BG Vette City Virtual Junior Speech Tournament

2020 — Online, KY/US

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Junior - Humorous Interpretation

Event Description:

HUMOROUS INTERPRETATION-- Senior and Junior Divisions (2020-2021)

Judge Instructions

Summary of Rules

1. In this event, each student performs a published piece of humorous literature, which may be a monologue or dialogue. The maximum time is ten minutes, including a required introduction. There is a thirty second grace period, after which the student must be dropped in rank/rating. Time signals may be given at the request of the competitor. No violation of the grace period in Regional/State Quarterfinal, Semifinal, or Final rounds may result in disqualification. No performance violating the grace period may receive ‘1’ in the round.
2. The scene may come from a published play, short story, novel, TV, or movie.
3. The selection must be memorized. The cutting may be a monologue or dialogue. If transitions are used, no more than 10% may be narrative. Offstage focus must be employed when one character speaks to another character; however, if the speaker is supposed to address the audience, he/she may make eye contact.
4. Limited movement is permissible in the introduction and during the selection. Limited movement is defined as movement within an area of ten feet in diameter. The area may be used for actions including bending, stooping, turning, and pivoting. When a "teaser" taken directly from the script is used in the introduction, this is considered part of the selection and movement is therefore restricted as above. There are no properties.

Hints for Judges

1. The introduction should include enough background information to establish the selection with the audience. Delivery should be interpretation rather than acting. Character delineation should be clear. If you close your eyes, the vocal characterization should be very evident and appropriate to the character. Physical delineation (i.e., facial expression, gestures, and suggestive bodily delivery) should be evident.
2. The cutting should be a self-contained unit, including a beginning, middle, and an end. The performance should emphasize interpretation skills (internalization) rather than techniques and mechanics. Characters may address each other and/or the audience.
3. The suitability of the material to the maturity level of the performer should be considered. Base your decision on the performance, not your taste in literature.

Criteria for Judging

I. Introduction of Selection

Did the student provide necessary information to prepare the audience to listen? Did the student establish the mood and/or meaning of the selection? Innovative introductions should not be discouraged.

II. Presentation of Selection

Was the student in control of the performance and the audience? Was there an empathic response? Did the

student demonstrate good speech habits as they would pertain to the student's interpretation?

III. Characterization and Character Delineation

Did the student clearly and correctly develop and define characters in the selection? While this is not an

exercise in acting, did the student develop character posture, muscle tone, facial expression, and limited

gestures appropriate to The selection?

IV. The Selection

Did the student retain the essence of the material from which the cutting is taken? Did the cutting itself

possess a unity of its own which built to a natural climax and conclusion? Is the selected material suitable for the maturity level of the student?

FOCUS ON THE PERFORMANCE, NOT THE PIECE.