Congress- Speeches should be delivered at a rate of speed that a casual listener would be able to understand and follow the argumentation. Evidence is necessary and should support every argument in a speech. In order to stand out and rank higher, written speeches should be adapted to include clash from previous speeches and offer something new to the debate. Debaters should offer speeches that forward the debate and do not simply rehash previously stated arguments. A PO should run a transparent and efficient round with a clearly offered way to track precedence and recency.

Extemp- State the topic word for word verbatim, I am looking for strong argumentation to support your answer as well as current and credible evidence. Competitors who have an in depth analysis of the topic will rank higher, fluff and generic answers will rank lower. This is a speaking event and you need to have conversational speed as well as humor to do well. Funny and pop culture AGDs are my favorite.

LD- I am an old school trad judge. I can keep up with moderate speed but if you start spreading and I put my pen down you are not in a good spot. If I can't flow I can't judge you. K and theory aren't my favorite but simple and common K like ROB I am familiar with, extinction arguments are my least favorite, they seem lazy unless you have a really compelling and interesting argument to go with it. Judge adaptation is crucial in LD success. I am not the most tech oriented judge so if you are pulling tricks make them clear and easy to follow for me, I am open to weird stuff but it had better be accessible to me.

For (DI, DUO) - Subtlety is the key, I don't need you to scream and shout to get emotion across. I'm not against screaming, but it should be during appropriate moments during the piece and build over time. At no point should you jump from deadly quiet and calm to intense and screaming. Gradually build the emotion. Show me the tension and intensity over time. Screaming when you erupt during the climax is perfectly acceptable. Further, intensity can be shown without screaming, crying, or yelling. The quiet moments of the piece are usually the ones I find most powerful. THINK and REACT to what you are saying. Emotion should come nearly effortlessly when you "are" your piece. Don't "act" like the mom who lost her daughter in a school shooting, BE that mom! Transitions and timing are SUPER IMPORTANT, DON'T RUSH!!!

For (HI, DUO) - Facial expressions, characterization, and blocking take the most importance for me. I want to see each character develop once you introduce it throughout the piece. Even if the character doesn't appear all the time, or only once or twice throughout the script, I want to see that each character is engaged throughout the piece itself. Most importantly, please remember that humor without thought is gibberish. Jokes are said for a reason - use facial expressions to really hone in on character's thought and purpose. For example, if a character A says a joke and character B doesn't get it, I should see character B's confused reaction. I will also tend to reward creative blocking and characterization. However, note that blocking should not be overly distracting.

For (POI, PRO, POE) - Regarding emotion, facial expressions, and character development, see the above text in the two paragraphs above regarding DI and HI. Personally, I place a little more emphasis on binder tech - the more creative the better! I think binder events are the synthesis of good binder tech, good script selection, and good facial expressions/emotion. Obviously, it's harder to do, since you have multiple characters in multiple parts of your speech and each have a distinct mood and personality. I prefer POI to read like an OO with someone else's words, give me a really concrete problem solution.

Speech:

Intros are one of the most important parts of a speech. Make sure to explain your topic well and draw me into your piece and connect it with your story/piece. Be influential.

Movements and gestures need to appear natural, smooth, and flow naturally with speech.

When you are performing the emotions needs to genuine rather that it makes be believe and I'm in the story or it comes to life.  Draw me into your world. 

Debate (PF/LD/WSD):

Do not SPREAD, so what that means is if you are gasping for breaths you are going to fast or if it turns into one long run on sentences then that doesn't do it for me.  I do not need you to read all of your "cards" or evidence but rather snippets of it and the importance/impact of your evidence. 

Make it clear to me, essentially writing the ballot for me will get you the win.  Thus that means you are connecting the points for me rather than me having to guess what the purpose or point is.  

Congress:  Do not repeat the same points over, especially if we have been three rounds of speakers in.  Would prefer some clash and evidence to back up your points and reasons. 

Extemp: A roadmap would be good along with three points.  I like to have two pieces of evidence per each point with a variety of sources. I would like to have an intro and your conclusion to link back to your intro.  If you can weave your intro throughout your entire speech that would be better.   

