Speech & Interp Coach at Carroll High School in Corpus Christi, TX

SPEECH: My stylistic preferences for speakers lean towards a more personal and conversational delivery as opposed to the overly formal and stilted. Formal delivery is great and can be effective, but as a judge I don't care for speaker styles that make me feel like I am being "talked at." as opposed to being "talked to." In terms of the amount of evidence, I prefer at least one cited article per main point in the speech; more would be best. Cited articles should help support the points made. I prefer speakers to incorporate movement to help highlight the points of the speech and create a flow. This goes for most, if not all speech events.

INTERP: As far as interpretation events, I am HUGE on storytelling. The teasers should grab the audience's attention and establish clear characters and setting. I like an intro to be conversational and explain how the themes of the piece relate to us a society. I also like for some sort of personal connection to the piece to be stated. Blocking should supplement the storytelling effectively and not be distracting. Prose & Poetry performers specifically should not use binders as props and only move from the waist up to stay grounded; other interp events are free to move and explore creativity in their movement!

Characters should be carefully crafted and explored in interpretation events. I prefer characters to be well established in the teaser, but still grow and evolve throughout up until the conclusion of the piece. Clear and distinct characters are also essential in storytelling like interp events. I believe the author's intent should be clear and pieces should be appropriate for the performer. I have no issue with cursing in pieces as long as it is tasteful in delivery and not excessive. As long as mature content is handled gracefully in performance, I do not mind.

When it comes to interpretation events, I am drawn to performances that marry the synergy between literature, fully crafted performances, and effective blocking. I'll be looking for a well-crafted and engaging message that not only captivates the audience but also demonstrates a deep appreciation for the literary nuances in your chosen material. Ensure your content is not just spoken but embodied, utilizing effective blocking to enhance the visual dimension of your performance. Your delivery remains pivotal, so articulate your words with confidence, using your voice, body language, and strategic blocking to create a cohesive and immersive presentation. Pay attention to pacing and timing for a seamless and dynamic flow. Tell me a story, take me on a journey, and make me feel something!

In speaking events, it is extremely important that you always keep the interest of your audience with relatability, organization and good vehicle. Delivery should feel conversational with a good pace and easy to understand. Speeches should have good organizational structure that makes it easy for the audience to follow along and sources that help build credibility. Lastly, speaking events should include motivated gestures, facial expressions and a variety of vocal expression.

In interpretation I appreciate natural acting and blocking with a purpose and feeling the real emotion. The audience should feel the emotions of the characters. I also look for believability of the characters.

In debate, I should be able to follow along with the story created which means you should have clear explanations. I do not appreciate being rude or aggressive towards your opponent and I do not appreciate excessvie spreading. If I cannot understand what you are saying, it makes it hard for me to take in your arguments. It is not how many arguments you can get in, it is who has the strongest case.

If you plan on emailing the case to your opponent, please include me in email: cassy_molina@yahoo.com

I want to see you become the character(s) you are portraying and have the most believability in the role. Often times in the speech world, I see so many students caught up in the “statement” of the piece, they are no longer focusing on the acting.

I want to see completely fleshed out characters and actors who have thought about each moment! Breathing, operative words, and event work is crucial.

Blocking should be creative but not steal focus. It should be used to enhance your piece and not done for the sake of doing so.

passion and creativity in OO, INFO, and Extemp is ranked highest! When everyone has the same great analysis, it’s the small things like the intellectual way you created your AGD or vehicle that make you stand out!

INTERPRETATION

I am a traditional judge. I normally judge speaking events and interpretation.

In interpretation, I appreciate natural acting in most events with the exception of Humorous. I believe you can be fully animated in Humorous Interpretation. ALWAYS have purpose for your blocking. If you have blocking just for the sake of blocking or tech, I will rank you down. It is better to have real emotion than "fake crying" or a "crying voice." Always be true to your character(s).

In Duo and Duet, I also want to see motivated blocking. Duet Acting is one of the last events left that should stay genuine to actual acting and not just incorporate movements with chairs that are unnecessary to the piece.

IN POI, I am looking for an anchor piece within your program that guides me throughout. Again, I'm NOT a fan of blocking that has absolutely nothing to do with the dialogue. I do appreciate motivated blocking with the binder that actually enhances the performance and doesn't take away from it.

