I am an old school traditional judge.

In Congress - If you ask for an in house recess to pad a speech or to address the chamber because no one is speaking - DO SO AT YOUR OWN RISK! Nothing annoys congress judges more than 15 minutes of caucusing and getting splits, only for no one to be ready. The PO should be running the round and is perfectly capable of admonishing those who are not ready to speak. Otherwise, I like a good intro with a 2 pt preview and good, creative arguments that show critical thinking. Be active in the round and ask good questions.

PF - Keep it simple. If you run a plan, a K, or theory, you are unlikely to get my ballot. Treat me like I have no idea what this topic is and explain EVERYTHING. Weigh impacts to get my ballot. Don't complicate a pro/con debate.

LD - For UIL, stick to a traditional format with Value/Criteria and Contentions. Weigh and give voters. For TFA, just know that I loathe rapid delivery and love explanations. If you are going to run a counterplan in absence of an affirmative plan, I will not vote on it. LD is not 1 person policy. Uphold your value throughout the round.

Remember, debate is impossible without effective communication.

FLASHING IS PREP TIME! If you are not speaking, you are prepping. My prep time clock is the official prep time clock.

Winston Churchill '21

University of Texas '25

debatejudgedocs@gmail.com

he/him

Timeliness = higher speaks.

Prep stops when email is sent.

Top Level:

In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the *new*. The world is often unkind to new talent, new creations. The new needs friends.

Do what you do well. i prefer good debating over anything else. My favorite debates to judge are ones where debaters look like they want to be there. Make the debate interesting and have fun. Those rounds are always better and usually get better response out of me for both teams. Have a strategy in mind and execute it. Debate is a communication activity with an emphasis on persuasion. If you are not clear or have not extended all components of an argument (claim/warrant/implication) it will not factor into my decision.

"Most judges render hundreds of decisions over their time judging. Debaters are not entitled to the same privilege. There are a finite, limited set of tournaments they can participate in during their careers. It is blatantly disrespectful to take a debater's participation at a tournament for granted. Each debate should be treated as a debater's last. Thus, unlike the many judges I've had, I do not care at all about "rep" or how my ballot will be perceived by others. I will not use my ballot to attempt to "teach" debaters anything and will always apply the same criteria of evaluation for both teams. My sole consideration is how well debaters technically execute arguments in their speeches. Other concerns will be addressed in the RFD following the decision. Debaters deserve no less from their judges." - Arnav Kashyap

Logical fallacies are called such for a reason.

i flow CX. It's obvious, but this is where you're winning and losing your speaker points. Debaters should act accordingly. One comment i find myself handing out most often is "you had a great CX moment on [thing], but it never made it into a speech."

Content Considerations:

Policy v K: The negative must have a link that is contextual to the aff. Examples will be rewarded highly. Impact calculus on framework is imperative on both sides. The affirmative should have link offense and/or defense, as well as explaining it in context of the permutation/why your args problematize the rest of the negative strategy. Floating PIKs legit unless aff says otherwise. Zero percent risk of the K is possible.

K v K: Both sides need to differentiate their theory of power and explain that theory in context of the opposing one. Make sure you're connecting the dots in terms of the permutation and why the alt or just voting negative can resolve some portion of your offense. Affs should get creative with their link turns and permutations and not be afraid to explain args in a new way than the ones we're used to in debate. Perms should be carded. If they're not, the threshold for 'good' explanation becomes very high. Examples, examples, examples.

v K Aff: You are well suited to go for framework in front of me. Negative teams are best served thoroughly explaining their impacts in context of the affirmative impacts/offense in favor of calling their impacts "intrinsic goods." You are also better suited to NOT rely solely on enthymematic posturing or fancy vocabulary to construct your arguments, as I am less inclined to fill in the blanks about "SSD/TVA solves the aff!" Whether each side needs to defend a model is up for debate. Point out contradictions and nonsense. If it's not great FW strat vs not great k aff, I will likely end up voting aff. Go for presumption. Don't be afraid to take the aff up on their claims; I don't dislike negative shenanigans. If they say fairness bad, read a DA in the 2nc idk. Just have fun with it.

**note to k affs: please do not just read a variation of a successful K aff from 2-3 years ago. Be original. If i see a 1AC that has a different team's initials/that was clearly stolen (especially if you run it horribly), you will get lower speaks than the other team, even if you win.

Truth v Tech: i find myself frequently deciding close debates based on questions of truth/solid evidence rather than purely technical skills. This also bleeds into policy v policy debates; i find myself much more willing to vote on probability/link analysis than magnitude/timeframe; taking claims of "policy discussions good" seriously also means we need to give probability of impacts/solvency more weight.