The MOST Important Thing: Speech and Debate should be a safe space for ALL so respect is key. (Yes, I also find it strange that I have to clarify respect is a need, but hey I've seen some bad rounds) So any ad hominem, whether directly stated, insinuated, or indirectly introduced to the round (for example through a card/argument) will NOT be tolerated.

General Debate Philosophy: At the end of the day debate is about persuasion, your job as a debater is to persuade me as the judge to vote for you. That means that just because you run an argument that does not mean you will be able to persuade me on that argument aka just because you run it does not me I have t buy it.

Debate is a communication event so guess what I believe is key…communication! I do believe that speaker points hold value, I repeat SPEAK POINTS DO HOLD VALUE and believe that speaker points come from multiple areas in the round. I am stingy with speaker points so you EARN every point with me. With that being said, every speaker will start in the middle of the range and either move up or down dependent on communication ability argumentation, and decorum; YES decorum does matter A LOT.

LD Debate: First of all, your round should have 3 things: 1) Respect. I am a firm believer in the role of the ballot. 2) Clash. If there is no clash then you did not do your job, and nobody is enjoying the round. 3) Voters! Tell me what I should focus on and why I should believe what you are saying. I am a traditional judge when it comes to LD debate aka do NOT run a plan. It will be hard for me to get behind an Affirmative who advocates for a plan when they shouldn’t be advocating for a plan. Aff, you must uphold the resolution, do not try to spike out of it. I believe that observations are not voting issues, however, if ran correctly they may frame the round correctly to influence my vote. If an observation is not refuted or a counter observation is not proposed, and you bring this back up then that is how I will view the round.

Neg, for all that is good CLASH WITH THE AFF. I do not want to hear another round that is just two ships passing in the night. I want you to make arguments against the Aff and PROVE why they are wrong.

When it comes to FW, this is not the holy grail argument that will win the round, but it is a pretty good one to make. If you cannot uphold either VC then why would I vote for you? I do not find it abusive to absorb your opponent’s VC while also advocating for yours.

However, just because you win the VC that does not mean the round flows to you, if you can remove the opponent’s case, whether it be through removing impacts or attacking their warrants, then your opponent doesn’t really have ground to stand on.

I said this first, but I am reiterating this now. GIVE ME VOTERS!

Policy Debate: First of all, your round should have 3 things: 1) Respect. I am a firm believer in the role of the ballot. 2) Clash. IF there is no clash then you did not do your job, and nobody is enjoying the round. 3) Voters! Tell me what I should focus on and why I should believe what you are saying. Similar to LD I am a traditional judge. I normally do not pref, but AFF it is your job to prove that SQ is not preferred, so read into that what you will. Constructive are used to construct any new arguments, do not run anything new in the rebuttals. If you wish to bring supporting evidence or extensions that is fine, but you better be sure that it is 100% not new or I will not flow it. (This won’t cost you the round, but I won’t be happy with it as it is abusive).

YES the neg block does exist. NO Aff, just because they split it, that does not mean you get to. You are more than welcome to run an argument against this if you wish, but you see my philosophy on the matter.

In regards to. Neg strat, I will vote for generic arguments, but don’t want to. Aff you have every right to refute with non-uniqueness, but that does not mean the argument just goes away, it is your job to argue why this matters and why the non-uniq should be a voting issue. Also, Topicality is NEVER theory, it IS a stock issue, which is one of the foundations of this event. However, if you argue topicality be careful that you do not contradict yourself.

Below is a little more detail about different strategies and approaches to the event to help each team out, but full disclosure the easiest way for the Neg to get my ballot is to prove the Aff has no Inherency:

Closed Cross Examination X---------------------------------------------I need my partner to ask good questions and answer questions for me (same holds for prompting)

Policy--------------X-------------------------------K

(If you run a K and then On-Case without kicking OR playing scenarios, you are risking losing my ballot)

Tech-----------------------X------------Truth
(This is a tough one for me as I have seen both sides unfairly cost someone the round. I will listen to arguments, but as I stated earlier you need to persuade me on it, just because there is a card that says x that does not necessarily make it true. For example there are "cards" that argue the Holocaust never happened. So basically I do my best to keep my knowledge or understanding out of the round, but there are just some things that I cannot let slide (next sentence is an exmaple). Essentially, just make sure your arguments hold validity and warrants to them, don't tell me that Haiti will cause nuclear war when it's the poorest country in the Western Hemisphere...no one should accept that argument)

Read no cards-----------------------X------------Read all the cards

(Analytical arguments can 100% be used against cards)

Quality ------------X------------------------Quantity

(I do tend to lean more quality, but this is tough for me. Here's why, if you can layer arguments then do so, but if you run 5 different arguments and the opposing team can group and refute/disprove with one card then kudos to them!)