SPEAKING

In speaking, speeches should be delivered at a pace that is easily understandable. Organization is key as well as keeping the audience interested with a great vehicle. It is vital to use inflection in your speech, and try to avoid falling into a pattern of speaking.

DEBATE

I am not experienced in debate, so I do not flow spreading. I believe debate is a communication event, not who can get the most arguments in the least amount of time

I will vote you down if you are rude or aggressive towards your opponent. It is one thing to debate and clash against an argument, it's another to attack your opponent.

If you plan on emailing the case to your opponent, please include me in email: lyn_esquivel@yahoo.com

My goal as a judge is to provide critiques that benefit the performer by acknowledging areas that are effective and areas that could benefit from improvement. Performing is a art have fun with it. I know it can be stressful.

What I am looking for in Oral interpretation/Speech :

* Clear projection, articulation, tone, diction, eye contact, appropriate gestures and movement.

* Believability and authenticity of character portrayal and characterization.

* I enjoy engaging teasers or an attention grabber in the beginning of the performance.

* The delivery during the performance should be clear and have clear intentions.

Regarding Debate I expect:

*A clear understanding of the topic and the solutions.

*The outline of the speech clearly mapped out to follow.

*Credible evidence and sources that support the argument clearly.

*Confident Tone, diction, gestures and use of vocabulary.

*Respect towards the judge and fellow debaters.

For any events: Communication should be Articulate, Clear, Sincere, Authentic, and Expressive! 

For debate events: NO SPREADING (that is not good communication!) Content should be Pertinent to the case, Evidence supportive of valid points, Quality over quantity; Use Persuasion and Logic to convince me who has the best case (policy or value debate), supported by the most appropriate and valid arguments.

Enjoy!

I am a traditional judge. I normally judge speaking events and interpretation. I have also judged LD.

In interpretation, I appreciate natural acting in most events with the exception of Humorous. I believe you can be fully animated in Humorous Interpretation. ALWAYS have purpose for your blocking. If you have blocking just for the sake of blocking, I will rank you down. It is better to have real emotion than "fake crying" or a "crying voice." Always be true to your character(s).

In speaking, speeches should be delivered at a pace that is easily understandable. Organization is key as well as keeping the audience interested with a great vehicle.

I do not flow spreading. I believe debate is a communication event, not who can get the most arguments in the least amount of time (there is not a difference in "fast speaking" and "spreading"). If you spread, you'll get low speaks and have a hard time winning my ballot.

Debate was created to communicate and compare your points against your opponent's points. If you don't create a clear story and explanation, I will not vote you up.

I will immediately vote you down if you are rude or aggressive towards your opponent. It is one thing to debate and clash against an argument, it's another to attack your opponent.

If you plan on emailing the case to your opponent, please include me in email: molina_kody@yahoo.com

-Extemporaneous Events:

I personally did not compete in these events so I'm not as well-versed in them however, I think a clear and concise speech is the best route. By plainly pointing out each of your points and then tying them all together to a clear conclusion would be best for me to understand and critique properly. Evidence is also very important, I think the best is having 1-2 sources tied to your points for a valid speech. Virtual delivery the same, just make sure to not move around too much as you maybe would in an in-person speech delivery.

-Original Oration/Informative:

Please make sure there's a distinct difference between an OO and an Info. How I was told is that Original Oration should have more persuasive and argumentative points in your speech versus Informative is just informing your audience on a specific topic of your choosing. Similar to extemp, it's best to have a clear and organized speech. If the speech is confusing and disoragnized then the topic can get a diffiult to follow.

-Intepretation Events:

I think introductions should be simple and short, if you have a personal connection to the piece that you are comfortable sharing then share it. For the virtual speeches, it can be challenging because not everyone has the same resources or space as others and that's okay! Just try to engage as much as you can with the audience, the more simple the blocking the better sometimes. Character work is very important to interp events, if trying to convey multiple characters and I, as a judge, cannot differentiate between each character then it can be confusing. If you are just conveying one character then really work out the details and mannerisms of this character. As far as appropriateness goes, I really don't mind swearing or mature content as long as it has a point (especially for cursing, do not curse just to curse.) All in all, tell a story that is what interp to me is about. If you have a story that you want other people to hear and a story that you are passionate about then that should be enough for me as a judge to see and understand.