Evidence v Spin: Good evidence trumps good spin. i will accept/treat as true a debater’s spin until it is contested by the other team. This is probably the biggest issue with with politics, internal link, and perm ev for kritiks.

Speed vs Clarity: Not flowing off the doc but i'll probably peruse the cards read in a given speech during prep. If I don't hear/can't understand the argument, it won't make it to my flow. I'll say 'clear' if i can't understand you for more than 2 seconds.

Things that will Earn Speaker points: clarity, confidence, organization, well-placed humor, being nice, and well executed strategies/arguments.

Things that will lose you speaker points: arrogance, rudeness, bad jokes/poor timed humor, stealing prep, pointless cross examination, running things you don’t understand/just reading blocks

Misc: racism good/death good = L 25. vast swaths = 30. i don't know you, so why should i have to decide if you're a good person or not for things done outside of the round? Mark your own cards and take it upon yourself to send them out later. Everything is up for debate. Joke args are fine unless executed poorly. Still waiting to judge a good baudrillard team...

For extemp and public address, I prefer that students use a conversational style. I prefer that they use evidence as needed. I prefer they not try and name numerous sources, but be honest in what they are using. I like a roadmap they refer to for each point.

For interp, I like a meaningful teaser that sets the world they are creating and tries to introduce as many characters as possible. I think introductions should be short and sweet and be more personal. I think blocking and movement should be used to enhance the story, but is not necessary. I really look for fully developed characters that really listen and react to each other. For author's intent, I think it is okay to re-interpret a piece. I don't have a real issue with a curse word if it is used purposefully.

Speech & Interp Coach at Carroll High School in Corpus Christi, TX

SPEECH: My stylistic preferences for speakers lean towards a more personal and conversational delivery as opposed to the overly formal and stilted. Formal delivery is great and can be effective, but as a judge I don't care for speaker styles that make me feel like I am being "talked at." as opposed to being "talked to." In terms of the amount of evidence, I prefer at least one cited article per main point in the speech; more would be best. Cited articles should help support the points made. I prefer speakers to incorporate movement to help highlight the points of the speech and create a flow. This goes for most, if not all speech events.

INTERP: As far as interpretation events, I am HUGE on storytelling. The teasers should grab the audience's attention and establish clear characters and setting. I like an intro to be conversational and explain how the themes of the piece relate to us a society. I also like for some sort of personal connection to the piece to be stated. Blocking should supplement the storytelling effectively and not be distracting. Prose & Poetry performers specifically should not use binders as props and only move from the waist up to stay grounded; other interp events are free to move and explore creativity in their movement!

Characters should be carefully crafted and explored in interpretation events. I prefer characters to be well established in the teaser, but still grow and evolve throughout up until the conclusion of the piece. Clear and distinct characters are also essential in storytelling like interp events. I believe the author's intent should be clear and pieces should be appropriate for the performer. I have no issue with cursing in pieces as long as it is tasteful in delivery and not excessive. As long as mature content is handled gracefully in performance, I do not mind.

Content warnings are appreciated when appropriate.

Teasers should set the mood for the piece and not be too lengthy.

Intros need to continue to prepare the audience for the piece by setting the appropriate tone as well as to give important exposition. A sharp or clever intro that is well constructed can be the determining factor in scoring among two equally done pieces.

Blocking and movement should be clear, well defined, and motivated. Clever or creative staging is appreciated. Unclear or unspecific pantomime, upstaging, or weird angles that prevent seeing the actor's faces should be avoided.

Characterization should be consistent and easy to follow if performing multiple characters. Pops should be clean. Vocal characterization should be suggestive of the character and not an opportunity to showcase cartoon voices/cliche characters (the surfer, the New Yorker, the Brit, the Aussie, etc.) unless warranted by the script/story.

The binder is NOT a prop other than in POI. Movement below the waist (steps) should be clear and motivated as well as minimal.

Author's Intent and/or Appropriateness of Literature- How do I feel about an HI of Miracle Worker (author's intent) or a student performing mature material (appropriateness)? That's a big NO for me if it's offensive more than it is creative. (Miracle Worker as an HI, or The Lovely Bones, or anything like that is offensive to me. The topics in those pieces aren't meant to be funny and do go against the author's intent.) Mature content if it's handled well and suits the piece doesn't bother me- if it's excessive or for shock value, then I may not like it. It really depends on the piece and the performer; I'm not really conservative but I've seen some material that I definitely wouldn't coach or have ranked down because I felt like it was too much.

For Speech Events OO/INFO– I love that Orator’s Triangle! It helps me follow the structure of your speech. I weigh the written speech (construction/logic/novelty/grammar/humor) equally with the presentation of the speech. I personally don’t like laminated stuff on Info boards (because of the glare.) I loooove creative/inventive Info props!