Conditionality good---------X---------------------Conditionality bad

(Just give me a reason to buy either argument)

States CP good----------------X------------------States CP bad

(Eh…it is what it is, just tired of hearing it)

Politics DA is a thing-------X----------------------Politics DA not a thing

UQ matters most--------------------------X-------Link matters most

Clarity X---------------------------------------------Um...who doesn't like clarity

Limits------------X----------------------------------Aff ground

Presumption-----------------------------X---------Never votes on presumption

Longer ev---------------------------X---------------More ev
(Please do not read me a novel)

I’m a book worm-----------X----------------I only read what you read

(I will only flow what you said/what can be understood, but be aware 9 times out of 8 [yes you read that correctly] during prep,I will read the evidence in your card that you didn’t read to ensure you are not misrepresenting or power tagging. Dependent on the severity, this may cost you the round without opponent call out. Don't think this is fair, then you should have cut the card correctly and fairly. If you did powertag and your opp calls you out, good luck getting my ballot)

Fiat anything you desire--------------X----------Let's be realistic about this

CX about impacts--------------X------------------CX about links and solvency

DA’s -----------------------X----------------------On Case

Theory -----------------------------------X---------- Traditional (The more believable the chain link the more likely I am to to buy the impacts. It is hard for me to imagine sending Smallpox Vaccines to SSA will lead to Nuclear War)

Dash from Zootopia ------------------------------X-----------------Amateur Auctioneer

(I am fine with speed, debate should be faster than conversational, but not a race. I hate spreading/rapid fire because let’s be honest no one is good at it, you sound horrible, and it’s not impressive)

Quantity of Arguments ----------------------------------------------X-Quality of Arguments

(I have voted on a round because of T, despite the AFF having a 12 page case)

At State in LD and Policy my default is 27, unless you are truly impressive or the opposite.

Congressional Debate: If you just read out loud to me do not expect a speech ranking higher than a 3 or to be ranked in the room. The purpose of this event is to make extemporaneous speeches, yes research is key, NO do not have a pre-written speech. The students that deliver the best speeches, while also showing they are aware of the debate in the chamber will win my ballot.

PF Debate: Don’t have me judge PF

WSD Debate: I have somewhat of an idea of what I am doing in this round. I am wanting to learn this event to judge, but just not there yet

Interp

Do NOT try to read me. Don't try to read me to determine how you are doing, you can be giving a performance of a lifetime and I may look disinterested, even though I am fully captivated. Or I may react to the literature, but that does not mean the performance is on par with the strength of the piece. I have heard many funny pieces that were not performed well and heard very powerful lines that were just thrown away.

There is no magic/secret thing to do to win my ballot, except give the best performance. I know super helpful, right? I consider multiple different aspects when judging: polished (holding and mastery of the manuscript), presence in the room, delivery style, performer connection to selection, audience connection, did I get drawn into the performance, etc.

I do realize that because you are interpreting you have to be extra big, but I do look for realism in the performance. Ex: Should someone be sobbing because they spilt milk? Why is someone smiling when the love of their life just died? Remember, this performance is all about peaks and valleys, if everything is delivered the same, or on one level, then nothing is important and nothing stands out to me. If I am convinced that the performer is actually experiencing the piece, that is the best way to win my ballot, because it will draw me in. If I am not drawn in then I don't believe you really interpreted the piece. Make me care about the characters, if something is suppose to be sad I want to be sad with the character. If you don't draw me in/I don't make a connection with a character, then "I won't care that your sister died".

In introductions, I like to get to see you as a person. I want the intro to sound natural and not like a memorized piece of information. Let me see/hear YOU.

Debate- I look for good clash. I don't mind spreading but I am getting older and if I miss something I feel that's on you. You should know what your cards are saying beyond just reading them. Yes, reference and use them, but also know them. Extensions are good. For Policy- K's, Topicality, Theory should be well framed and explained, when used well I will hold value to them.

