Throughout speaking events it is crucial that you always maintain the attention of your audience using organization, relatability, and a suitable platform. The delivery should be clear, concise, and feel conversational. Speeches should be well-organized so that the audience can follow along easily, and they should include sources to help establish credibility. Last but not least, speaking occasions should involve a range of vocal tones, facial expressions, and purposeful gestures.

When it comes to interpretation, I value natural acting, purposeful blocking, and experiencing the true emotion. The characters' feelings should be conveyed to the spectator. I also assess the characters' authenticity.

During the debate, you should have clear explanations so that I can follow along with the scenario you've developed. I do not approve when you are unpleasant or hostile to your opponent, and I do not approve when excess vice is propagated. It's challenging for me to absorb your ideas if I can't grasp what you are saying. Whoever has the strongest case will win, regardless of how many arguments they can provide.

Content warnings are appreciated when appropriate.

Teasers should set the mood for the piece and not be too lengthy.

Intros need to continue to prepare the audience for the piece by setting the appropriate tone as well as to give important exposition. A sharp or clever intro that is well constructed can be the determining factor in scoring among two equally done pieces.

Blocking and movement should be clear, well defined, and motivated. Clever or creative staging is appreciated. Unclear or unspecific pantomime, upstaging, or weird angles that prevent seeing the actor's faces should be avoided.

Characterization should be consistent and easy to follow if performing multiple characters. Pops should be clean. Vocal characterization should be suggestive of the character and not an opportunity to showcase cartoon voices/cliche characters (the surfer, the New Yorker, the Brit, the Aussie, etc.) unless warranted by the script/story.

The binder is NOT a prop other than in POI. Movement below the waist (steps) should be clear and motivated as well as minimal.

Author's Intent and/or Appropriateness of Literature- How do I feel about an HI of Miracle Worker (author's intent) or a student performing mature material (appropriateness)? That's a big NO for me if it's offensive more than it is creative. (Miracle Worker as an HI, or The Lovely Bones, or anything like that is offensive to me. The topics in those pieces aren't meant to be funny and do go against the author's intent.) Mature content if it's handled well and suits the piece doesn't bother me- if it's excessive or for shock value, then I may not like it. It really depends on the piece and the performer; I'm not really conservative but I've seen some material that I definitely wouldn't coach or have ranked down because I felt like it was too much.

For Speech Events OO/INFO– I love that Orator’s Triangle! It helps me follow the structure of your speech. I weigh the written speech (construction/logic/novelty/grammar/humor) equally with the presentation of the speech. I personally don’t like laminated stuff on Info boards (because of the glare.) I loooove creative/inventive Info props!

When it comes to interpretation events, I am drawn to performances that marry the synergy between literature, fully crafted performances, and effective blocking. I'll be looking for a well-crafted and engaging message that not only captivates the audience but also demonstrates a deep appreciation for the literary nuances in your chosen material. Ensure your content is not just spoken but embodied, utilizing effective blocking to enhance the visual dimension of your performance. Your delivery remains pivotal, so articulate your words with confidence, using your voice, body language, and strategic blocking to create a cohesive and immersive presentation. Pay attention to pacing and timing for a seamless and dynamic flow. Tell me a story, take me on a journey, and make me feel something!

As a judge, I approach CX debate with a commitment to fairness, rigor, and intellectual engagement. I believe in evaluating rounds based on the quality of argumentation, evidence, and logical reasoning presented by both teams. My philosophy revolves around the following key principles:

• Clarity and Organization: I value clear and organized presentation of arguments. Debaters should structure their speeches logically, signpost effectively, and articulate their points with clarity. A well-organized case enables better understanding and evaluation of arguments.

• Argumentation: I prioritize substantive arguments supported by credible evidence. Debaters should develop coherent arguments, anticipate and respond to opponent's arguments, and use evidence effectively to support their claims. I assess the strength of arguments based on their relevance, logic, and soundness.

• Critical Thinking: I encourage critical thinking and analysis in CX debate. Debaters should not only present arguments but also critically evaluate them, identify logical fallacies, and engage with the underlying assumptions and implications of arguments. Critical thinking skills are essential for effective persuasion and engagement in debate.

• Clash and Engagement: I value substantive clash between teams. Debaters should engage with each other's arguments, refute opposing claims, and defend their own positions effectively. I look for depth of engagement, including direct refutation, rebuttal, and extension of arguments throughout the round.

• Fairness and Respect: I expect debaters to uphold principles of fairness and respect in their interactions. Debates should be conducted in a civil manner, with mutual respect for opponents and adherence to rules and norms of debate. Any breaches of fairness or respectful conduct will impact my evaluation of the round.

Overall, my philosophy centers on the principles of clarity, argumentation, critical thinking, clash, and fairness. I approach each round with an open mind, carefully evaluating the merits of arguments presented by both teams and rendering a decision based on the strength of those arguments and adherence to debate norms.

And no spreading.

In speaking events, it is extremely important that you always keep the interest of your audience with relatability, organization and good vehicle. Delivery should feel conversational with a good pace and easy to understand. Speeches should have good organizational structure that makes it easy for the audience to follow along and sources that help build credibility. Lastly, speaking events should include motivated gestures, facial expressions and a variety of vocal expression.

In interpretation I appreciate natural acting and blocking with a purpose and feeling the real emotion. The audience should feel the emotions of the characters. I also look for believability of the characters.

In debate, I should be able to follow along with the story created which means you should have clear explanations. I do not appreciate being rude or aggressive towards your opponent and I do not appreciate excessvie spreading. If I cannot understand what you are saying, it makes it hard for me to take in your arguments. It is not how many arguments you can get in, it is who has the strongest case.