What are your stylistic preferences for extemp? How much evidence do you prefer? Any preference for virtual delivery?

It's important that the extemp format is followed. I would prefer there be a min. of 2 sources per point. I prefer an AG that you can tie back to during each transition.

What are your stylistic preferences for Oratory/Info? How much evidence do you prefer?

Much like extemp at least 2-3 sources per point. I like the intro to be tied into the subject and your transitions link back to your AG.

Any unique thoughts on teasers/introductions for Interpretation events?

I love teasers! Make sure you intro truly introduce your piece and it isn't too long

Any preferences with respect to blocking, movement, etc.?

I prefer there to be lots of movement and blocking. Help me visualize where you are and who you are talking to.

How do you feel about author's intent and appropriateness of a piece? For example: an HI of Miracle Worker (author's intent) or a student performing mature material or using curse words (appropriateness)?

I'm not ok with vulgar pieces. I am ok with some profanity but not a lot.

WSD Judging

I'm looking for teams who can defend their case and attack their opponents. I expect you to use the proper terms (opp/prop/motions) You will lose points from me if you are rude in anyway. I'm looking for everyone to be good speakers and be able to explain their side in a way that makes sense and convinces me that you should win.

Tab judge. I have coached, or actively coach events, on local UIL, TFA and national circuit for over a decade. For Debate, please ask specific preference/style questions before round and in the presence of your opponent(s).

Interpretation: Very open to community standards and performer specific interpretations of literature. I try not to bring any preconceived understanding of literature into the round. I do prefer a teaser of some length before the introduction. Blocking and vocal characterization should be as distinct and clearly separate throughout performance.

INFO: I do prefer the use of a visual aid throughout the speech. Topics that are creative and challenging, or inspiring, are most intriguing and tend to separate themselves in a section. Sources are not as important in quantity, but the information should be presented in a fresh and relevant manner.

Extemporaneous: I prefer a balance of information and speech fluidity and personality. Clearly answer the question with a unified answer and give enough background/context in the introduction. Sources should be used significantly throughout the speech, but do not sacrifice a personable delivery simply to provide facts/analysis.

I am the Director of Interp and Oratory/Assistant Director of Forensics at Seven Lakes High School in Katy, Texas. I did speech in high school in Texas, and I am also a thespian -- I have a BFA in acting and I was a theatre director prior to specializing in Speech and Debate.

Conflicts: Seven Lakes (TX), Wimberley (TX)

First and foremost, I am a theatre person and a speech coach by training and by trade.

Congress

Don't speed through your speeches, speed matters to me. Style matters to me as well, I am looking for structured arguments with clean rhetoric that comes in a polished package. Introduce new arguments. In questioning, I look for fully answering questions while also furthering your argument. I notice posture and gestures -- and they do matter to me. Evidence should be relevant and (for the most part) recent. Evidence is pretty important to me, and outweighs clean delivery if used properly. A clean analysis will rank you up on my ballot as well. Don't yell at each other. Overall, be respectful of one another. If I don't see respect for your fellow competitors, it can be reflected on my ballot. Don't rehash arguments. An extra speech with something I have already heard that round is likely to bump you down when I go to rank. As far as PO's go, I typically start them at 4 or 5, and they will go up or down depending on how clean the round runs. A clean PO in a room full of really good speakers will likely be ranked lower on my ballot. As far as delivery goes...as it says above, I am a speech coach. Your volume, rate, diction, etc are important. Make sure you are staying engaged and talking to the chamber, not at the chamber -- I want to be able to tell that you care about what you are speaking on.

Interp:

I am looking for honest connection to character and to text. Blocking should be motivated by the text and make sense for the character. I look for using vocal variety to add to the text and really paint a picture. I want you to really connect and tell the story. I also look for an overall arc of the story, clear beat changes, and clear emotion. I also look for clean diction and an appropriate rate of speech. Additionally, environment should be clear and blocking should be clean. In single events, I want to see the connection to your “other” (who are you sharing this with in the context of the story). In partner events, I want to see you really connect to each other. If you play more than one character, I am looking for clear and clean differences between the characters. Overall, tell your story. Connect to character, and share that with the audience.

Public Speaking:

Delivery is very important to me. Be careful of overusing gestures, make sure they have a purpose and enhance what you say. I want to see you connected to sharing your speech, not simply reciting something you memorized. While I do tend to notice style before content, it is important that your content is accurate and adequately supported. The content of the speech and the way it flows is important. I also look at diction and rate of delivery. In info, I do like fun interactive visuals—but they need to enhance your speech, not be there just to fill space. Overall, I want you to be excited about your speech and to have fun delivering it.