IE's-

Speech Events- Organization and use of evidence is key. I look at movements and hand gestures matching the piece and being purposeful. You pacing should be understandable

Interp Events- Emotions should match the piece as well as movements. I also enjoy when they sound natural. It should flow smoothly and make sense. Time is important but not a deal breaker if the piece is more solid than the rest, but being too short in time could make it harder to advance you in later rounds when everyone is so solid. Your vocal variety and pacing should make sense with the piece.

Speech - Organized arguments, credible sources, practical solutions, relatability is probably the biggest thing for me. I love speeches where personalities show through and I can see how you are as a person.

Interp - Relatable pieces with big, distinguishable characters.

WSD - I want a conversational round with a crystallization of points at the end. Clear voters are always the way to go. POIs should be addressed consistently however not everyone needs to be taken.

I truly enjoy judging speech and debate events. In the 1990s, I participated in Cross Examination Debate, Extemporaneous Speaking and Original Oratory at Douglas MacArthur High School in San Antonio. While in high school, I competed at the TFA State Tournament (in both CX and DX) and the NFL National Tournament (in CX), as well as debate tournaments such as St. Mark's, Emory, Glenbrook South, Harvard, and the Baylor Round Robin; my CX team either broke, placed, or won at those tournaments. I attended the national high school debate institutes at American, Northwestern, and Dartmouth. I finished my high school speech and debate career with the Outstanding Distinction/Quad Ruby Degree from the NFL. Currently, I am a volunteer coach for Incarnate Word Academy and a full-time lawyer in Houston. My favorite speeches are well-organized, analytical and persuasive. Please be sure to support your argument with credible evidence or authority. A good attention getter and closing go far in my book. Try your best to finish right around the end of your time limit. Overall, I value "stuff" over "fluff," but speaking style, clarity, and mannerisms do help to put gifted speakers at the top of my ballot. Don’t be afraid to offer differing viewpoints to provide balance to your argument; that demonstrates an intellectual appreciation of nuance. I view judging as a community service and am always available for comments after your round. Best of luck.

Debate: No spreading. Offer clear arguments and reasons to direct me in RFD of the round.

Speech Events: Interesting and unique topic that holds my attention the entire time. Simple and clear presentation of speech. Good use of humor and research throughout the speech.

Interp Events: Great use of characterization and blocking. The piece should paint a clear visual of the scene that holds my attention. The topic should be relevant and important to the competitor and society.

I am a stickler for good presentation and civil debate. Respect and clear argumentation are important for me in all events. I will be very focused on the flow of argumentation and will judge off of what was presented and how.

Congress: Good use of sources, creative speech writing, persuasive delivery, clash, and adherence to Parliamentary procedure are essential. It is also important that the chamber act respectfully and cooperatively, where civil debate occurs and the conversation is not dominated by any individual or group of competitors.

CX: Affirmative teams will need to address stock issues convincingly. Clash and Extension in later rounds are more important than new arguments. Avoid Kritiks and spreading.

LD: I prefer traditional LD; No spreading, civil clash, and a strong emphasis on philosophy over policy. I will tolerate progressive debate/Kritiks and policy, however, be careful and make sure your case is well crafted with this.

IEs: Do not overcomplicate your performance. I am looking for effective delivery!

PF: I prefer to hear good arguments and sources. Spreading is not encouraged. Good summaries and crystallization are key.

WSD: Clash is key. Crystallize the differences and present mechanisms effectively. Spreading is not encouraged.

As a IE judge I look for a clean and polished performance. Good Analysis and Interpretation of characters and a powerful performance.

For Speaking events - Structure and Sources are important as well as a polished performance.

For Debate - LD I prefer a traditional format and value debate. PF I want to see clash, evidence and a clear job going down the flow to show rebuttals of arguments.

I am conflicted with Cypress Park High School

Speech Events: Interesting and unique topic that holds my attention the entire time. Simple and clear presentation of speech. Good balance of humor and research throughout the speech.

Interp Events: The piece should paint a clear visual of the scene that holds my attention. The topic should be relevant to society and important to the competitor. The piece should have great use of characterization and clear, crisp blocking.

