I am an old school traditional judge.

In Congress - If you ask for an in house recess to pad a speech or to address the chamber because no one is speaking - DO SO AT YOUR OWN RISK! Nothing annoys congress judges more than 15 minutes of caucusing and getting splits, only for no one to be ready. The PO should be running the round and is perfectly capable of admonishing those who are not ready to speak. Otherwise, I like a good intro with a 2 pt preview and good, creative arguments that show critical thinking. Be active in the round and ask good questions.

PF - Keep it simple. If you run a plan, a K, or theory, you are unlikely to get my ballot. Treat me like I have no idea what this topic is and explain EVERYTHING. Weigh impacts to get my ballot. Don't complicate a pro/con debate.

LD - For UIL, stick to a traditional format with Value/Criteria and Contentions. Weigh and give voters. For TFA, just know that I loathe rapid delivery and love explanations. If you are going to run a counterplan in absence of an affirmative plan, I will not vote on it. LD is not 1 person policy. Uphold your value throughout the round.

Remember, debate is impossible without effective communication.

FLASHING IS PREP TIME! If you are not speaking, you are prepping. My prep time clock is the official prep time clock.

In Congressional Debate: Analysis is the most important factor. Sources are paramount. Clash is expected. Delivery is secondary.

In Extemp: Give a CLEAR answer to the question, need good time allocation, good sources. I consider this public speaking, not interp.

In OO/Info: Need clear structure with sources. I consider this a public speaking event, not interp.

In Interp: Need different levels, clear characterization. I need to be able to follow your story.

Debaters:

Please speak clearly and DON'T RUSH.

Organize your arguments and be sure to explain how your argument is more feasible than your opponent's.

DON'T RUSH.

Give me a good reason to vote for you by successfully proving that your opponent's argument is not practical.

Please watch your speed. If you're going too fast, it makes it harder for me to flow, so I just won't do it.

Respect your fellow debaters in general and during cross-ex.

Please don't yell.

Once again, DON'T RUSH.

*my email is babbonnete@gmail.com*

LD- I'm fine with speed. run whatever you want.

PF- Steps to getting my vote: extend, line by line rebuttal, collapse in summary, if you're speaking second then I expect your summary to address attacks made in last rebuttal. Also: weigh in EVERY SPEECH.

Policy-

Here are some of my personal preferences: I like K's. Signpost. I don't expect the 1AR to respond to a 13 paged card dump, just do your best by grouping arguments and responding in a way that allows you enough time to save your 1AC from falling into LOTR fire pit.

I am the Director of Interp and Oratory/Assistant Director of Forensics at Seven Lakes High School in Katy, Texas. I did speech in high school in Texas, and I am also a thespian -- I have a BFA in acting and I was a theatre director prior to specializing in Speech and Debate.

Conflicts: Seven Lakes (TX), Wimberley (TX)

First and foremost, I am a theatre person and a speech coach by training and by trade.

Congress

Don't speed through your speeches, speed matters to me. Style matters to me as well, I am looking for structured arguments with clean rhetoric that comes in a polished package. Introduce new arguments. In questioning, I look for fully answering questions while also furthering your argument. I notice posture and gestures -- and they do matter to me. Evidence should be relevant and (for the most part) recent. Evidence is pretty important to me, and outweighs clean delivery if used properly. A clean analysis will rank you up on my ballot as well. Don't yell at each other. Overall, be respectful of one another. If I don't see respect for your fellow competitors, it can be reflected on my ballot. Don't rehash arguments. An extra speech with something I have already heard that round is likely to bump you down when I go to rank. As far as PO's go, I typically start them at 4 or 5, and they will go up or down depending on how clean the round runs. A clean PO in a room full of really good speakers will likely be ranked lower on my ballot. As far as delivery goes...as it says above, I am a speech coach. Your volume, rate, diction, etc are important. Make sure you are staying engaged and talking to the chamber, not at the chamber -- I want to be able to tell that you care about what you are speaking on.

Interp:

I am looking for honest connection to character and to text. Blocking should be motivated by the text and make sense for the character. I look for using vocal variety to add to the text and really paint a picture. I want you to really connect and tell the story. I also look for an overall arc of the story, clear beat changes, and clear emotion. I also look for clean diction and an appropriate rate of speech. Additionally, environment should be clear and blocking should be clean. In single events, I want to see the connection to your “other” (who are you sharing this with in the context of the story). In partner events, I want to see you really connect to each other. If you play more than one character, I am looking for clear and clean differences between the characters. Overall, tell your story. Connect to character, and share that with the audience.

Public Speaking:

Delivery is very important to me. Be careful of overusing gestures, make sure they have a purpose and enhance what you say. I want to see you connected to sharing your speech, not simply reciting something you memorized. While I do tend to notice style before content, it is important that your content is accurate and adequately supported. The content of the speech and the way it flows is important. I also look at diction and rate of delivery. In info, I do like fun interactive visuals—but they need to enhance your speech, not be there just to fill space. Overall, I want you to be excited about your speech and to have fun delivering it.