PF:

• I try to flow, but please make sure you reiterate important points as they become useful to your argument.

• Speed is okay, as long as I can understand you.

• Articulation matters to me. I would rather you speak a little slower and not get caught up in what you are saying.

• I really look for you to answer each other’s attacks on cases, not just repeat what you have already told me if it doesn't address the opposing case.

• Giving me a clear road map and sticking to it always helps.

• If a team is misrepresenting evidence, make it clear to me and tell me how they are doing so.

• Overall, I want you to tell me why you are right AND why they are wrong. Make sure you are backing up your claims with evidence and statistics.

When it comes to interpretation events, I am drawn to performances that marry the synergy between literature, fully crafted performances, and effective blocking. I'll be looking for a well-crafted and engaging message that not only captivates the audience but also demonstrates a deep appreciation for the literary nuances in your chosen material. Ensure your content is not just spoken but embodied, utilizing effective blocking to enhance the visual dimension of your performance. Your delivery remains pivotal, so articulate your words with confidence, using your voice, body language, and strategic blocking to create a cohesive and immersive presentation. Pay attention to pacing and timing for a seamless and dynamic flow. Tell me a story, take me on a journey, and make me feel something!

Most basic things like good sources, logical links, and cohesive speaking are important to me. The most important thing is that you are authentic and genuinely care about the topics you are talking about. I really enjoy genuinely passionate speeches.

I like to see a variety of sources in extemp. Don't just throw it in there to have it, make sure it helps paint the picture.

I like to see some type of extemp walk to help me visualize the speech more.

Threads not the most important to have in extemp, but there should be some solid transitions going into each point.

Significance in all speech events are super important to me. I need to know why I should listen to you.

If using language it really needs to have it's purpose.

Debate:

Talk Pretty

I enjoy role of the ballot and role of the judge you tell me how to vote on the round.

Run whatever as long as you can explain. Key word is EXPLAIN.

Don't be rude to one another or you will lose speaker points.

I am, at heart, a traditional judge, though I welcome innovative choices that make for effective storytelling in all events.

In extemp, I will be looking for a focus on the given question, clear points that support the speaker's answer, credible supporting sources, relaxed gestures that help emphasize important ideas, and a clear and smooth speaking style.

In Oratory and Informative, I will be looking for a speech that fulfills the purpose of the events - I should feel persuaded to some sort of action in oratory and I should learn something new and unexpected in Informative. The speeches should be supported with multiple, credible sources of different types. The speaker should be conversational in their delivery - formal enough to honor the topic, but casual enough to relate to the audience. Gestures should feel natural and flow from the requirements of the speech.

In the Interp events, I will be looking for an honest performance at heart. In dramatic, I should believe the emotional journey of the character(s), and should not feel overwhelmed by an overly intense interpretation. In Humorous, even when the source material is silly, the audience should feel the truth underneath the comedy. Introductions should be meaningful. If I am ever made to feel that I should not be seeing a high school student performing something (whether it is related to content or language), it takes me out of the moment and will have a negative impact on my ranking. Mature choices are fine, but it is important to maintain lines of appropriateness.

Hey!!

My name is Kaylee Frazier. I graduated from Grapevine High School and I now attend school at the University of Texas where I am on the speech team.

In high school, I competed in every event except for extemp. Specifically, I semi finalled at Nationals in Prose, semi finalled at state in POI three times, finalled at UIL state, and finalled in multiple events at the Longhorn Classic.

For speaking events, most of my notes will be about delivery, but the rank will be split more evenly between delivery and content.

For acting events, I am looking for specificity! What choices are you making as an actor and why?

I'm very excited to see your performances and hope I can help as best as possible

For Congress, I care most about content of a speech. Too many debaters have unclear or missing links. If you don’t follow a link chain through, it will be very hard for me to see your argument as good or thoughtful. I don’t care about a base system- if you want to try for a third speech when everyone else is getting two, I will not penalize you, but an extra speech will only place you above someone if I’m struggling to decide who did better. For speaking style, I don’t judge off of how you sound, but detest rudeness and like professionalism. The real US Congress doesn’t start a speech with a joke or trite phrase, so neither should you. IF YOU USE A CANNED INTRO OR PHRASE I WILL NOTICE AND BE UPSET. Also, I don’t think any news site is good evidence and prefer you use actual research- not just reporting. 9 time out of 10, a news source will cite something else, and it's lazy citationing on your part to not cite the original source.

When you clash- you cannot just tell someone that they're wrong. You have to either weigh your impacts against theirs and tell the chamber why your impact is preferable, or prove their link chain is incorrect. The latter your speech is, the more clash I expect to see. If you're giving constructive speeches late into a round, I will not rank you well, if at all.

