Extemp:

I am looking for clear and precise speaking. I want the speaker to have fun and get creative. However, the speaker must answer the question. it is highly important that the speaker answers the question and has proper structure, with a solid foundation.

Interp:

Everything that the speaker does, must have purpose. I love creativity, off the-wall blocking, but it must have purpose behind it. I look for clean articulation and a steady flow of speaking. I want all of the speakers to have fun and compete!

What are your stylistic preferences for extemp? How much evidence do you prefer? Any preference for virtual delivery?

It's important that the extemp format is followed. I would prefer there be a min. of 2 sources per point. I prefer an AG that you can tie back to during each transition.

What are your stylistic preferences for Oratory/Info? How much evidence do you prefer?

Much like extemp at least 2-3 sources per point. I like the intro to be tied into the subject and your transitions link back to your AG.

Any unique thoughts on teasers/introductions for Interpretation events?

I love teasers! Make sure you intro truly introduce your piece and it isn't too long

Any preferences with respect to blocking, movement, etc.?

I prefer there to be lots of movement and blocking. Help me visualize where you are and who you are talking to.

How do you feel about author's intent and appropriateness of a piece? For example: an HI of Miracle Worker (author's intent) or a student performing mature material or using curse words (appropriateness)?

I'm not ok with vulgar pieces. I am ok with some profanity but not a lot.

WSD Judging

I'm looking for teams who can defend their case and attack their opponents. I expect you to use the proper terms (opp/prop/motions) You will lose points from me if you are rude in anyway. I'm looking for everyone to be good speakers and be able to explain their side in a way that makes sense and convinces me that you should win.

Speech Events:

I am looking for authentic characters and emotions. Clear understandable diction is important. I want to feel a part of your story. Clear character differentiation is important.

Debate:

I do not like spreading in LD or anything that is not CX. I want to be able to understand you and your arguments. There should be good supporting evidence and clear impacts. Clash should be strong and case related without abuse on either side through continuing to talk or avoiding answering a question.

Congress:

Bring in new evidence with your speeches. Speak clearly and respond to information in previous speeches. Do not be rude in your questioning or speeches. Treat everyone in the room with respect.

Head coach at San Angelo Central High School

Extemp:

The most important thing is that you answer the question as clearly as possible. This includes previewing your points, signposting throughout, and reviewing your points at the end that links into the conclusion. Adding a clear structure adds to the impact and value of your overall speech. It is to also help you not ramble on. It is also important to be creative with your attention getter, vehicle, and your conclusion. It will set your self apart in my eyes with creativity done well. Sources are very important, but answering the question your way is the most important, then use sources to back those up. Not the other way around. I look for all of those together and a good flow for my overall ranks.

Interp:

Everything you do in your performance must have purpose. I love creative movements, stories, and really anything as long as there is a purpose. I am ok with any theme or story being told as long as there is impact behind it. Facials, moments, and character development are all very important for the overall performance. DO everything you can to truly become your characters and be in the story you are telling. In close rooms, I always look at who does all of these things together the best.

Congress:

The most important thing in a congress room is to have a presence. Do what you need to do to stand out without personally attacking your fellow representatives. Always attack their points, speeches, and questioning to further strengthen your points, but not them personally. I look for how well you understand the legislation, how well you know the info, the impact your points have for fellow constituents, and the creativity of your speaking. You need to have passion and use points made in the round to help your own side out. I really like crystalization of points and not just continuing to repeat other people's points. Do these things and make me HAVE to put you at the top of the room.

LD:

I’m primarily an interp and speaking coach, so with that said, presentation of arguments is imperative. I still expect exceptional analysis on a substantive level, just know I judge debate as a speaking event first. The debater with the strongest link chain to access their impacts will win my ballot. The easiest way to win my ballot is in your voters section in your final speech, present your RFD for me. The less work I have to do at the end of the round the more likely it is you’ll win my ballot. Good luck and I'm excited to hear what you have to say.

Extemp:

Answering the question clearly and making it easy to follow is the most important thing for me. If you don’t structure it well and signpost your points, I could easily get lost. Speaking ability and energy are also super important to me. Tell me a story with the answer and have fun!

Interp:

Truly becoming a part of the story and characters by telling me the story you want to tell is what I look for! Any subject or story is fine as long as there is purpose behind it. Facials, actions, and moments are also super important! Creativity is awesome!! I take all of things in consideration while ranking!

