential.  Don't waste time with insignificant words and filler language that takes away from overall presentation points  

Extemporaneous Speaking

-Be strategic about your question; play to your strength and knowledge, but avoid easy questions that don't require much analysis

-It is imperative you answer the question clearly and concisely

-Clearly link evidence with rhetoric and impact

-Using variety of sources is important; I am not impressed with multiple sources if those sources don't directly link with what you are saying. Just spouting off sources is not impressive. The information actually has to say something of importance and connect.

-The more current the information, the better.

-Organization and structure is important; but add some personality and flair to make it interesting and engaging.

-Knowledge of the topic is essential; more rhetoric and logic used in your speech is more impressive than anything

-Professional presentation is incredibly important.

-Don't add humor if it is not your strength.

-Tone should fit the topic.

-DO NOT BE POLITICALLY POLARIZING. Bashing any ideology or person is not impressive and will immediately give me reason to not consider a high ranking. Be respectful always.

Congressional Debate 

• I NEED CLASH. This is congressional debate, unless you are 1st AFF Speech, you should have clash in your speech.  Bring up NEW points and please do not keep bringing up same points as other representatives. 
• When you clash be sure you mention representative's names when referring to their specific arguments. 
• Your speeches need evidence, MINIMUM, one piece of evidence per point. More is appreciated. 
• When using evidence, it should clearly link or I will not consider it. Include dates; the more current and relevant the better. 
• DO NOT read your speech; engage your audience and do this in a original, creative and respectful way.
• I do listen to your speeches and questions, so if you give clearly falsified evidence or logic I will know. Be involved and know parliamentary procedure as well.
• You are judged on the WHOLE round, not just speeches, so if you are rude or aren’t involved don't expect a good score from me.

--Speech--

As far as extemp/oratory/informative, I look for a least some evidence to support their point or topic. However, these are speaking events so "speaking skills" are important to me (rate, diction and delivery).

When it comes to Interp, I am all about the story and the journey, regardless of humorous or dramatic. Introductions can be at the beginning or done as a teaser (whatever works). I have no specific issues with lots of technical blocking or no blocking at all...it all depends on the piece and how well it is executed. Some pieces require lots of tech and some are very simple and need almost nothing.

I am a Theatre Arts coach and a Interp Coach, so acting is the most important to me. And, I am a big fan of keeping with the author's intent. I am pretty liberal about mature material, however it has to be appropriate for the piece and needed, not just mature to get attention. I do not like it when an actor makes up things and adds to the script for no reason.

Speech - Organized arguments, credible sources, practical solutions, relatability is probably the biggest thing for me. I love speeches where personalities show through and I can see how you are as a person.

Interp - Relatable pieces with big, distinguishable characters.

WSD - I want a conversational round with a crystallization of points at the end. Clear voters are always the way to go. POIs should be addressed consistently however not everyone needs to be taken.

Hello,

I'm your judge, Sandra Jones. I was an English teacher for 11 years, so I'll be focused on rhetoric and supporting evidence in particular. I graduated from Cornell University with majors in Film, Psychology, and Criminology; and, I have an additional English degree and a Masters in Secondary Education. I am well versed in current events, academic disciplines, and public communication skills. I am a parent volunteer and I will try my best to be fair and unbiased as a judge. Good luck and I am excited to see and hear your debates.

You have worked hard. Now is your time to shine.

Interp: I have been teaching speech for 8 years; and teaching, directing, and performing theatre for over 40 years. I know an engaging, well-rehearsed performance when I see it. I will give you the kind of quality feedback I give to my own Interp students.

I am looking for clear characterization(s) both physically and vocally. Establish setting with blocking and business. Pantomime should be realistic and establish object permanence.(ex: a glass of water must be picked up and put down while maintaining a consistent shape and size. Refrigerators don't move unless the character moves them as part of the performance.)

Every performance must tell a story. You must convey the who, what, when, where, and why. Emotion is borne out of action.

Drama is is not all screaming and crying. Pauses and soft spoken words can often covey far more than NOISE.

Great acting may boost your rank, but I must understand what is happening and why. The performance must tell a story to receive a high rank in the round. Show that you have chosen material that is meaningful to you and with which you have a connection.