For POs- I want to interject as little as possible (someone asking for tournament rules, like about hard stops, does not hurt you). How smoothly the round runs is your main job and will reflect on your rank. If there are a lot of recesses for people to write because they are not prepared, then you will do worse. You should manage the round and that includes making sure people will have future speeches.

PF Paradigm:

The number one priority of Public Forum Debate is that it remains accessible at all times.

Debaters are expected to time themselves and their oppenents. If there is some discrepancy on time, your speaker points will be in jeopardy. Please be responsible.

Go at whatever speed you are comfortable as long as it is not spreading.

I will flow what is said during speech, but not crossfire. I expect you to extend arguments from crossfire if you want to use them.

You must provide your win conditions. I need a framework to interpret how the round will be judged. That also means that weighing needs to be considers as well.

Don't assume definitions especially in the resolutions.

I will look at evidence only in the case that both teams appear to have evidence that contradict each other.

InterPA

Tech

Diction matters more in online competition than in face to face competition. In synchronous rounds, please emphasize your diction more.

You are welcome to ask for feedback regarding your placement within the camera.

I'd recommend you make sure the camera is perpendicular to your eyes/face. The angle coming from below sometimes makes viewing facial involvement unclear.

Preferences

Content Warning before your pieces. If you have any belief that your content could upset someone, you owe it to your audience to prepare us. Plot twists are not worth hurting your audience.

I really evaluate the quality of the cut/writing in close rounds.

A cut needs to have a clear beginning, middle, and end. The beginning means the characters, relationships, and problems are introduced. A perfect teaser has these element. The middle shows the characters attempting and failing to resolve a problem. The end discusses whether characters resolve or fail to resolve the problem and then what happen because of that.

Public address speeches follow some kind of previewed and road mapped structure to the speech.

Event Specific

Info

I don't evaluate lack of VAs as negative. I evaluate overused or nonhelpful VAs as a negative.

I don't really care about how you move in your speech.

OO

I follow PCS and CES structures the best.

I am sucker for empirics. I don't believe something is inherently a problem that affects everyone until you show me with a source that it affects people more than yourself. For example, if your speech is about how "We say no too much," you better prove beyond a doubt that we empirically say "No" a lot.

DI

I'm kind of over traumatizing DIs. DI is my favorite event though.

I value verisimilitude in the characterization and the blocking.

HI

Characterization matters the most. I value clear characters and efficient movement between the characters.

I also really pay attention to the resolution of the problem in HI. If the problem is resolved in a sentence or through an apparent unknown force. I blame the cut.

Duo

I hate how its done digital and really hope no one assigns it to me.

Blocking should highlight the conflict between the characters.

I find speaking towards the camera instead of pretending the two are in the same piece to be more believable.

POI

Characterization should be clear. I shouldn't doubt the differences between the characters.

Binder tech or lack of binder tech is irrelevant to me.

Extemp:

Tech

Time yourself for synchronous rounds. I don't trust internet connections to be consistent to allow me to give you effective time signals.

I can tell if you're reading off of your computer.

Sitting or Standing don't matter to me.

Preferences

I will flow the speech.

I don't look down on speeches past 7:00, but 7:20 is a little risk

Link back to the question always. Tell me why you are answering questions.

Fluency matters insomuch that I can understand you. Short pauses and disruptions will not be marks against, but if I cannot follow what you are saying then I will have trouble evaluating your speech.

Please email your case ahead of the round to dlaynekelly@gmail.com If I can preflow ahead of time, it will help me during the round. I want to know your contentions ahead of time.

Please do not spread; I want to understand your words and ideas clearly. If you spread, I will dock speaker points.

I appreciate logical, sequential arguments. Make sure throughout the round you are clearly explaining to me what your argument is and why it matters.

Present clear framework.

State impacts clearly.

Make sure during your speech, you are sign posting. Otherwise, I will have a hard time following your argument.

Extensions need to include warrants - simply saying extend Smith '20 isn't enough, you need to be warranting your arguments in every speech. This is the biggest and easiest thing you can do to win my ballot. Rounds constantly end with "extended" offense on both sides that are essentially absent any warrants in the back half and I end up having to decide who has the closest thing to a warrant.

Don’t run theory or k; I tend to vote for logical, warranted out evidence.

Make sure you convince me in your final focus why you should win. I will weigh heavily on that. Basically, your FF should write my RFD

Be respectful in words and actions to your opponents. If you interrupt, cut them off, or speak over them, I will dock speaker points

Do your best and have fun!