Debate: Offer clear arguments and reasons to direct me in RFD of the round.

Individual events: in extemp, I'm looking for you to first answer the question and then answer the question with the best possible information that you can give that is factual. My expertise is more on the domestic side but I can do international extent with some basic knowledge of what it is that's going on around the world. Also what I'm looking for is a person that reads like a human encyclopedia or a human archive newspaper person who knows all the facts of the question that is being given them. I can also be flexible in terms of politics but the politics has to still come across as somewhat neutral in nature.

In drama and humor, what I look for the most is a performance that makes me forget that you are performing the peace and that you have somehow become the characters that you have portrayed. The more I get into your peace the better your chances at winning in this event.

My favorite category is original oratory. In oratory all that I look for is for you to tell me a topic and give me all the information that is there. Make sure your sources are correct and that you're not trying to be too showy and sometimes even more natural will get the job done for me.

In duo interp what I always do is that I always look at both performers I'm not looking for a performance where it's just an exchange of lines but what feels like a real dialogue. I'm also looking to see what happens when the other partner is not speaking and if they are performing their character while not being able to speak. You must be in character at all times during the performance.

In prose and poetry, it is similar to what I look for in drama and humorous. I'm looking for performance where I'm no longer seeing a person reading something and more like feeling like you are very much in character in telling a story.

In big questions, your arguments are still important but just like in public forum I look at what it is that is said during The question period. More information can be gleaned from asking questions then what it is that is said during regular arguments.

LD: I will honestly say the I don't judge LD in the traditional sense and I draw my decisions based on my IE and PF experiences. Like PF your cross and rebuttal speeches usually wins the day in my eyes so if you can extract good counter information in cross and use it in rebuttal, then you'll likely get the win.

PF: I put more weight on crossfire than anything else. Be efficient to get your points across and you will win the debate.

I put more emphasis on your time during crossfire because of the shared time for all four speakers. If you use the time efficiently, you should get the win.

Congress: the key to winning Congress is a simple case of taking the chamber seriously and delivering your speeches to say three things. The first thing that you're saying is that you read the bill completely and understand it. The second thing you want to say is that not only do I understand it but my position is this way because I researched it. And the third thing you want to say is that you want to be able to say that you put the time and the effort to push the bill forward because it's the right thing to do. As long as you move the legislation and you don't bother down the bay with amendments and points of order that are unnecessary you are going to go far. If you aren't designing officer it's almost the opposite of what has to happen because as long as you are not cold out and as long as you stay fair and if you keep yourself practically anonymous during the session you'll also do well.

Being the presiding officer it means that you have to dedicate your life and your time at the chamber to the speakers and making sure everybody speaks when they're supposed to. I compare being a presiding officer in a congress chamber the same way of football offensive lineman in a football game. When they barely know you, you've done your job. When you're constantly being pointed out for the mistakes that you made, then you haven't done your job. Presiding officers will always rank high and in the top half of my ballot as long as the chamber is running well and everybody seems satisfied in his or her control of the chamber and considering it's a thankless job that has you not even being able to speak.

I judge on the premise of what did you do to move legislation forward during a session.

My primary judging experience includes the Northeast and Texas regions.

IE: I believe that whatever you can bring to your speech or performance that is unique and authentic, while drawing an audience in to be fully present with you displays a certain kind of creativity and skill to be appreciated.

Speech: Structure and content are in focus with an appreciation for originality when possible.

Interpretation: Flow of storyline, depth of character, authenticity, as well as the minute details you’ve added throughout your piece displays how much effort and thought have gone into your performance.

I like clean, clear, concise, warranted arguments and responses. Speed is not an issue as long as you are organized and coherent.Slow down if speed interferes with the flow of ideas.I think conditional arguments are abusive and cause me to intervene. Theory can be a voter if arguments are developed and applied. Generic theory arguments are a waste of time. I appreciate debaters making logical arguments that are specific to the round instead of reading prepared responses. A sense of humor is appreciated. Crystallize issues in rebuttals. Tell me how you want me to weigh arguments in the round and which arguments are voters. Use CX time to clarify issues and to establish your strategy.

Performance events should be polished. Characters should be engaging and have definite vocal and physical characteristics. The piece should have different emotional levels. Movement should make sense.