PF:

• I try to flow, but please make sure you reiterate important points as they become useful to your argument.

• Speed is okay, as long as I can understand you.

• Articulation matters to me. I would rather you speak a little slower and not get caught up in what you are saying.

• I really look for you to answer each other’s attacks on cases, not just repeat what you have already told me if it doesn't address the opposing case.

• Giving me a clear road map and sticking to it always helps.

• If a team is misrepresenting evidence, make it clear to me and tell me how they are doing so.

• Overall, I want you to tell me why you are right AND why they are wrong. Make sure you are backing up your claims with evidence and statistics.

I've been judging various forms of speech and debate events on local, state and national levels since 2013. Head coach of St. John's School since 2020.

I have no event specific expectations on what should happen, I prefer everything to be spelled out in round. I do not like intervening.

Speaker points are a tie-breaker, so I am a bit more conservative with them, but that doesn't mean I'll tank your points unless you're unclear, have frequent speech errors, go over time, or if you're rude. Expect an average 27.5-29.5 range in PF/LD/CX and a range of 68-72 in Worlds and a 3-5 range in Congress. Perfect speaks reserved for those who truly exemplify great public speaking skills. Rudeness can also be a cause for a team losing.

Don't assume I know anything, explain as if you were talking to someone non-specialized in whatever subject matter you're speaking on.

Ask before round any further questions you might have.

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For WSD

I will be following the conventions and norms that asks us to:

• think about these things on a more holistic approach;
• nuance our argumentation and engage on the comparative;
• think that the principle level argumentation is key and that the practical should make sense in approaching the principle;
• not engage on tricky arguments or cherry picked examples;
• debate the heart of the motion and not conditionally proposing or opposing (that we are debating the full resolution);
• reward those that lean into their arguments and side;
• preference thinking about the motions on a global scale when applicable.

I have been a judge in some capacity (coach, hired) since 1998. I've seen many trends come and go. I used to be a traditionalist when it came to interp and blocking, but understand how the events have evolved and adapted my judging to suit what the community has deemed appropriate. However, here are some event specific elements of my paradigm.

Extemp - I believe that fundamentally, an extemp speech must be founded on answering the question that is posed. I think the unified analysis is the best way to support your thesis, but am open to other organizational methods. Source citations should include the name of the source and the date for me to give them full weight. I know what's going on the in the world. Do not lie or embellish with me. It will not go well. I would rather have someone give their best try with a hard topic than to have someone make things up or misrepresent the facts of the matter. Especially with having access to the internet, there is no excuse for making things up in Extemp.

Informative - I have been around Informative speaking for a lot longer than it has been a TFA event. This event is one where you can do a speech about anything, but that doesn't mean you should do a speech about anything. It should be something where you are informing us about a topic with relevance to you (the speaker) and which you can "sell" to us as interesting and relevant to us. The quality of visual aides matter. Sloppy VAs speak volumes about the speech. Neat and clean VAs speak well and set a good impression. This should not be Infosuasion (meaning that it is a persuasive in tone, but using VAs). The best informatives have balance in them (pros and cons) and a lot of information that we wouldn't otherwise know but for this speech. Source citations should include the name of the source and the date for me to give them full weight.

Oratory - I think the best oratories are ones where they are relevant to everyone in the audience, as well as the speaker. Oratories that are overly-focused on the speaker tend to be exclusive and I think feed into the perception of this event as "bore-atory" I like advocacy focused on Problem - Cause - Solution or Problem - Cause - Impact or something similar. Source citations should include the name of the source and the date for me to give them full weight. Personal examples are ok, but should not be the main part of the support for your speech. Research is important for good persuasion for a Logos person (that'd be me).

DI/HI - I lump these together because I view good interp from the same lens. I think that the best interpers make you forget that they're a high school student performing at a speech and debate contest. If it is serious, I want to feel like you set me in that scene and that you are your character(s). If it is funny, I want to see the scene play out with the humor being an integral part of the cutting and your performance. I think blocking is a compliment to the performance. It should not distract from it. The choice of literature matters. DIs should present a good exploration of the dramatic curve - in otherwords, don't stay at one level the whole time. Have some development from start to climax to conclusion. HIs should similarly utilize the dramatic curve to build to the climactic humorous scene or event. Audience appropriateness is also an element in my judging for these events. Both in the performance choices and in the literature selection.