LD Debate: I am a judge that leans toward the classic style. I don't mind K-debate, but you'd better make it apply to the resolution! I am not a fan Topicality arguments. If you run more than one off, I'm not going to apply the rest. Don't be a whiny debater. Debate the round! Speed is fine as long as you are articulate. Don't be rude to your opponent, and if you are a male debater...DON'T BE SEXIST OR CONDESCENDING to a female opponent. I want to hear framework, value, criterion, impacts, and links. Give me that and I will be happy.

PF Debate: Framework and Impacts! I don't like rudeness in Cross Examination. I like a mix of claims, warrants, and narrative. Tell me a story. I am not looking for solvency. I'm not sure why people think they have to solve in PF. I just want to understand why you support or oppose the status quo, how that fits into the framework provided, and where/how it impacts. Don't make it too difficult.

Speech and Interp: I enjoy being in speech and interp rounds, where I get to see student's personalities take flight! I love stories, and I feel like the journey's students choose to take us on are important ones!

In interp, I look for HONESTY and connection in each performance. Don't force emotion. We see that! It takes us out of the context of the piece! Also, please don't stare directly at me. I can't get lost in your piece if you are including me in the scene. I want to be a fly on the wall. And I'm a big believer in the FOURTH WALL. Also, I'm not a fan of those who exploit special needs characters, or make fun of them. If you use the "R" word in my round, or show disrespect to special needs characters, you will hear about it on my ballot. Please reconsider doing this in any piece you choose. It is exclusive and disturbing...don't resort to such things for the purpose of a trophy. This community encourages you to find growth in your humanity as well as your talents!

In speech, I like it when I learn something I didn't already know. Teach me! I love coming out of rounds and telling people, "I was in this OO/Informative/Extemp round and I just learned that..." And I don't mind controversial subjects either! As long as you aren't excluding anyone, or being offensive to a particular group of people (race, ability, religion, sexual preference...etc), then I'm okay with controversy. And whatever your topic...have conviction!

In both speech AND interp, I like it when students make CHOICES and take CHANCES. I'm a tough judge, but only because I want you to improve and have the best critique you can get to do that! I love the community that speech and debate provides for students. I also know that the experience I get from every single performer is invaluable! So thank you!

LD - Need to see adequate value clash. I'm traditional with my LD. I don't like Ks in LD. This is value debate, your value is paramount. I prefer debaters not to spread, but will do my best to flow it. Clarity > speed. Drops are pointless unless you tell me why they impact the round.

CX - Tabula rasa - Ks welcome, but I'm more traditional than progressive. I like to see stock issues. I’m bad at flowing spreading CX, especially at virtual tournaments, so clarity > speed. I like to know your roadmap before each speech.

PF - In my understanding of and experience with PF, this is supposed to be a quick punch-punch type of debate. As long as there’s no glaring errors or things that need to be corrected, a general overview of each point is more than sufficient in this type of debate. This is not CX. It’s its own type of debate, and while you can do some types of argumentation that’s similar to CX, you need to be more concise. I don’t need to see 17 cards as long as you can come to a consensus on definitions of terms and the broad strokes of the debate. Link to the resolution.

In all types of debate, I like to see good time management, links to the resolution, signposting, and clarity. Spell it out for me — if I can’t follow your brain, your opponent probably can’t, either.

Good luck, Debaters!

Current coach/DOF at Lindale High School.

For email chains: mckenziera @ lisdeagles.net

CX - This is where I have spent the majority of my time judging. While I am comfortable judging any type of round, my preference is a more traditional round. Debate rounds that are more progressive (kritikal affs, performance, etc...) are totally fine, but you'll do best to slow down and go for depth over breadth here. I think that judges are best when they adapt to the round in front of them. Writing the ballot for me in the last few speeches can be helpful.

LD - Despite judging policy debate most, I was raised in a traditional value and criterion centric area. Still, I think that policy debates in LD are valuable. See my notes above about progressive argumentation. They're fine, but you'll probably need to do a few things to make it more digestible for me. Again, though, you do you. Writing the ballot for me in the last few speeches can be helpful.

PF - I judge only a few PF rounds a year. I'm not up-to-date on the trends that may be occurring. I naturally struggle with the time restraints in PF. I generally feel like teams often go for breadth instead of depth, which I think makes debate blippy and requires more judge intervention. I'd rather not hear 20 "cards" in a four minute speech. Framework is the most reliable way to construct a ballot. Writing the ballot for me in the last few speeches can be helpful.