Humor arises from a character's total commitment to and belief in what they are doing and what is happening. Never TRY to be funny. It doesn't come off as humorous or believable. The absurdity of a situation should be evident to the audience, not the character. That's true comedy.

Most importantly, I want to be moved and entertained. Nothing is more thrilling than witnessing a great performance.

Please, let me know what time signals you prefer.

I truly appreciate all of the time and effort you put into preparing for these tournaments. Break a leg!

Debate: Please, make it clear to me what is happening. My audio processing issue makes it difficult to comprehend 350 wpm spreading. If I cannot understand you, I cannot flow the round. I can't tell if you are making a good case or argument. I have judged too many debaters who have ignored this part of my paradigm, and I am left HOPING that I have chosen the winning side.

I am a 5th year coach who knows enough about LD, PF, and Congress to judge, but I am not a seasoned veteran. I teach speech and interp as well, so I KNOW about speaker points.

Simply because "everyone" in the debate world knows a term's meaning, doesn't mean your judge knows it. Ex: Flow that through to the neg/aff, structural violence, disad, block, kritik, voters, etc. (I know what these mean, but most lay judges do not).

I prefer to judge a debate that is won on your skills as a debater rather than running a theory shell. Show me what you know about DEBATE. I'm not a big fan of kritiks.

If you want to ensure a fair decision, you must give VOTERS. That helps me make sense of my flow.

Interp Events:

My rankings are usually based on who is able to create the most believable characters and moments. There should be multiple levels within your piece and in the portrayal of your characters ~ not everything should be intense, or fast/slow, or super loud or quiet.

Everything you do in your performance should have a purpose. If you give a character an accent, be consistent with that accent. Make sure that each movement, mannerism, or gesture makes sense within the scope of the story you are telling. Additionally, I should be able to easily differentiate between multiple characters. Facial expressions, moments, and character development are very important for the overall performance.

Speaking Events

A clear structure is important: your delivery should be cohesive, and flow logically from point to point. A natural delivery style that allows for your personality to shine is preferable to the “Platform Speaker”. Put simply: avoid speech patterns.

Extemp: The most important thing is that you answer the question. A polished speaking style is important, but I will often default to a speaker that has stronger analysis and evidence over a pretty speech with fluffy content. Do not rely on canned introductions - creativity is important when trying to engage me. Be sure you have several cited sources and have at least 5 quoted pieces of evidence to support your claims.

Oratory/Informative: Your attention getter, vehicle, and conclusion should be creative, but they also need to fit well with the topic. Again, I will default to stronger analysis/evidence over fluffy content. Again, use several cited sources and have quoted evidence for claims you are making in your speech.

Interp Events

I believe the most important aspect is creating believable characters and relating to them. There should be several layers to their event and character as well as emotions portrayed through their speed and inflections. There should also be a distinguishable difference between their characters by voice, posture, expression and delivery.

Speaking Events

There should be a clear delivery style and flow to their presentation. This allows them to showcase their character analysis through their personality.

Oratory/Informative

The topic should be represented through the attention getter, vehicle, and conclusion. It should also be creative. The delivery should also use several cited sources and have quoted evidence for claims you are making in your speech.

Interp Events

I believe the most important aspect is creating believable characters and relating to them. There should be several layers to their event and character as well as emotions portrayed through their speed and inflections. There should also be a distinguishable difference between their characters by voice, posture, expression and delivery.

Speaking Events

There should be a clear delivery style and flow to their presentation. This allows them to showcase their character analysis through their personality.

Oratory/Informative

The topic should be represented through the attention getter, vehicle, and conclusion. It should also be creative. The delivery should also use several cited sources and have quoted evidence for claims you are making in your speech.

General Debate: I follow clear line-by-line arguments, I should not have to work hard to follow your arguments or understand what you are trying to prove. Clear extensions with solid analysis will win the round, but being rude won’t. If your plan to win is to interrupt your opponents you are going to have a tough time. I'm good with speed, just slow down in tags, dates, and authors. Just because it’s on your doc doesn’t mean you read it. If you set up an email chain my email is alyson.spencer@kellerisd.net. I have experience competing and judging in LD, CX, and PF so I know how the game is played. Let me know if you have any questions.