Speech Events:

I value your ability to communicate your ideas in a well organized structure. A good speaker is one that is able to keep the audience engaged but also has good ideas and argumentation that flows with good transitions, sources, and analysis. There shouldn’t be any holes in your speech where I’m able to question the credentials of the author or their research or their analysis or any other number of things.

I know speech is subjective, and this is my own thoughts and opinions regarding the activity. I, by no means, know all the answers, and any notes are mere suggestions.

I try to judge each event based on how well the students follow the structure allotted: for example, how well is the extemp question answered? How is the interpretation humorous? In duo and DI, how well are the characters created and expressed?

I look for an understanding of the text, and an elevation of it through individual interpretation.

In PA, I focus more on how well I was persuaded/informed. I look at delivery and content equally, but love when a student is confident in their abilities and has fun :)

I'm excited to see all the amazing performances at the tournament!

rileydwing@gmail.com

Debate:

I am a firm believer that this is your debate not mine. As a result I view the round how the debaters ask me to.

The few things I request is professionalism, fairness, and politeness. This stops being an educational experience when you sacrifice any of those 3 things for a win. I ask that all debaters be polite and do not partake in any sort of shady behavior.

I am more than ok with spreading if I have the case in front of me.

Lastly write my ballot for me, tell me why you won. I can make connections mentally, but I vote off the flow so vocalize everything.

Speech:

Speech is equal parts argumentation as it is presentation, I believe that both are imperative to a high ranking. I will always prefer average speaking and great analysis to average analysis and fantastic speaking. If you have both expect a high ranking.

Hi there!

My name is Kai, I graduated from PSJA North HS in 2019, but now I am at THE University of Texas at Austin.

I am on the Texas Speech team and I am so excited to continue speech in College. In high school, I was the 2019 TFA State champion in DI, I made out rounds in DI and DUET at NIETOC in 2018 and 2019. I had also competed in UIL in Extemporaneous speaking, and Prose and Poetry with a state final in prose at the 2019 UIL State Meet. I was also a Poetry finalist at the NSDA 2019 National tournament in Dallas, and I also had an outround in DI and PRO as well.

In College however, I was the National Champion in Dramatic interpretation at the 2021 NSC Tournament, Made multiple outrounds at the AFA & NFA National tournaments in DI, POI, PRO, DUO and POE with an AFA final in Poetry in 2021, AFA Final in DUO in 2022, NFA Final in DUO and POI in 2022 and a 11th place finish in the NFA pentathlon in 2021. I enter my 4th year on the team and I'm so excited to share my knowledge and skill sets with you all.

For interpretation events, I obviously love a good dramatic story but lets not get to over dramatic with the script. BLOCKING IS IMPORTANT, you can accomplish so much with such little blocking. I believe in subtle blocking and its impact on the performance. I live by less is more, unless the scrip/program calls for that dramatic blocking then by all means RUN WITH IT!

But I am a sucker for those dramatic moments with just you and your audience, above all this performance should feel like a conversation with your audience; You shouldn't have to compromise the story for overdramatic blocking/acting unless the script calls for it!

I will forgive little stumbles because I know how tough the nerves can get (I see you, I understand) but lets try to be prepared!

In my opinion the introduction will make or break your overall argument! If you can create an argument that will:

1) Draw me in further into your performance,

2) Make me question your argument (or left wanting more)

&/or 3) brings in new insights/ideas/questions

then you have my vote!

sell me your story, and I will buy it!

Extemp Speeches: I feel that you should be able to fully support your position and analysis with specific and detailed sources. I think that your delivery should be emphatic and well supported.

Interp Events: Teasers, transitions, and such should be completely motivated and with specific reason. Choices should help round out or build the character and support the story/plot line.

Hello!

My name is Valeria Najera. I graduated from Lebanon Trail High School in Frisco, Texas. I am a former high school speech competitor, and currently a collegiate speech performer at The University of Texas at Austin. There I frequently compete in Interp and Public Address. I have been a competitor for 5 years and I love helping other students. This far into the year I have qualified Poetry, Dramatic Interpretation, and Communication Analysis for the national competition.

When I judge interpretation events, I look for emotional levels. It is very important to me that I see each character presented go on an emotional journey. Every character should be different from where they started. I think it is extremely important that as a judge I can tell that students have made an emotional connection to the characters they perform. I also find introductions to be important to the overall rank of the piece. I want to see a relevant and well-thought out argument. In addition, I love when performers take risks.

For Public Address I want to see a professional speech, but at the same time, I want to see you having fun! I personally loving seeing PA events where I can see performers personality shine through.

Overall, I look less for small mistakes like a stumble or an awkward page turn, but instead I look for bigger picture moments that influence the overall feeling of a piece.