Congress - Speeches should have structure, refutation, research, and style. Jerky Parliamentary Procedure devalues your position in the round.

Speech - Structure and content are valued equally. I appreciate, next, things that make you stand out in a positive way.

Interp - Should have a purpose/function. There's a social implication behind a lot of what we perform. I value great introductions and real characters.

I am used to judging speech events only, and that is what I prefer. I was on the speech side in high school and I performed in DI, Prose, Poetry, Duo, Duet, and HI. I have judged OO as well but did not compete in it. When judging these events I look for clean transitions (page turns, turning or use of chairs, and posture). I look for good introductions that grab my attention and find reason as to why the competitors chose the piece to present. I do not mind “inappropriate” jokes or cursing as long as it is used in the piece for a meaning or reason. Unnecessary jokes or curse words do get ranked lower if I feel it takes away my attention too much from the piece. I like heart fulfilled pieces as well as hysterical pieces. I judged based off emotion and connections that the competitor makes with the audience and how well the pieces are portrayed as well as eye contact with the audience or judge.

Sources
For events that require sources, I prefer 2-3 sources per point/subpoint.

Structure
Clear roadmapping and signposting is very helpful for extemp/OO/Info.

Content/Material
I don't have any particular preferences regarding the material of interp/info/OO events. As long as whatever you are doing is appropriate to support your story telling, I don't care about content or language.

Speaking Style
I am big on having levels during any type of speaking event whether it's oratory/info/interp/etc. Anytime you give a speech, you should have appropriate volume, inflection, facial expressions, emotions, etc. in order to keep your audience engaged. Every speech is an opportunity to tell a story that means something to someone, even if it is oratory or info instead of interp. Make sure your storytelling is engaging so that you aren't just talking at the judge for ten minutes.

I have been judging speech events for the past 10 years and competed as a high school student as well. As a theater teacher I am looking for engaging storytelling. Using your vocal variety, movement, diction and moments/beats to create an engaging piece. I am looking for students to really become a character in both body and vocal.

For Oratory/Info/Extemp I am looking for the same as above, convince me of your point by using solid presentation skills, and facts.

Interpret and public speaking, should leave a judge, wanting to know more answering questions I never thought of getting insight into a topic or character that is not just on the surface

--Speech--

What are your stylistic preferences for extemp? How much evidence do you prefer? Any preference for virtual delivery?

I want it to feel like a Ted Talk. Use evidence as much as possible without drawing out your own commentary. I want you to synthesize the evidence and present an argument.

What are your stylistic preferences for Oratory/Info? How much evidence do you prefer? Any preference for virtual delivery?

I love evidence, especially if you're making a point about the way things happen in society. If it is "happening to everybody" there will be a measurable means of showing it. Also, don't expect stats to speak for themselves. Just because something is statistically significant doesn't mean it's important.

Any unique thoughts on teasers/introductions for Interpretation events?

I love teasers! If you choose to use one, I want it to do just that- tease the performance. Don't break up important exposition for the sole purpose of having a teaser.

Any preferences with respect to blocking, movement, etc. in a virtual world?

For HI/DI/Duo/Duet, go crazy, get really creative with your blocking and movement.
For events performed with a book, I still want the illusion of reading. You can use the book as a prop sparingly, as long as it actually makes sense from a character perspective.

What are your thoughts on character work?

Surely this is the most important part of any interp performance. I want to see your characters grow/change over time. If they have small roles, make them distinct! You can create a fully formed character with two lines of dialogue!

How do you feel about author's intent and appropriateness of a piece? For example: an HI of Miracle Worker (author's intent) or a student performing mature material or using curse words (appropriateness)?

I think if you accurately portray a realistic character, anything goes. I don't mind if you portray someone of another gender/race/ability status or what have you as long as that portrayal is not a stereotypical archetype. Create a character that feels like a real person and let them poke fun at themselves.

My personal preferences for speech are performers who can perform both humorous and dramatic in one piece. The pieces that hit me the hardest are the ones who can play both sides. I don't like too long of a teaser before the introduction, just long enough for me to understand what the piece is about. With the virtual stuff, I am not a huge fan of a lot of moving around just because of the lagging the laptops and internet come with.