Case: Clear arguments that are well laid out are the way to go. I prefer the quality over quantity. Your goal should be to win because you have a better case not smother your opponent in arguments.
T: This is important. I don’t care how much of a positive impact comes from your case, if it doesn’t link in it will not win. Proving this sooner rather than later is key.
DAs and CPs: Do it, I’m game.
Ks and KAff: Prove that it is true and relevant and you got it.
Theory: I don’t buy theories that waste my time. If you are going to run a theory make it worth my time and energy.

I tend to include performance, diction, voice, energy, etc. in my evaluation for events like oratory, info, and extemp, along with the obvious analysis of content, ideas, and supporting material.

I think creativity in blocking and staging should be rewarded in a digital atmosphere as much as they are in a live one.

I am pretty liberal on content - language, sexuality, etc. do not bother or offend me, as long as the performer has a real grasp on the subjects they are talking about and understands them fully. However, I view 'profanity' much differently than slurs, derogatory language, etc. In general I would prefer that they not be used. There are scripts that use them in order to bring home a point about the vileness of such ideas and beliefs, but in my opinion, that must be very earned, and in most cases, it is not.

I'm a full-time teacher and coach in the North Texas area. I have experience coaching, teaching or competing in every event. I've been involved in Speech and Debate, as either a competitor or a coach, for 14 years.

PF

Theory and Ks - I'll evaluate and probably be able to understand these, but it's honestly not my preference to judge this kind of PF round. On theory in particular - please try to only run this if you believe you're the target of intentional and flagrant unfair behavior. Otherwise, I'd rather you just talked about the topic.

Speaking quickly is okay but please do not spread. The teams that get the highest speaks from me tend to talk at conversational or slightly faster than conversational speed.

If you're goal is to qualify for and do well at the TOC, you probably wouldn't consider me a "tech judge" ; I'll flow the round line-by-line in the case, rebuttal and summary but also want to see a lot of summation / weighing / big picture breakdowns of the round in the summary and especially in the final focus. I like a nice, clean speech that's easy for me to flow - tell me where to write things. Signpost more than you would think you have to.

Some answers to questions I've been asked:

-I think that it is strategically smart for the second speaking team to defend their case in rebuttal, but I don't consider it a requirement. In other words, if all you do in your rebuttal is attack your opponent's case, I won't consider all of your opponent's responses to your case to be "dropped."

-If you want me to vote on an issue, it should be present in both the summary and the final focus. The issue should be explained clearly by both partners in a similar way in each speech.

-If you say something about the opposing case in rebuttal and your opponents never respond to it, you don't need to keep bringing it up (unless it's a turn that you really want to go for or something like that).

-Speaker points - My 30 is "I feel like I'm watching someone debate out rounds at a national circuit tournament" and my 25 is "I'm going to go ask to talk to your coach about what I just saw." The vast majority of my scores fall in the 29-27 range.

LD

The question I get asked most often at tournaments when judging LD is "are you okay with speed?" The answer is yes, but you'll probably find that I understand your case/arguments better if you slow down during any analytics (interpretation, plan text, standards, spikes, etc.) that you expect me to write down or remember. You'll also probably find that unless you don't spread much, I won't achieve 100% comprehension of your "top speed." And I'm big on this one - if your opponent doesn't understand spreading, don't spread.

Another question I get asked a lot is "are you okay with policy-style arguments?" Again, the answer is yes, but with some caveats. The farther your argument goes from traditional LD or traditional policy case structure, the harder it will be for me to grasp it and the less likely I am to vote on it.

I used to have a lot of really negative stuff about theory arguments in my paradigm. My position on that has softened a bit. There is a place for theory arguments in modern LD debate, but I still generally think theory should be in the minority of LD rounds, and the abuse should be substantial, deliberate, and clearly demonstrable if a theory argument is being made.

I do not disclose speaker points.

Congress

I generally include the PO in my ranking of a round, although not as highly as the best speakers in a round. Expect a rank in the 3-6 range unless you screw up often, are an exceptionally good PO, or are POing a round full of very bad speakers.

A few particulars:

-It's a good idea to break down the what exactly a piece of legislation says and does as the first negative and/or first affirmative speaker. Never assume that the judge has read or analyzed the item you're discussing!