Organization is extremely important. The speaker should concentrate on answering the question. I look for a good casual tone with a slower paced speech which is both clear and concise. Documentation is important but should not overshadow the main topic of the speech. Transitions into topics should be clear, when the performer sign-posts their speech.

Begin with a good AGD and then carry it through the speech.

--I most enjoy debates that focus on the core controversy of the resolution where debaters provide offensive justifications for why open borders are good/bad. Overly dense framework debate, reliant on theory/tricks/underviews, or affirmatives that attempt to defend the smallest possible plan are not very persuasive to me and will likely not be successful.

--Go slow and speak well. Seriously. I won't be opening the speech doc during the debate and will only look at it after the debate if absolutely needed. If I do not clearly and completely hear an argument (tagline and evidence) I won't evaluate it. Debate is a communication activity and debaters who are incomprehensible or attempt to spread their opponents out with a variety of shallow argumentation rather than engagement with the core controversy of the topic will have a much more difficult time winning a ballot.

--My day job is in sales and I don't spend my time reading philosophy for fun, if your case is reliant on dense philosophical defense, they will need to be cleanly and thoroughly explained for me to follow.

1. Overall Structure: I look for speeches that are well-organized and coherent. A clear introduction, body, and conclusion are essential, with smooth transitions between ideas.

2. Choice and Cutting of Literature: I assess the selection and editing of literature for its relevance, depth, and impact. The chosen pieces should resonate with the audience and enhance the overall message of the speech.

3. Social Relevance: I value speeches that address pressing social issues and offer meaningful insights or solutions. The relevance of the topic to contemporary society and its potential to provoke thought and discussion are crucial factors in my evaluation.

4. Portrayal of Honest and Truthful Moments: Authenticity is paramount. I look for speakers who convey genuine emotion and vulnerability, as well as honesty in their delivery. Authenticity fosters connection with the audience and enhances the impact of the message.

These qualities contribute to a compelling and impactful performance that resonates with both the audience and myself as a judge.

Hey! My Name is Conor Rice

I am one of your traditional style judges! I am an NSDA Alumni and I used to compete in the various speaking events.

What I Look for as a Judge:

Speaking Events (OO, INFO, NX, DX, FX)

I look heavy on the content side of these speeches because good content is what makes a speech truly effective. I also do expect a performance of a good content speech is pointless if it is not well presented. I want to feel that personal reason why I should care about the topic. Bring me into the topic and hit me with the facts through an engaging speech. For INFO I want to see the true connection with the audience do not let your props become an obstacle.

Acting Events (Prose, Poetry, HI, DI, POI, DUO, DUET)

I want to see the story (beginning, middle, and end) of your piece and you truly feel it. The pieces that make it the furthest are the ones where you can see the person having fun and loving it. I want to be able to tell this piece is well-rehearsed and not thrown together minutes before the round. I love good blocking and choreography and will always highlight it in the feedback I write. I also look for the small details the attention to detail in the blocking. Ex: How you hold and pick up things.

Debate Events:

LD/PF:

I am looking for a clear framework and articulated argument with a clear structure. Tell me your value and crit and side post so I know exactly where you are in the argument.

WSD:

I need to see a clear framework and structure for the speeches and arguments. In the reply speech, I really want to see you clarify your team's argument and crystalize it, don't use this time to attack the other case.

Sincerely, Conor Rice

UPDATE FOR WSD @ TFA:

WSD didn't exist when I was in high school, but I judge it almost exclusively now including into deep elims of TFA State, UT, and Berkeley so my experience is not null.

Big things for me: I like clash, I want yall to answer the question, and I reward good on the spot analysis of your opponents argument, don't get so caught up in your case that your forget to answer your opponent's argument. Also I am fine with speed, but I don't think its necessary in worlds and honestly I prefer speech's that are stylistic and given like a PA. Please let me know if you have any questions and congrats on making it to state!

IE: I am pretty open to any stylistic choices or preparations of a speech/script, it is an Interpretation after all, so creative choices are welcome!

Extemp- You should have ample amount of evidence for the three main claims you decide to make. Please have your speech as structured as possible as it makes it easier for me to follow along and judge. It’s better for your speech to run 5 minutes, but be clear and conscie than for you to stay up there for seven minutes rambling on.

OO/INFO- There should be at least three sources in your speech. I don’t mind when you try and break the very formulaic structure of OO or info, but I should be able to easily follow along. I.E. you dont have to go “But first, then, finally” but hey whatver works for you, works for me, speak clear, be confident, and have fun up there.

HI- Use your space, HI is about physical humor as much as its about the jokes you are telling! Racist/misogynistic/Xenophobia etc humor is not funny. It’s not.