In dramatic events, I am looking for clear characterization, strong emotional connections, and understanding of the piece. I want you to draw me in and let me feel with your characters.

In humorous events, I am looking for clear and concise characterizations that are easy to differentiate and follow, and a good sense of comic timing with the piece.

Duo and Duet, I am looking at the same things, but also strong interactions between the different characters.

In Informative, Oratory, and the Extemps, I am looking for a good conversational style with good use of gesture and confidence in your speeches. Know your stuff, or at least look like you know your stuff.

I am overall going to also look at technique and seek for it to be clean and clear.

Whether you are in person or speaking virtually, public speaking skills stand out. Work for "eye contact" as opposed to reading speeches in debate events. Keep in mind that I need to be able to see and hear you clearly. Stand up and speak up. Speak with conviction and confidence. Perform with confidence. NO ONE knows your material better than you! (Even if you do not know your topic/material/case as well as you or miss a word, how would I know?! You need to sell me your side/piece/speech. Make me want to keep listening to you after the time has run out!)

As a congress judge, I will remind you that it is called Congressional DEBATE and not Congressional Speechmaking. Take time to refute the Representatives/Senators before you. Answer and ask questions with purpose and confidence. Be clear about evidence--in other words: HAVE SOME! Anyone that is brave enough to PO needs to know the procedure and must be able to be fair and unbiased.

For CX and LD, speed is not always your friend-- especially if we are virtual. Slowing down and articulation are the keys to a good debate. Also, Clash is not just a band from the '80s. I expect to be given solid reasons to vote for you. Perhaps use the last 30 sec of your last speech to crystalize the round for me. Tell me what is important. I may not be a fan of your K or CP, but if you present it well and defend it against attacks, I will vote on it.

As a judge, my main objective is for you to deliver your best performance and enjoy the process. If you're not finding joy in it, then something's amiss. Remember to engage in respectful and effective communication with your peers.

In Speech/Interpretation:

1. I generally look for effective use of voice, tone, diction, eye contact, suitable gestures, and intentional movement.

2. I value believability and your ability to embody the characters.

3. I appreciate captivating teasers or attention grabbers – make me sit up and pay attention!

4. Your delivery should be clean and clear.

In Debate:

1. I expect a clear understanding of the resolutions being debated.

2. I discourage the practice of spreading.

3. Good use of credible evidence and sources is crucial.

4. Effective diction, tone, and appropriate gestures are important.

5. Always maintain a kind and respectful demeanor.

I have been a volunteer judge for 18 years for East High School. In those 18 years I have judged all levels including TFA state and Nationals. In 2022 I had the pleasure of judging P.O.I finals at Nationals. Over the years I have judge everything from debate to i.e events. I am a firm believer that speech and debate gives the competitors a voice. It teaches them to see all sides of an argument so they can make an informed decision.

Debate: When it comes to debate (CX,LD,PF). Linking evidence is important. When it comes to LD and PF, there is no need to spread. In Policy debate, if you spread, make sure everyone can understand you. If I can not understand you I cannot flow. In all debates I like to see clash. When making my decision I take the entire debate into consideration. I always leave my personal opinions at the door, there is no place for them in speech and debate. I strongly believe that debate should be a safe place for kids and that they should be treated with respect.

Congress: I vote on actively within the chamber. I look at speeches, questions, and how you answer those questions. I also look to see if you have paid attention to what other representatives have said. I like to see engagement within the chamber. Please do not just read your speech! I also like a P.O to run a smooth organized chamber and know the rules. If a P.O is new and is trying I do take that into consideration. I know it can be hard and stressful doing something you normally do not do. It is import and that kids are able to give their speeches without being criticized or distracted.

Extemp: I want to hear evidence from good sources. I look for original takes on the topics. I do not like kids reading their speech’s. I want to hear their opinions and take on it. Remember, tell me what you are going to tell me, tell me, and then wrap it up in a conclusion.

I.E: In POI and OO I look for pieces that are important to the competitors. This is a great platform to allow competitors to express their views on different subjects. I want to see that passion to speak out and get that message across.