-Refuting or extending the argument of at least one specific person by name is mandatory if you're the fifth speaker on an item or later.

-From the second you step foot into a Congressional Debate chamber, my expectation is that you are IN CHARACTER as a member of the United States House of Representatives or Senate. Breaking character (even during recess, or AGDs) and acting like a high schooler will disappoint me.

-I care about how good your best speech was more than how many speeches you gave.

-I am rarely impressed with three-plus main point Congress speeches. Unless you're in a round that has four minute speech times, this is a bad idea.

-I want to see a strong debate, not parliamentary games.

Extemp

The single most important thing to me is whether or not you answered the question. Your three main points should be three reasons why your answer is correct. Somewhere between 7-10 sources is ideal. You should present an extremely compelling reason in your intro if you are giving something other than a three main point speech; 95% of your speeches or so should be of the three main point variety. Your speech should be over at seven minutes. Grace time is for you to finish a sentence that got away from you, not deliver a conclusion. I often rank people down for talking longer than 7:10.

Oratory/Info

It's important to me that I be able to tell, based on your oratory, how exactly you are defining your topic and what exactly you are proposing we do about it. This may sound obvious, but one of my most common negative comments on oratory ballots tends to be something to the effect of, "be more clear about what your persuasive goal for this speech is." Speeches should have a personal story. They should have a literary reference. They need to include some research.

The most important thing to me about your informative speech is whether or not you are actually informing me about something. Again, this might sound obvious, but I feel like many Infos are either disguised persuasive speeches or speeches that are repeating very widely known information (and therefore, no actual "informing" is taking place). I tend to have a "less is more" attitude when it comes to Info visual aids - this isn't to say that I penalize students who have elaborate visual aids; just that if you only have a couple unsophisticated visuals you could do still quite well with me if you have a good speech.

For both of these events, I want a balance of "hard" evidence (research, data) and "soft" evidence (anecdotes, stories, literary examples).

Interpretation Events

My overarching philosophy with all interp is that as a performer, you are baking a cake. The three main ingredients of this cake are "characters," "emotion," and "story." Everything else - blocking, accents, how your intro is written, suitability of subject material, author's intent, humor - is icing on that cake. Not totally unimportant - just not the first thing I think about when I'm deciding whether or not I liked it.

On the "what's more important, author's intent or creatively," I don't have a strong opinion, other than that is important to know and follow the rules for your event in whatever league you're competing in.

I prefer in HI, POI, and Duo fewer characters to more characters; 3-5 is perfect, more than that and it is likely I will get confused about your plot unless your differentiation between characters is exceptionally good.

I'm not the judge you want if you have a piece that pushes the envelope in terms of language, subjects for humor, and depictions of sex or violence.

My attitude towards blocking is that it should be in service of developing a character or making a plot point. I find myself writing comments like "I don't know what you were doing while you said XXXX" and "you doing XXXX is distracting" way more than I write comments like "need to add more blocking."

Policy

I judge this event extremely rarely, so if you have me judging you here, treat me like an old-school, traditional debate coach. You'll do best debating stock issues, disads, topicality, and fairly straightforward counter plans. I probably haven't judged many (or any) rounds on your topic. As I said earlier with LD, spreading is fine but probably not your "top speed" if your goal this year is to qual for/break at the TOC.

My name is Michael Williams and I have been involved in Interp/speech for the last 10 years, competing and coaching these events. What I look for is voice and interpretation to the story or speech that you are presenting. I seek ample evidence for extemp so that you can get your point across. Don't forget however to draw me in with a hook and have an organized flow to your speech. I look forward to your presentations and congratulations on all of your hard work and accomplishments.

Hello All! My Name is Ryan Williams and I have been involved in Interp for over 15 years both as a competitor and as a coach. What I am particularly influenced by, when judging a round, is how well the interpreter uses their voice in register and tonality. I also look for how well the interpreter tells the story and invokes emotion in their performance whether it be humorous or dramatic.

In OO, IX, DX or any other speaking event, I look for how well a person presents their perspective using the entire space naturally while maintaining eye contact with the entire audience. I also look for how well the speaker utilizes their voice and communicates their points in a clear and logical way so that the presentation is easy to follow.