Public Forum Debate:

I competed all 4 years of high school in Public Forum at Dexter High School, and have been coaching/judging since 2018. I mainly judge on use of impact weighing, cohesive arguments and responses, and unique/compelling arguments.

I judge on a mix of tech/truth. I won't necessarily drop a rebuttal or response with theory and no evidence as long as it makes sense, but for larger arguments that your case relies on, evidence is necessary. Decorum during the round (rudeness, interrupting repeatedly during crossfire, et cetera) will affect your score, more on this below. I don't flow crossfire and I don't judge on it, but I will be paying attention for contradictions or lack of knowledge/an answer. I'm not a fan of offtime roadmaps, considering they waste time during the round and serve very little purpose. If you signpost your speech properly, you won't need an offtime roadmap.

At the end of the day, I'll judge mostly on voter issues mentioned in the summary/FF, in terms of what arguments have been dropped, responded to, or are still standing, so make sure to collapse and/or mention your strongest points during the round at the end.

If any of the students in the round are having decorum issues, it will greatly affect my decision. I've noticed that most of these issues happen during crossfire, due to how easy it is to get frustrated with your opponent. While I was competing, I was definitely quick to make a crossfire heated - there's a pretty easy fix for this. Your speeches and your arguments should be addressed to me, and not your opponent. Your job is not to wear down your opponent until they concede, your job is to convince me that your arguments are more important. I hope this reframing of the debate can help some of you, even if crossfire isn't something you initially struggle with. Remember, we're here to learn and have fun, not to get angry at each other over arguments that really don't even matter in reality.

Forensics:

Now that forensics is slowly moving to Tabroom, I'll add a little blurb here about it. I competed in both interp and PA events, but found the most success later on in my forensics career in Broadcasting. I am more inclined towards the PA events and will probably be far more helpful as a judge in those events. If you're in interp and you've gotten a basically blank critique sheet from me, I sincerely apologize (if I have nothing to say it means I had nothing bad to say and didn't really notice you doing anything wrong).

That being said, in interp, there are a few things that I do not appreciate. First, adding too much emotion to lines that don't need that much emotion. If the only way you can come across as upset is by screaming your lines, try something else, like using facial expressions. I know a lot of you have pieces that require you to make loud noises, which is fine, but remember that there are usually people competing right next door. Screaming your entire piece is going to give me a headache and it's going to interrupt the round next door. Secondly, adding in incredibly dramatic scenes that make no sense with the cutting/story you're trying to convey. If you're conveying a character arc that has nothing to do with mental illness or suicide and then out of nowhere your character commits suicide, I will find it in bad taste unless there's a reason for it to be there. I don't take lightly to specifically issues of suicide and it won't give you extra points for having a more "emotional" program. Third, if you can do a cartwheel or a back handspring or whatever sort of gymnastic feat, please do not put it in your piece unless your piece calls for your character to do a gymnastic feat. I once judged a round where three people randomly did cartwheels and I had to decide who had the best cartwheel - please don't make me do that again. Thank you.

In judging Speech events or Debate, I look for similar things. On both sides I look for commitment; it's good to be passionate about your work, although you want to keep that passion in control. I also look at your choice of materials.

In Debate that means depth of research and variety of solid sources; I really do count and evaluate your sources, checking to see how far you went with your own original research. In Speech pretty much the same criteria apply on the PA side, and I'm interested in your choice and validity of sources, as well as freshness: is this a topic/product/thesis I haven't heard repeatedly? In Interp, of course, the shift is that now I'm looking especially at-- as the ballots say-- "quality of literature." Have you chosen material that's emotionally engaging, but not sensationalist? Is it something that appeals to a wide variety of audiences, but isn't just a fad? And, of course, is it something you can invest all your creativity, as well as your heart and soul, into?

Beyond these specifics my judging is much like other experienced judges': I've been at this for 26 years-- and relishing good performances all the way. I'll be rooting for you!