POI - Notice I didn't lump POI with the other individual interps. While much of the same is true of the performance elements as those events, I fundamentally believe that POI must have a thematic argument that the program explores. It is not DI with a few poems thrown in. It is fundamentally different from the other interp events. The intro must establish what this argumentative framework is for me to really appreciate the thematic choice. I also believe that the best POIs are inclusive of the audience in terms of interest and relevance - similar to my thoughts on an OO. Book work should be complimentary and not distracting from the performance.

Duo/Duet - In addition to my thoughts on DI/HI, I think how the performers work together is essential to a great partnered interp event.

Impromptu - The speech must be based on the topic drawn. Please do not shoe-horn in a canned speech into whatever quote you drew. Use your knowledge. Distill a message from the quote/topic, take a position on the message, and back it up with examples. I think variety in example areas and mastery of what you're talking about are important. I think the best impromptu speakers used 1:00-1:30 of their prep time to leave 5:30-6:00 for the speech.

Prose - See my DI/HI and POI commentary.

Hi y'all! My name is Carlos Diaz and I competed for Spring Woods High School for four years and The University of Texas at Austin Speech Team for four years as well. I am currently the speech and debate director at Stratford High School.

My senior year of high school I was the 2016 TFA state champion in DUO as well as the 2016 TOC duo champion. My sophomore year of college I was a finalist in dramatic interpretation at the National Forensics Association tournament (top 6 out of 250 competitors). The following year I was a semi-finalist in persuasive speaking at the same tournament, (top 12 out of 250 competitors). Although I never competed in congress or extemp, my high school was state and nationally ranked in congressional debate, and I had the great fortune of having some of the best extempers in the nation as my teammates during my time in the UT speech team.

Extemp:

First- answer the question. Read the question carefully or you might give an entire speech that ultimately misses the mark.

Credible and great sources.

Strong format and structure. The speech should be able to flow easily and be coherent enough for non-speech judges.

Oratory/Info:

I want a solid structure of the speech. The audience (and I as a judge) must be able to follow along with ease. This means previewing in your intro.

Be sure to use your space, especially between transitions and with hand gestures. This adds another layer to the delivery of the speech and it makes an enormous difference.

For OO- solutions need to be tangible, meaning things that I as an audience member can take up and do. If the solutions are abstract, you are not fulfilling your role as an orator.

For Info- implications are the man thing that make the speech. They need to be out of the box, and make the audience think of something we would not have otherwise.

Congress:

Preview in your introduction.

You MUST have excellent sources and I will not look favorably upon a point that has no sources at all. How am I supposed to evaluate something that is purely opinion?

To PO's: I pay heavy attention to how you are conducting the round.

Be kind in questioning. Do not be abusive in any aspect of the speech.

Interp:

I will be the most picky in this event just because it's my favorite and I usually have a lot of feedback to provide.

The intro in interp should always have a strong argument, preferably backed up by sources or studies that support the theme of the performance (and yes, even in HI).

Dramatic/Prose: I am looking for a well developed character. Additionally, it's nice to have a set environment that the audience is able to observe.

Although this event tends to be more dramatic (haha), I also want to see levels throughout. A piece that only has one tone and mood is boring, give me more! Add the humor, the doubt, the regret, the hesitance, the anger, and so much more that makes your character a real person.

Programs: Having a clear argument is imperative. Your literature can be anything as long as it connects with your main theme.

Characters need to be unique. I should not be able to confuse characters, so make them stand out. Things like changes in tone, accents (if appropriate), mannerisms, etc.

Humorous: Although the main point of this event is to be funny, i'd rather see it be clean and easy to follow. HI can tend to focus too much on the humor and ignore the plot of the script. Make sure you don't.

Characters need to be unique but also BIG. The entire point of HI is to be exaggerated and to have no boundaries or limitations (as long as it makes sense and adds to the story rather than distracts from it).

Overall, I am looking for people that are having fun! The amazing thing about interp is that you are given a platform to completely personify a character, an argument, and a story.

Last but not least- CONFIDENCE. If there's something that I've learned from competing in speech for eight years is that confidence is key. As long as you think of yourself as a winner, you will perform as a winner, and the audience will see you as a winner.

Thanks y'all!

In Congressional Debate: Analysis is the most important factor. Sources are paramount. Clash is expected. Delivery is secondary.

In Extemp: Give a CLEAR answer to the question, need good time allocation, good sources. I consider this public speaking, not interp.

In OO/Info: Need clear structure with sources. I consider this a public speaking event, not interp.

In Interp: Need different levels, clear characterization. I need to be able to follow your story.

I have a very long history in speech and debate activities as both a coach and competitor. I have coached all formats of debate along with public speaking and interp events over the last 35 years. I attended high school in a small town Texas school back when dinosaurs roamed the earth, where I competed in policy debate, extemp, oratory, dramatic, prose and poetry. I also competed in college at Southwest Texas State University (which is now Texas State University) in NDT and CEDA along with individual events.