DI- Be careful with your content, DI’s are serious and I understand that, but be careful with how graphic you get. I am not a squimish judge so curse words dont bother me and mature material is fine, just try and be as tasteful as possible. And DONT mis-represent a character I.E. if you are playing a forty year old mom who just suffered the loss of her son, thats fine, but if you are speaking for an identity you cannot identify with, maybe not. DONT USE SLURS. Even for effect. It’s not needed. Use the space and be comfortable with silence. There is a lot of pauses and silence in DI and when its intentional l it works really well, so dont be afraid of it!

PR/PO- Don’t let your binder fall flat. I don’t think there is one right way to hold the binder, but there are a million wrong ways. It’s awesome when you find a way to incorporate the binder for techy stuff, but its def not necessary.

Lingering thoughts..

Your teaser should give me a clue about what your piece is about, (AND IT SHOULD BE MEMORIZED) it doesnt have to be a summary, but a couple of lines to let me know where the piece ie headed is great!

TIME. Be concious of it. Don’t run 10:29 or 10:30, once the fist is up WRAP IT UP.

If you forget your piece, take a moment to pause and collect your thoughts, try not to show it in your face and dont worry about it too much.

Be respectful to other performers, if you are on your phone, eating loudly, sleeping, or being distracting in anyway. I might factor it into your rank. It’s not cool, respect eachothers work.

Extemp: multiple sources for each point, strong time

Oratory/ Info: Strong evidence made with every claim

Interp Events: introductions should give me a strong insight into what I am about to hear as well as why what your speaking about is of importance or relevance to you

For all events, I prefer a controlled, strong, and detailed intro that sets the mood for the piece. For speech events, I prefer the utilization of the orator's triangle and a consistent flow of speaking patterns. For binder events, movement should be limited and binder work should be clean, but do not mind binder use as a prop. For partner events I like to see the team not only work in unison, but see each partner contributing the same amount of effort. I’m very excited to see your hard work!

In dramatic events, I am looking for clear characterization, strong emotional connections, and understanding of the piece. I want you to draw me in and let me feel with your characters.

In humorous events, I am looking for clear and concise characterizations that are easy to differentiate and follow, and a good sense of comic timing with the piece.

Duo and Duet, I am looking at the same things, but also strong interactions between the different characters.

In Informative, Oratory, and the Extemps, I am looking for a good conversational style with good use of gesture and confidence in your speeches. Know your stuff, or at least look like you know your stuff.

I am overall going to also look at technique and seek for it to be clean and clear.

Congress:

• Respectful clash is a must!
• Looking for organized speeches with some kind of evidence (real-world impacts; examples/references, context/background).
• Prefer conversational, dynamic speaking style with good eye contact.
• Don't be afraid to let your personality shine through your speeches; that keeps the round interesting!
• Make your questions count; well-thought out questions that help bolster your side of the debate could make a difference in where you are ranked.
• Always looking for speakers who respond to questions directly; Answers should demonstrate you have done your research on the topics.
• It's always good to point back to the bill or amendment during the debate; remind us of the heart or spirit of the legislation.
• Original thinking and creativity is a bonus!
• Stay engaged during the round, and demonstrate you are actively listening to the opposing side's arguments.
• Effective POs will receive a high ranking as long as they demonstrate leadership and keep the round running smoothly. Don't let the room get stuck, and help ensure everyone gets a chance to speak.

Interp Events:

• The best intros represent your own voice/perspective, provide a little background to prepare us for what we are about to watch and set up the proper mood/tone for the selection.
• Looking for well-developed characters, complete with consistent voice, stance/posture/placement, mannerisms and facial expressions.
• Multiple characters should be distinct, and transitions between characters should be polished and smooth.
• Creative blocking/movement/use of folder is definitely a bonus! But be sure the movement has purpose and does not detract from the performance.
• Please don't forget to have fun with your performance and don't be afraid to let your personality shine through the selection. That will always help bring the story to life.

As a judge, my main objective is for you to deliver your best performance and enjoy the process. If you're not finding joy in it, then something's amiss. Remember to engage in respectful and effective communication with your peers.

In Speech/Interpretation:

1. I generally look for effective use of voice, tone, diction, eye contact, suitable gestures, and intentional movement.

2. I value believability and your ability to embody the characters.

3. I appreciate captivating teasers or attention grabbers – make me sit up and pay attention!

4. Your delivery should be clean and clear.

In Debate:

1. I expect a clear understanding of the resolutions being debated.

2. I discourage the practice of spreading.

3. Good use of credible evidence and sources is crucial.

4. Effective diction, tone, and appropriate gestures are important.

5. Always maintain a kind and respectful demeanor.