If you plan on emailing the case to your opponent, please include me in email: cassy_molina@yahoo.com

I want to see you become the character(s) you are portraying and have the most believability in the role. Often times in the speech world, I see so many students caught up in the “statement” of the piece, they are no longer focusing on the acting.

I want to see completely fleshed out characters and actors who have thought about each moment! Breathing, operative words, and event work is crucial.

Blocking should be creative but not steal focus. It should be used to enhance your piece and not done for the sake of doing so.

passion and creativity in OO, INFO, and Extemp is ranked highest! When everyone has the same great analysis, it’s the small things like the intellectual way you created your AGD or vehicle that make you stand out!

I am a traditional judge. I normally judge speaking events and interpretation.

In interpretation, I appreciate natural acting in most events with the exception of Humorous. I believe you can be fully animated in Humorous Interpretation. ALWAYS have purpose for your blocking. If you have blocking just for the sake of blocking or tech, I will rank you down. It is better to have real emotion than "fake crying" or a "crying voice." Always be true to your character(s).

In speaking, speeches should be delivered at a pace that is easily understandable. Organization is key as well as keeping the audience interested with a great vehicle.

I do not flow spreading. I believe debate is a communication event, not who can get the most arguments in the least amount of time (there is not a difference in "fast speaking" and "spreading").

I will vote you down if you are rude or aggressive towards your opponent. It is one thing to debate and clash against an argument, it's another to attack your opponent.

If you plan on emailing the case to your opponent, please include me in email: lyn_esquivel@yahoo.com

When looking at a performance the biggest area I look into is commitment to the text. Is the subject matter taken beyond the surface level and is there critical thinking used through out the process. Which is evident by their perofmance.

I look to see if the performer has control of the audience.

I like seeing believability and authenticity. Something that goes beyond what is written.

I look for a clean speech that has vocal variety and does not sound over- rehearsed. Rather an organic piece that comes from the heart and not a paper.

All tactics will vary as the piece unfolds and I enjoy the unpredictability of it. Just like in life.

I am a traditional judge. I normally judge speaking events and interpretation. I have also judged LD.

In interpretation, I appreciate natural acting in most events with the exception of Humorous. I believe you can be fully animated in Humorous Interpretation. ALWAYS have purpose for your blocking. If you have blocking just for the sake of blocking, I will rank you down. It is better to have real emotion than "fake crying" or a "crying voice." Always be true to your character(s).

In speaking, speeches should be delivered at a pace that is easily understandable. Organization is key as well as keeping the audience interested with a great vehicle.

I do not flow spreading. I believe debate is a communication event, not who can get the most arguments in the least amount of time (there is not a difference in "fast speaking" and "spreading"). If you spread, you'll get low speaks and have a hard time winning my ballot.

Debate was created to communicate and compare your points against your opponent's points. If you don't create a clear story and explanation, I will not vote you up.

I will immediately vote you down if you are rude or aggressive towards your opponent. It is one thing to debate and clash against an argument, it's another to attack your opponent.

If you plan on emailing the case to your opponent, please include me in email: molina_kody@yahoo.com

1. Overall Structure: I look for speeches that are well-organized and coherent. A clear introduction, body, and conclusion are essential, with smooth transitions between ideas.

2. Choice and Cutting of Literature: I assess the selection and editing of literature for its relevance, depth, and impact. The chosen pieces should resonate with the audience and enhance the overall message of the speech.

3. Social Relevance: I value speeches that address pressing social issues and offer meaningful insights or solutions. The relevance of the topic to contemporary society and its potential to provoke thought and discussion are crucial factors in my evaluation.

4. Portrayal of Honest and Truthful Moments: Authenticity is paramount. I look for speakers who convey genuine emotion and vulnerability, as well as honesty in their delivery. Authenticity fosters connection with the audience and enhances the impact of the message.

These qualities contribute to a compelling and impactful performance that resonates with both the audience and myself as a judge.

Hello, my name is Ramiro Soliz and I would consider myself a traditional judge. I look for characterization and their consistency and if movement and blocking is motivated. Articulation and projection is another thing I look for in all performances.

For DI, I like when the performer knows who they are talking to (us the audience). I do not like when performers throw themselves on the floor or yell for the "dramatic effect" if it fits the character and their tendencies then fine. I also look for the little hints of comedic usage in a DI so it is not sad the whole time. Characterization is really important to me and reestablishing and recreating the scene for us the audience. Natural intro, a time for me to hear YOU the performer.

HI, this is alot different from DI because of the use of multiple characters. I look for distinguishable characters and if I can understand and follow the story with the performers choices of characters and blocking. I also look for how this "hilarious story" relates to something happening in society that the performer wants to bring awareness to. Dont use the 30 second grace as part of the performance, its there to help performers not go over time.

PR/PO/POI: Same as above, I also tend to rank higher those performers who have good tech work. Clean and motivated page turns and consistent style of holding the book. I like for the intro to be natural so I can hear YOU and not the character in the performance.

I competed in LD, Policy and Public forum my 4 years of high school and competed at both the state level and national level. I have been judging since fall of 2016, at the state and national level. I have also judged finals at NSDA nationals in policy debate last summer.

For email chain: AngelaWinn1997@gmail.com,I will only look at it, if something comes into question or if I want to look at something more clearly.

Policy Debate: If debaters have any questions, please ask! I have judged at nationals 4 times

Clash is extremally important on all sides of the debate. If something was drop in the round I will not vote on it unless it is pointed out in the round. As for things I vote on, it depends on the round and how the debater frame the round. I will vote on pretty much anything as long as the debaters explain clearly what they are arguing and how it links. If you run a K, need to be able to explain it in your own words, as well as links and impacts are important.

I do flow the whole round, so please give off-time road maps, and sign post during your speech for I know where you are on the flow.

For spreading, I am fine with it, as long as you slow down on taglines.