I have been the coach at James E. Taylor High School (Katy Taylor) in Katy, Texas for the last 23 years, where I have coached all events.

In public speaking events, I generally weigh 3 things: analysis, organization, and delivery (in that order). In any public speaking event, I expect to hear citations of credible sources. In extemp I normally expect a minimum of 2-3 source per area of analysis (more is fine). In oratory or info, I expect the student to explain a source's qualifications. A clear organizational structure is required. In terms of delivery, there should be an appropriate level of gesture and movement. But all movement should serve to reinforce the content of the speech. Clear diction and intonation are also important.

Extempers--The analysis in the speech should stem directly from the topic question. If the speech doesn't directly respond to the question asked, you will end up with a low rank from me, no matter the quality of the speech itself. My number 1 rule in extemp--answer the question.

When evaluating interpretation events, I tend to look first to characterization. Blocking and use of space are also an important considerations, but I expect all movement to be motivated. Random movement, or movement just for movement's sake, is distracting and confusing. I have no particular preference on the use of a teaser, but I do want to hear YOU in the intro (as a contrast to the character(s) you are creating). In prose/poetry, the rules of the event require the use of a binder, so I expect you to at least pretend to occasionally look at the pages.

I am not offended by the use of profanity as long as it is integral to the selection performed. I am not a fan of using it just for shock value. Along the same lines, I am not easily offended, and willing to give some latitude on content of the performance. However, I am uncomfortable with selections that are extremely graphic and/or vulgar, or bordering on, or completely pornographic. I realize that it is difficult to explain where that line falls, and I do take that into account. Shocking just to be shocking doesn't score lots of points with me. Basically, if the piece would get an X-rating in a movie theater, I don't want to watch it in an interp round.

Online competitors: I will always take into account limited space, technical issues, etc., when evaluating competitors online. I understand that some things are just out of the student's control when competing online and I do not count that against the student.

I competed for four years at Cy Woods as an LDer and PFer where I qualified for state and nationals respectively. While my circuit was fairly progressive and I competed in many national circuit tournaments, I consider myself more of a traditional or lay judge after being out of the activity for many years. I am willing to listen to more technical arguments provided they are articulated clearly and weighed appropriately. I can handle speed but I do not like it, I usually will tell debaters to go about 70% their fastest. If you are unsure about anything, feel free to ask me before the round.

Assistant Coach at Spring Woods High School Speech & Debate for Victoria Beard.

Interp: Source of the majority of my experience in Speech & Debate. I look for multiple levels to a performance; character portrayals by students with an understanding of the emotions and stakes of their piece; a concise plot to the cut, coherent from beginning to end; the greater the attention to minor details (mannerisms, gestures, inflection, etc.), the better.

Public Speaking: I enjoy interp-flair, but it cannot supersede the content, argument, or sources of your speaking. I will call you out on inaccuracies.

Debate: Rank your Spread from 1 (slowest) to 10 (fastest), then keep at 5 maximum -- quantity will never match quality. I appreciate excellent enunciation and clarity, and support debaters providing roadmaps for judges. Dropped contentions are watched for. No disclosures after round end.

My name is Cathryn Watkins, and I'm currently the Assistant Debate Coach for Clear Brook High School.

For extemp, I don't have any stylistic preferences. I enjoy individuality, and would like to see each student's unique speech style rather than ascribing to a specific speech pattern. Regardless of delivery choice, students should enunciate clearly and project their voice to ensure they are heard and understood. Speeches should be balanced between evidence and commentary. Evidence provides the backbone of an argument, but commentary makes the evidence concrete and meaningful. You need both in your speech to be effective.

Oratory and Info are heavily reliant on aggregating data, and I expect the evidence presented to be thorough. I want the topic presented to be unique. If a subject has been presented multiple times already, students must find a way to make their information impactful and stand apart from other performances. Overall, I look for passion in speech delivery. If the student does not seem to care about their topic, how am I supposed to care about it? Again, I enjoy experiencing each student's unique style of delivery, so I have no delivery preferences.

Interpretation events are centered around how well the student marries author's intent with their own experiences to create something new from a piece. Teasers and introductions should be created to maximize audience interest and familiarize the audience with the subject matter. Without an effective beginning the audience doesn't know where the interpretation is going, which could cause confusion. Blocking and movement should always be intentional and used to create meaning. Random movement without a connection to the interpretation will only distract and confuse. To the same extent, curse words can be powerful but if used too often become a distraction as well.

Debate rounds are, at their core, about respectful discourse. The ultimate goal for me is to persuade me to agree with you over your opponent. I do not have any preferences about the structure of debate, but I do not appreciate spreading, especially when students speak so quickly I cannot understand what is being said. If I can't understand you, you lose my vote.

Disrespect, in any form, is not received well from my perspective, particularly when one side is behaving with integrity and respect and the other side is not.